It was important to me to activate the floor space with something that used
a different visual language to the paintings, but still worked with a sense of spatial confusion.
Deploying
different visual languages, rosenclaire propound a shared belief in the world as an ever - shifting fusion of equal components, always in state of becoming.
His motivations strike me as more cynical and wise - ass than this description implies, but I like Bradley's embrace of distinctly
different visual languages like gestural abstraction and monochromatic minimalism.
He studied several
different visual languages, such as trace paintings and drip paintings and found that a compilation of these styles helped him find his own visual language.
A blurred geology of layers takes the viewer into a whirlpool of
different visual languages: words, images, scribbles, scratches, photos....
Not exact matches
I also have a newsletter called The Whole Child to which you can subscribe in which I give ideas for activities to do at home with small kiddies to develop
different skills - gross motor, fine motor,
language,
visual skills etc....
«When we humans apply the word «three» to sounds or
visual images, we're using
language to link these
different sets from
different modalities.
Language arts: Effectively organizes, synthesizes, and professionally communicates ideas, findings, and discoveries, orally and in writing; adjusts their use of spoken, written, and
visual language to communicate effectively and respectfully with a variety of audiences and for
different purposes; utilizes a wide range of strategies to comprehend, interpret, evaluate, and appreciate all forms of text.
***** Please note - these resources provide
visual prompts and support to the students, not direct
language instruction ************** This set of cards looks at 57
different settings.
A full year of schemes of study A vast range of supporting
visuals and slide shows Student and staff handbooks Student feedback forms Policies including Health and Safety and a Gifted and Talented policy Cross curricular information such as colours in
different languages A vision for Art Education Art Technician duty list and....
In this lesson, students learn: - To define what emotions are; - To understand and use the vast range of emotional vocabulary and synonyms available in the English
language; - To investigate
different emotions, including how they can manifest themselves; - To understand how emotions can be communicated utilising a range of descriptive devices; - To create an imaginative and emotionally - driven piece of creative writing; - To self - assess their creative writing attempts; Included are all worksheets, and detailed and
visual PowerPoint presentation, which explains each concept clearly, and a lesson plan for teacher guidance.
Students adjust their use of spoken, written, and
visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for
different purposes.
We think that we process verbal (
language) and
visual (what we see) information in
different «channels.»
Gender is associated with
different levels of
language skills,
visual - motor skills, and social readiness.
Also included are warranty cards and a detailed and
visual instruction manual in 8
different languages.
They have fundamentally
different storytelling techniques from the timing, to the narrative structure, to the
visual language and so on.
Feline body -
language is complex and subtle with ate least twenty - five
different visual signals used in sixteen combinations.
In an industry where business progress often is heavily dependent on sharing stories, conveying powerful
visual elements, negotiating complex matters, and regularly communicating through
different cultures and
languages, ATTA's Hub offers powerful Web tools and features that allows for more effective communication between people.
The
visual language attached to male NPCs is very
different since they are rarely designed to be sexually inviting or arousing, and they are not coded to interact with the player in ways meant to reaffirm a heterosexual fantasy about being a stud.
Many painters (and
visual artists) express themselves through art because because it's a
different language on itself and there's things that can't be communicated through words.
Embarking from traumatic childhood experiences both men succeeded in turning their suppressed past into thought - provoking works of art, however following
different practices and adapting a diverse
visual language.
It's interesting, you talking about
language, and these
different modes of
language, and even containers for its expression brings me to a question around
visual language.
The book features photographs of each artist's performance by acclaimed photographer Paula Court, storyboards, sketches and scripts documenting the artists» creative processes, and ten newly commissioned essays on
different themes from the biennial, including
language, Russian Constructivism, Fluxus, comedy and the relationship between
visual art and theater.
Two Reflections draws thematic connections and contrasts between the
visual languages of these artists, each of whom portrays a common sense of anguish brought about by
different fundamental and inescapable forces in life: nature and humanity.
And while sometimes that material was radically
different from one to the other, I was overwhelmed to find commonality, for instance, the same book in both places, «The Poetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of
language, how the same words can to be constantly reconstructed to describe anew... While
language is essential to both practices, they share an incredible ability to transform
language or imagery with equal grace into the poetics of a purely
visual yet rigorously embedded experience... The work is saturated with content.
A poet,
visual artist and performance artist who lives in New York, Christopher Knowles (born 1959) produces works in many
different mediums that revolve principally around
language, to which he relates in an unusually concrete way.
Shared
visual languages which transcend
different periods, movements and media are revealed.
«Modernity» focuses on the development of ink art in the 20th century; «abstraction» recognises artists who create their own
visual language; «emerging» promotes new concepts by galleries and their new artists; «salon» examines the effect that new media is having on the genre in the 21st century; and «co-curation» unites
different participants in the art industry with dynamic programmes promoting ink art.
Klaus detected everything — their insinuations, subtle allusions, and dark places, as well as the residue of meaning that takes
visual language to a completely
different level.
Between the Real and the Imagined: Abstract Art from CINTAS Fellows explores the
language of abstraction and its many variants represented in the work of Cintas
Visual Arts Fellows across
different temporal moments and generations.
The participating artists all have
different approaches toward the
visual language of documentary.
Works by four pioneering artists who, though active in
different places and periods, developed similar
visual languages, are brought together...
Coinciding with the gallery's announcement for joint - representation of the artist's estate with Andrea Rosen Gallery, this selection of works from the artist's
different bodies of works once again manifested the timelessness and universality of Gonzales - Torres» silent and poetic
visual language that resists any art historical classification.
Works by four pioneering artists who, though active in
different places and periods, developed similar
visual languages, are brought together for the first time to shed new light on 20th - century abstract art.
According to Chalabi, the exhibition, titled «Archaic», will «explore the
different ways in which Iraq's ancient past has affected its modern and contemporary
visual languages -LSB-...].»
Works by four pioneering artists who, though active in
different places and periods, developed similar
visual languages, are brought together for the first time to...
If such perception - events are more about ideas and concepts — our own, or those we glean through interactions with
different communities or society at large — to what extent would notions such as popular
visual tropes, specific cultural references, or
language itself tend to be associated with physical sensations?
The completed paintings are an exciting blend of
different styles and
visual languages, evoking re-creation of an image from torn photographs.
By bringing these
different but related works together, «Snippets» presents a
visual conversation between the participating artists on these same issues, connecting through ideas of
language.
Satrapi takes a very
different approach from those of Shaw and Sikander: instead of subverting the formal structures of an Islamic mode of representation, she appropriates the
visual language of the Western comic strip.
His multi-screen film installations and photographs incorporate
different artistic disciplines to create a poetic and unique
visual language.
The experimental vocation of the group allows testing
different models of exhibitions and promoting encounters of duos and trios of artists, also exploring the dialogue with other
languages, so that exhibitions are not necessarily restricted to the
visual arts.
Each speaks a radically
different language of form, and the show aims to put these
visual artifacts in dialogue — as a nod to the lifetimes that objects take on beyond the factory and artist's studio.
The show is full of massive sculptural moments, all drastically
different and yet all linked thanks to Barlow's highly developed
visual language.
Carefully selected to represent a broad spectrum of
different mediums, each artist brings a unique vision and
visual language to the overall presentation, will be presented works by: Jenny Holzer, Barbara Kruger, Louise Lawler, Cindy Sherman and Rosemarie Trockel.
The play between various lines, the use of expressive marks and the drip of the paint in comparison to the repetitive rhythm or creation of a flat and decorative surface, all covey a
different understanding of the world and the
different, in a sense, sound of the
visual language.
Isaac Julien (b. 1960) is a British artist and filmmaker whose work incorporates
different artistic disciplines, drawing from and commenting on film, dance, photography, music, theater, painting, and sculpture, and uniting them to create a unique poetic
visual language in audio
visual film installations.
Comprised of three sections, organised in rough chronological sequence, the first section features earlier works from the formative period, 1948 — 1958, during which Herrera experimented with
different modes of abstraction before establishing the
visual language that she would explore with great nuance for the succeeding five decades.
Isaac Julien is a British artist and filmmaker whose work incorporates
different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting them to create a unique poetic
visual language in audio
visual film installations.
His familiar
visual language and themes shine through in these new works, albeit in a variety of
different painterly mediums.