Sentences with phrase «different works in the exhibition»

How her relationship to the photographic medium has changed over time can be read through the different works in the exhibition.

In this interview with the artist, Philippe Parreno talks about his relationship to Basel (where he showed Zidane in the city's football stadium), how he got the idea to the film Marilyn, how the different works in the exhibition are connected with each other, and about future projects.

Not exact matches

The purpose of Professor Javier Collado is to contribute to achieving the general objectives and core competencies set by the Organic Law 2/2006 of March 3, in the high school, with the «diffusion of knowledge» through a photo exhibition and an educational - multidisciplinary talk and consciousness - raising that will address the «different realities - realities equal» to live in the countries he has been working in Latin America: Bolivia, Peru, Ecuador, Colombia, Panama, Costa Rica, Nicaragua, El Salvador, Honduras, Guatemala, Belize, and Mexico.

Born in Salt Lake City and now living in Seattle, Marisa Cole is a transgender artist whose work has been exhibited in 15 different gallery and museum exhibitions since the 1990s.

This exhibition is a first, not only in Austria, with its overview of Oehlen's work from the early 1980s to the present, and key works from different stages in the painter's career.

During this unique five - year project IMMA will present a series of different and exclusive Lucian Freud related exhibitions, with a new programme of events and openings each year, including works and new commissions by other modern and contemporary artists in response to Freud, and will reveal exciting new perspectives on this major artist today.

The successive exhibitions feature work by MacConnel, Ned Smyth, Dickie Landry and Tina Girouard, artists from different parts of the country who were making seminal work in the 1970s and»80s, and who are still active.

Each artist combines notions inherent in the practices of art and architecture, in an experimental exhibition that includes site - specific installation, sculpture, painting, photography and video to create five very different and exciting works.

Presented in addition to the exhibitions at the Luther W. Brady Art Gallery, this selection is an opportunity for the public to view works from the university's collection in a different setting.

Bringing together artists working in various media, from multiple regions, and of different generations, this exhibition focuses on the lyric — the poetic first - person account of lived experience — to explore the complexities of being in the world.»

In the exhibition, the two big, blazing - fireplace images are followed by the final room, which features a very different selection of work: seven conventional - size easel paintings in oil on lineIn the exhibition, the two big, blazing - fireplace images are followed by the final room, which features a very different selection of work: seven conventional - size easel paintings in oil on linein oil on linen.

While related works such as the Hotel Grand series of gouaches, the bronze I Wanted You More (which mirrors the pose in the photograph) and the neon texts all address the perplexing inability to recall sexual intimacy, Emin further extends the theme of the exhibition — in works such as I waited and sat by your side and GONE — to reflect an altogether different kind of loss, that of bereavement.

Both born in Switzerland in 1979, Taiyo Onorato & Nico Krebs have worked together for more than three years on different projects and exhibitions in Europe.

This exhibition proposes what has never been done and that is to understand and re-examine the work of artists to whom vastly different philosophies have been ascribed and yet whose works resonate together in visual conversation.

This exhibition will address this theme in its broadest sense, serving as a framework for exhibiting and interpreting a wide range of different works of art.

The exhibition includes the current 20 MFA student works from 11 different MFA programs in Northern and Southern California.

«By co-authoring this exhibition with them in their own territory geographically and conceptually, this exhibition is attempting to draw a consensus between different creative impulses, and sensitize an audience which is increasingly interested in work that is informed by other practices.

Conceived as a theatrical score that punctuates and demarcates space, creating interplay among pieces in different media and from diverse bodies of work,» the exhibition channeled pivotal figures including W.E.B. Du Bois, Bessie Smith, John Brown, Matthew Henson and Jimi Hendrix, exploring lesser - known aspects of their biographies.

For his third exhibition at Modern Art, the US artist Richard Tuttle (b1941) presents four different groups of work that were created at different times and in different locations.

This all - encompassing exhibition is the world's largest retrospective of his work, revealing the full range and breadth of his oeuvre in order to acknowledge the many different directions his creativity has taken.

Featuring 100 of his masterpieces, this exhibition at the Scuderie del Quirinale focuses on how the artist's experiences in Italy influenced him, showcasing works of different styles including collage, realism and still life.

In that exhibition you showed two different series of works made during a residency in two factories in Nove (Stabila and Stylnove), could you tell me something about the experience at NUOVE / / Recidency and about the two serieIn that exhibition you showed two different series of works made during a residency in two factories in Nove (Stabila and Stylnove), could you tell me something about the experience at NUOVE / / Recidency and about the two seriein two factories in Nove (Stabila and Stylnove), could you tell me something about the experience at NUOVE / / Recidency and about the two seriein Nove (Stabila and Stylnove), could you tell me something about the experience at NUOVE / / Recidency and about the two series?

In this exhibition, key works by Bacon and Warhol will engage in an intelligent dialogue with those by some of the many different painters who have worked on the borderline between these two artistic languages, developing their own vocabularies with an emphasis on the manipulation and transgression of images, creating direct and indirect actions and narrativeIn this exhibition, key works by Bacon and Warhol will engage in an intelligent dialogue with those by some of the many different painters who have worked on the borderline between these two artistic languages, developing their own vocabularies with an emphasis on the manipulation and transgression of images, creating direct and indirect actions and narrativein an intelligent dialogue with those by some of the many different painters who have worked on the borderline between these two artistic languages, developing their own vocabularies with an emphasis on the manipulation and transgression of images, creating direct and indirect actions and narratives.

The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.

At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works of different generations of Israeli artists are interwoven with each other in a complex manner by the theme «body».

The interaction between these works and their spatial implementation plays a key role in the exhibition, addressing Raven Row's distinct architecture, and the potential for dialogue across different conceptual frameworks.

The performance — a variation of Reanimation (2010 / 2012/2013), one of the installations on display in the exhibition — is an open dialogue between the two protagonists and works on different tempos and rhythms around moments of pure musical improvisation.

Three concurrent exhibitions in three major London institutions, each with a different focus, and each including new work, would be a daunting proposition for any artist, but Tacita Dean seems perfectly suited to take this on.

Reflecting the way Jonas works across many different disciplines, the ground - breaking survey exhibition is the first of its kind at Tate, combining a gallery exhibition, a ten - day live programme in the Tanks with performances by Jonas herself, a film retrospective in the Starr Cinema, as well as this special one - day - only live performance of Moving Off Land.

The exhibition brings together works in diverse media by three artists - Iran do Espírito Santo, Callum Innes and Wolfgang Laib - which, whilst seemingly very different, share many conceptual, intellectual, formal and emotional resonances.

This exhibition of new paintings and cyanotypes provides evidence of the many different bodies of work McGinness has been exploring in recent years — from self - reflective Studio Views with process - referencing subject matter to iconic Signals, Skateboards, Mindscapes, and Black Holes.

The exhibition will allow viewers to see parallels and divergences in the work of Tim Rollins, K.O.S and Glenn Ligon, approaching their practices in similar ways but arriving at different results.

By Dr. Kostas Prapoglou Magical Surfaces: The Uncanny in Contemporary Photography is the new exhibition at Parasol Unit Foundation For Contemporary Art, featuring the works of seven photographers belonging to two different generations.

American Art of the 80's, curated by Gabriella Belli and Jerry Saltz, Palazzo delle Albere, Trento, Italy A Passion for Art: Watercolours and Works on Paper, Tony Shafrazi Gallery, New York, NY Closet No. 9, Queens Museum of Art, Flushing, NY Just What Is It That Makes Today's Home So Different, So Appealing, The Hyde Collection, Glen Falls, NY The 1980's; A Selected View From the Permanent Collection, Whitney Museum of Fine Art, New York, NY Metropolitan Home Showhouse 2, New York, NY To Benefit Fashion Moda, Brooke Museum of Art, New York, NY Children in Crisis, A Benefit Exhibition, Lorence Monk Gallery, New York, NY

The Montreal - based artist's second solo exhibition, Squinky Hates Video Games, is a compilation of work from the past three years in the form of ten different games, some of which were created during a stint at UC Santa Cruz's Digital Arts and New Media MFA program.

While the exhibition's heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano Art Movement, performance art, and queer aesthetics and practices.

And, as always, an exhibition allowed for physical experience — and this work really was breathtaking in person — while a book, of course, allows you to spell out histories and ideas as well as include different voices.

The works in the international group exhibition «Un certain regard» all objectify the body and test the boundaries between gazing and staring, to different degrees.

His approach to art making is similar to that of a composer, and the exhibition is conceived as a theatrical score that punctuates and demarcates space, creating interplay among pieces in different media and from diverse bodies of work.

Uniting different perspectives of seeing and subverting spatial conditions of representational forms in the 20th century this exhibition does not only present rarely seen work but also narrates different layers of art historical approaches leading to the long lasting meaning of representational object and space in art.

Significant exhibitions include Andy Warhol's Campbell's Soup Boxes in December 1986, which opened just weeks before the artist's untimely death; She: Works by Richard Prince and Wallace Berman which brought together — for the first time — two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010).

This unusual reprise uses two bodies of work that take different forms but address similar concerns, drawing attention to the permeability of the distinction between the contextual and the discrete and suggests that everything in the exhibition may be considered both background and subject.

While her work was being shown in an increasing number of group and solo exhibitions in the 1960s, Asawa continued to grow as an artist, branching out into different media.

Selected Bibliography «No Border: Zheng Xuewu Solo Exhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, SepteExhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, Septeexhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, Septeexhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, September 1994.

The Aaron Siskind Centennial Celebration took place in 2003 and 2004, with exhibitions at more than a dozen institutions across the country, each devoted to a different period or theme of his life and work.

Bringing together nine sculptures, two paintings, and 12 works on paper representing the different media in which the artist worked, the exhibition traces Truitt's artistic development from 1961 to 2002.

Each scene in the exhibition traces the management of the body in different spaces and temporal contexts from factory assembly lines to therapeutic «after work» locations.

In principle, these works might not seem to fit within the argument of the present exhibition but Gonzales's intention here is to create a different optical effect and a unique visual experience.

Instead, the careful selection of artists and works included in the exhibition encourage the visitor to reconsider the unique properties of the medium - primarily its ephemerality, and the ease with which it can be transformed into a variety of different objects - and, in doing so, Paper sheds a new light on this medium as both a raw material and a vehicle for artistic expression.

This juried exhibition includes sculpture in many different forms and permutations, and offers a sampling of works by artists from throughout the Mid-Atlantic region and beyond.