This remake of Disney's 1991 classic is remarkably faithful, using present - day
digital animation effects to give the story a photo - realistic sheen.
Not exact matches
In a world filled with
digital 3D
effects and computer
animations, viewers of TV commercials are increasingly attracted by videos that don't rely on these
effects.
Choose print books for babies because they may find the
animations and audio
effects in
digital books and story apps very distracting.
Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby
Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald;
animation supervisor, McKay; feature
animation, Animal Logic; head of
animation, Rob Coleman; FX supervisor, Carsten Kolve; special
effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.
We find notes from director Peter Jackson, extras wrangler Josie Leckie, director of photography Andrew Lesnie, camera operator Richard Bluck, armour weapons standby John Harding, greens master Brian Massey, co-producer Rick Porras, designer / sculptor Daniel Falconer, senior machinist / engineer Dominic Taylor,
animation supervisor Randall William Cook, stunt performer Steve Reinsfield, extras casting Miranda Rivers and Victoria Cole, painter Brett Larsen, carpenters Geoff Goss and Ross Hoby, supervising unit location manager Richard Sharkey, 2nd AD Marc Ashton, stunt performers Mana Davis and Sala Baker, 2nd unit director Geoff Murphy, boom operators Eoin Cox and Corrin Ellingford, on set art director Simon Bright, camera operator Peter McCaffrey, motion control operator Henk Prins, previsualisation supervisor Christian Rivers,
digital surveyor Nick Booth, stable foreman Lee Somervell, gaffer David Brown, set finishing supervisor Kerry Dunn, on set art director Joe Bleakley,
effects technician Peter Zivkovic, on set prosthetics makeup Tami Lane, 3rd AD Chris Husson, Weta Workshop's Richard Taylor,
effects technicians Darryl Richards and Scott Harens, stunt rigger Paul Shapcott, New Zealand stunt coordinator Kirk Maxwell, swordmaster Bob Anderson, medic and safety officer Andy Buckley, supervising art director Dan Hennah, conceptual artist Alan Lee, Gimli scale double Brett Beattie, and actors Dominic Monaghan, Billy Boyd, Andy Serkis, Bernard Hill, Brad Dourif, Elijah Wood, Orlando Bloom, Sean Astin, Miranda Otto, and Viggo Mortensen.
There's no real reason for this live action /
animation hybrid version of the classic cartoon besides the fact that
digital effects allowed them to do it.
(Color, widescreen); editors, Matthew Landon, Carole Kravetz; music, Hans Zimmer, Richard Harvey; production designers, Lou Romano, Celine Desrumaux; sound designer (Dolby
Digital), Tim Nielsen; supervising sound editors, Nielsen, Christopher Barnett; re-recording mixers, Nielsen, Barnett; visual
effects supervisor, Pascal Bertrand; character designer, Peter De Seve; co-character designer, Barthelemy Maunoury; CG character supervisor, Hidetaka Yosumi; CG
animation supervisor, Jason Boose; CG lighting supervisor, Adel Abada; stop - motion creative director, Jamie Caliri; stop - motion production designer and character designer, Alex Juhasz; stop - motion lead animator, Anthony Scott; associate producers, Brice Garnie, Olivier Rakoto; casting, Sarah Finn.
Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby
Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special
effects supervisor, John Frazier; special
effects coordinators, Jim Schwalm, Jon G. Belyeu; visual
effects supervisors, Tim Alexander, Gary Brozenich; visual
effects producer, Shari Hanson; visual
effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM
animation supervisor, Kevin Martel; MPC visual
effects supervisor, Matt Middleton; special makeup
effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.
Though expanded and sometimes reinterpreted, this «live - action» Beauty (which relies extensively on
digital effects and
animation) is every bit as much of an appealing crowdpleaser as the source film.
Camera (Technicolor, Panavision widescreen, Arri Alexa
digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halle
digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby
Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halle
Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual
effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual
effects and
animation, Industrial Light & Magic, Method Studios; visual
effects, Trixter Film, Rise Visual
Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.
With: Art Jeffries - Bruce Willis Nicholas Kudrow - Alec Baldwin Simon - Miko Hughes Tommy B. Jordan - Chi McBride Stacey - Kim Dickens Dean Crandell - Robert Stanton Leo Pedranski - Bodhi Pine Elfman Emily Lang - Carrie Preston Peter Burrell - L.L. Ginter Martin Lynch - John Carroll Lynch Shayes - Peter Stormare Lomax - Kevin Conway Jenny Lynch - Kelley Hazen Supervisor Hartley - John Doman Edgar Halstrom - Richard RiehleCamera (Deluxe color, Panavision widescreen), Michael Seresin; editor, Peter Honess; music, John Barry; production designer, Patrizia von Brandenstein; art directors, Jim Truesdale, Steve Saklad; set designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume designer, Betsy Heimann; sound (DTS / SDDS / Dolby
digital), Kim Ornitz; visual
effects supervisor, Michael Owens; special visual
effects and
animation, Industrial Light & Magic; associate producer - assistant director, Tom Mack; casting, Nancy Klopper.
It provides info from Spielberg, Lucas, ILM
digital artist Paul Huston, ILM
animation supervisor Steve Rawlins, ILM
digital model supervisor Dave Fogler, ILM view paint supervisor Steve Walton, ILM
digital compositing supervisors Sean MacKenzie and Jay Cooper, visual
effects supervisor / aerial unit / unit director Pablo Helman, ILM
digital matte supervisor Richard Bluff, Kerner Optical model supervisor Brian Gernand, ILM lead TD supervisor Craig Hammack, ILM associate visual
effects supervisor Marshall Krasser, ILM
digital production supervisor Jeff White, ILM creature and simulations supervisor Eric Wong, Kerner Optical lead model maker Nicholas A. D'Abo, and ILM visual
effects art director Christian Alzmann.
In addition to movie clips and material from the set, we hear comments from Jackson, actors Wood, Astin, McKellen, Brad Dourif, Lee, Hill, Urban, Mortensen, Rhys - Davies, Otto, Monaghan, Boyd, Serkis, visual
effects supervisor Richard Taylor, supervising sound editor / co-sound designer Ethan Van Der Ryn, producer Barrie Osborne, supervising art director Hennah, conceptual artists Alan Lee and John Howe,
digital model supervisor Matt Aitken, director of
animation Randy Cook, visual
effects supervisor Joe Letteri, creature supervisor Eric Saindon, executive producer Mark Ordesky, stuntman Sala Baker, creature facial lead animator Bay Raitt, and co-producer Rick Porras.
(Color, widescreen, 3D); Music, Ramin Djawadi; production designer, Jeremie Degruson; sound (Dolby
Digital), Yves Renard, Pierre Lebecque; supervising sound editors, Frederic Demolder, Simon Jamart, David Vranken; re-recording mixer, Luc Thomas;
animation supervisor, Dirk De Loose; visual
effects supervisor, Yannick Lasfas; line producer, Vincent Philbert; associate producers, Gina Gallo, Mimi Maynard, Domonic Paris; casting, Gina Gallo, Mimi Maynard.
What's more, with the pervasiveness of
digital effects, audiences are effectively seeing more
animation than ever, whether they are aware of it or not.
There's no music, sound
effects, or
animation tweens — only a
digital canvas where time and space are not restricted by paper, creating new ways to convey storytelling elements.
In addition to its motion - picture and television production, the company's activities include visual
effects and audio post-production, cutting - edge
digital animation, interactive entertainment software, and the management of the global merchandising activities for its entertainment properties including the legendary STAR WARS and INDIANA JONES franchises.
As a result of their talent and success in
digital filmmaking, several of Lit Fuse's members, including Zachariah Scott were hired by Bioware to work on
animations for the Mass
Effect series.
The trailer was created by a team of more than fifty people from i am 8 - bit Productions & Buddy System Studios and uses fully - sculpted physical objects for
animation instead of
digital effects.
In his innovative Moving Paintings collection, Steve Matson combines traditional painting with cinematography, visual
effects,
digital painting,
animation, music and sound
effects.
Slippery narratives contort through fluctuating perspectives and modes of address, as well as through images and sounds from a dizzying range of sources — unique audio and video recordings are cut and layered with voiceovers, popular music, manufactured sound
effects, assorted emojis,
digital animations, and stock photography and video.
provides students with the opportunity to explore traditional and
digital skills related to creative designers, artists, and storytellers in motion graphics, modeling,
animation, visual
effects and concept art for film, television, video games and advertising industries.
The
Digital Media Minor provides students with the opportunity to explore traditional and digital skills related to creative designers, artists, and storytellers in motion graphics, modeling, animation, visual effects and concept art for film, television, video games and advertising indu
Digital Media Minor provides students with the opportunity to explore traditional and
digital skills related to creative designers, artists, and storytellers in motion graphics, modeling, animation, visual effects and concept art for film, television, video games and advertising indu
digital skills related to creative designers, artists, and storytellers in motion graphics, modeling,
animation, visual
effects and concept art for film, television, video games and advertising industries.
This substantial publication, like its yearly predecessors, is accompanied by a DVD containing clips of top computer
animation and visual
effects, as well as a CD featuring cuts from selected works in the
Digital Music category.
Inspired by what in the video below is called an LTV (lowtekvision)- a device used to help the vision - impaired with viewing printed matter - the show presents hand drawings and
animations exploring the imperfections of the human hand, its aesthetic
effects and how it can be integrated with
digital technology.
Messages has been overhauled with new features like background
animations, bubble
effects, rich links, and
Digital Touch, the sketching feature first introduced on the Apple Watch, allowing users to create drawings and annotate photos and videos.
Tags for this Online Resume: art director, artist, creative director, production artist, multimedia specialist, traditional art,
digital art, analog art, painting, drawing, prepress, point of purchase, pop, gaming, prototyping, graphics, graphic, graphic design, 3D, rendering, 3d modeling,
animation, video, editing, compositing, special
effects, printing, art direction, web design, web development, creativity, adobe, display, advertising, technical, illustration, assembly drawing, exploded view, profile view, 3/4 view, commercial, web banners, ads, cinema, movie, dvd, bluray, hd, broadcast, media, html, website, web, draw, paint, sketch, photoshop, illustrator, dreamweaver, 3dsMAX, 3d Studio Max, Combustion, indesign, flash, flint, flame, inferno, xsi, wireframe, shaders, materials, design, designer, zbrush, poser, mudbox, sketchup, soundforge, soundbooth, quark, retail, merchandiser, merchandising, wood, wire, metal, plastics, thermoform, vacuum form, roto molding, injection molding, heat bending, CAD, cnc, routing, manufacturing, tradeshow, expo, entertainment, novelty, slot machine, gambling, console, character, beverage, food, healthcare
Tags for this Online Resume: Designer, Prototype, Branding, Logo Branding, 3d
animation, photoshop, illustrator, 3ds max,
digital media, song writer, video, afer
effects, graphic designer, audio designer
Breadth of work: broadcast and
digital content, live action to special
effects, CGI and
animation.