Nearly every photographic process from its origins — daguerreotypes, albumen silver prints, gelatin silver prints, gum bichromates, platinum silver, cyanotypes and even
digital archival prints — are in the collection, making it a keen contribution to the history of the medium itself beyond Albany's city limits.
Tape, 2009 Teresa Hubbard / Alexander Birchler Four
digital archival prints Each image 24 x 30 inches Courtesy of Lora Reynolds Gallery, Austin
Installation view, Eiffel Tower, Paris Texas, 2009 Teresa Hubbard / Alexander Birchler
Digital archival print Image: 24 x 30 inches Courtesy of Lora Reynolds Gallery, Austin Photography © Fredrik Nilsen
Manish Nai, «Untitled», 2012,
digital archival print of drawing superimposed on photograph, 68.5 x 91.4 cm / 27 x 36 in.
Not exact matches
The image is composed of multiple hand - drawn images which are digitally composited and output as an
archival digital print.
Under the supervision of the Director of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast
archival content, including both
print and
digital photos
Digital radiography has the advantages over conventional film radiographs in that it uses approximately 1/3 of x-radiation to create the image, the ability to enlarge the image to see small changes, increase or decrease contrast to help small lesions show up better,
archival of images on a hard drive or back - up disc, easy retrieval, and the ability to
print the images for client education.
I also generate abstract
prints using various
digital effects to produce unique images which are
printed on Epson
Archival Matte Paper with Epson UltraChrome inks to ensure the very best quality.
Each
archival pigment
print is proofed and
printed by Ruddy at
Digital Silver Imaging, one of the finest photography labs in the US.
Kahn / Selesnick, The New City of Salt, 2001,
archival digital print, 3/5, 9 x 37 inches, Museum Purchase, Courtesy of the artists
[Image: Kahn / Selesnick, The New City of Salt (detail), 2001,
archival digital print, 3/5, 9 x 37 inches, Museum Purchase, Courtesy of the artists]
Willie Cole, Silex Male: Ritual,
Digital print on Epson 9600 using Ultra Chrome
Archival Inks, edition of 12, 2004
The images are compiled from collages of torn and cut paper which are scanned, further layered and manipulated in the
digital environment and
printed onto canvas with
archival pigment inks.
It is a
digital pigment
print on
archival cotton rag paper (900 x 727.8 mm).
LIVIA CORONA From the series Two Million Homes for Mexico, 2007 - present
Archival digital C -
Prints 30 x 40 inches Photography © Fredrik Nilsen
Lynn Hershman Leeson, Breathing Machine II (From the Suicide Series), 1965,
Archival digital print, Edition of 3 + 1AP, 14.6 x 11 inches.
2016 Mixed media (Oil on plexiglas with
archival digital print and branches) 74 x 96 inches Branches variable dimensions
Ed Blackburn (American, b. 1940) Blue Car, 2012
archival digital print edition 1 of 3 22 x 17 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of Linda and Ed Blackburn in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2013.9 © Ed Blackburn.
Ed Blackburn (American, b. 1940) Abstract Marlon, 2012
archival digital print edition 1 of 3 22 x 17 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of Linda and Ed Blackburn in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2013.8 © Ed Blackburn.
«sound series,» 2016
digital prints from original collage on
archival cold press paper
printed by Furthermore, Brooklyn edition of 25, 4
prints per edition 16 x 12 in.
David Salle, The Old Bars (after MH), 2017 oil, acrylic, flashe, charcoal and
archival digital print on linen, 1.7 × 2.3 m. Courtesy: © the artist, VAGA, New York, Skarstedt, New York, and DACS, London
Archival Pigment
Digital Print on Duralene, Lightbox, 13» x7» Images courtesy NASA / JPL - Caltech Photo documentation courtesy Catherine McElhone and Southern Exposure
The images are developed from collages of torn and cut paper which are scanned and manipulated in the
digital environment and
printed onto canvas with
archival pigment inks.
Archival Pigment
Digital Print, 24x24 inches each Images courtesy NASA / JPL - Caltech the Public Domain.
Gouache, acrylic paint, metal leaf on assorted handmade papers with graphite, colored pencil, mica and
archival digital prints
Josh Azzarella Untitled # 38 (Byran), 2007
archival digital c -
print 20 x 30 inches (50.8 x 76.2 cm) edition of 7 with 3 APs JAZ - 2 Courtesy of the artist and DCKT Contemporary, New York
Jane Hammond Album (Marchelli), 2008
Archival digital ink jet prints, rice paper, Jade glue, archival tape, ink, graphite, found photo corners, and soot 29.5 x 43.25 inches (75 x 1
Archival digital ink jet
prints, rice paper, Jade glue,
archival tape, ink, graphite, found photo corners, and soot 29.5 x 43.25 inches (75 x 1
archival tape, ink, graphite, found photo corners, and soot 29.5 x 43.25 inches (75 x 109.8 cm)
Untitled # 1 from the series New Forms,
digital collage, 2014 - 15
archival pigment
print on fiber - based paper mounted on dibond, 45 x 35 inches (detail)
High Density Foam, cotton, muslin, cotton thread, foam core, hand - made cotton rag paper,
archival digital inkjet
prints on
archival paper, acrylic paint, gouache, matt medium, Jade glue, fiberglass strand and sumi ink
Alfredo Jaar Real Pictures, 1995 six photographic
archival boxes covered with linen and six color
digital prints each box: 2 x 11 x 9 inches (5 x 27.9 x 23 cm) each
print: 11 x 9 inches (27.9 x 22.9 cm) AJ - 1005 Courtesy of the artist and Galerie Lelong, New York
Like its sister
prints, this work is the product of an involved process whereby the artist combines wood veneer,
digital and relief
prints, collaging them onto a sheet of 4 - ply
archival mat board.
Since 2012, Magnolia Editions has published an ongoing series of
archival watercolor
prints by Close which use the artist's grid format and the precision afforded by contemporary
digital printers to layer water - based pigment on Hahnemuhle rag paper [31] such that the native behavior of watercolor is manifested in each
print: «The edges of each pixel bleed with cyan, magenta, and yellow, creating a kind of three - dimensional fog effect behind the intended color swatches.»
Lead Image: Roberta's Construction Chart 1, 1975,
archival digital print and dye transfer.
Meditation # 9 (Breezy Point) 60» H x 75» W
Digital archival pigment
print on Hahnemühle Ultra Smooth 305
archival paper.
The Old Bars (after MH), 2017, oil, acrylic, flashe, charcoal, and
archival digital print on linen, 67 1/8 x 92 inches.
David Salle, Pay Only $ 39.95, 2014 — 2015, oil, acrylic, crayon
archival digital print, and pigment transfer on linen, 84 × 96 inches (© David Salle, licensed by VAGA, courtesy Skarstedt)
Justin Wood Searching for the Exit, 2014
Archival inkjet ink, acrylic, oil and
digital print on Mylar or 32» LED TV with video
Title: «Montauk Bluffs IV» Artist: Scott Farrell (Huntington Station, NY) photograph
Digital photograph
printed on Epson Hot Press Bright paper with
archival pigment inks in black metal chrome with museum glass and
archival mat and foamboard backing.
R.H. Quaytman Light Industry, 2011
Archival digital pigmented
print with silkscreen on Museo Max paper 12.375 × 20 inches Signed edition of 30, 5 APs
HIRAKI SAWA Going Places Sitting Down 信步闲坐, 2007
Digital C - type
print on AGFA
archival paper 数码打印彩色照片 20 x 26 inches x 5; 50.8 x 66 cm x 5 Edition of 8
, 2017
Archival digital pigment
print from scan, 20 x 26.67 in.
Her body of work, consists of drawings,
archival digital prints and wood carving.
(Installation, Model, mixed media, series of
digital prints, cactus,
archival video, Variable dimensions, Installation view, Istanbul Biennial, Istanbul, Turkey, 2011.
David Salle Carny Mind, 2015 oil, acrylic, silkscreen, charcoal, crayon and
archival digital print on linen 96 x 70 inches Image courtesy Skarstedt, New York
Gouache, acrylic paint, metal leaf on assorted handmade papers with graphite, colored pencil and
archival digital prints
Daniel G. Hill, Shade / Stairs 1, 2009
Archival inkjet
print, 24 x 35 inches October 13 — November 12, 2009 «I work in the areas of painting, photography and
digital media.
The group show features works by 12 different artists and artist groups, including those of Evan Roth, whose visualisation and
archival of
digital culture is rendered in «Forgetting Spring», a sculpture composed out of a 42 - meter
print of four months - worth of Internet browsing.
Diane Tepper («Untitled,»
Digital archival photograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C - print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Phot
archival photograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C -
print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph
print); Eric Ernst («Study for Diagrams from the Sky,»
Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Phot
Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,»
Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Phot
Archival inkjet
print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Photograph).
Sandy Litchfield Opening Scene, 2014 collage and acrylic on
archival digital print on rag paper 22 x 30 inches
Juan Manuel Echavarría, Dinaea Tortuosa, 1997,
digital archival pigment
print mounted on aluminum, ed of 10, 20 x 16 in