Sentences with phrase «digital camera picture»

The standardized DCIM format means digital camera picture - transfer software can automatically identify photos on a digital camera or SD card when you connect it to your computer, transferring them over.

Not exact matches

After taking a picture of the document with a phone or camera, Qipit converts the photo into a PDF and magically renders the picture into a crisp and clear digital copy.

Once he thinks he's found a winner, he snaps a picture of it with his digital camera and often tests consumer response by listing a few items on eBay.

Business concept: Allows digital - camera users to upload images, create their own voice - over «captions,» and share pictures through E-mail links.

In that deal, PhotoPoint CEO Ed Bernstein agreed to pay Kodak a flat fee in exchange for access to the film - and digital - camera users who bring their pictures to 40,000 Kodak PhotoNet processing locations throughout the country.

My husband nearly choked on his own spit when he asked where I was going with the digital camera and I told him, «to take a picture of my buns»... hamburger buns of course.

GE X450 Digital Camera (www.General-Imaging.com)-- $ 150 What cook doesn't love taking pictures of their thoughtfully prepared and plated meals to share on social media?

I use my digital camera to take pictures.

I think we can all agree that with the advent of smartphones and digital cameras the actual printing of pictures goes on a lot less than it used to.

Just about every father I know wants a good digital camera to record those important moments in a baby's development, or just wants to have and / or post pictures of the cutest baby ever.

Home video, digital camera, disposable camera, black and whites, full color glossies, professional videographer, cell phone that takes pictures, the professional photographer you used for your wedding, your mother / husband / sister / cousin with a disposable camera in hand... How did you capture pictures of birth?

I'm digging through my pictures as we speak (what did we do before digital cameras?

• 3) Expensive Baby Shower Gifts: Deluxe rocking chair for nursing, baby dresser and changing table, gift certificate for a muralist, digital camera, video tape recorder, photo gift package certificate that pays for a certain number of wallet - size, 8x10, 5x7, and 8x14 pictures or picture frames, baby car seats, baby stroller.

Whether you're a beginner, hobby photographer, or pro, there are four reasons why a digital SLR camera will help you take much better pictures and videos: Manual controls, faster performance, better camera sensor, and interchangeable lenses.

With a shape - changing lens, a phone could potentially take pictures with the same depth and zoom as a more expensive digital camera.

With the assistance of Global Explorer, a ROV equipped with a high definition color video camera and digital still camera, the researchers were able to snap some of the first pictures of numerous species that are believed to be new to science, including this red medusa jellyfish, which belongs to the genus Atolla.

The site is also equipped with digital cameras that are able to take automatic pictures of the ecosystem to study plant phenology.

For example, turn on your digital camera to snap a picture of the setting sun and photons flying in through the lens make electrons move out from semiconductors located where the film would be in conventional cameras.

Moiré patterns are the enemy of many: In printing arrangements of dots can create unwelcome moiré patterns; in television and digital photography a pattern on an object can interfere with the pattern of the light sensors or camera sensors, adding unwanted moiré patterns to the picture.

Such software could speed up Web searches for images or even find a home one day in digital cameras to help photographers compose their pictures better, which is pretty much the only thing we humans still need to worry about with a lot of digital cameras.

Whereas a one - bit flash memory can be switched on and off hundreds of thousands of times (a switch might involve taking or deleting a picture on a digital camera), a memristor has a much longer lifespan than flash, Williams says.

THE animated turning of pages in a digital magazine, the whir of a camera shutter when you snap a smartphone picture.

The same technology that's in your digital camera has led to people like me being able to take pictures of wide swaths of the sky at a time.

They regard her quizzically while she takes pictures of them with a digital camera.

That was before digital cameras and I'm not ever sure if I have a picture of it because we ripped it out the first day and were hurrying and scurrying to do so.

Some of the photos were taken on a digital camera (for example, our Iceland photos) and others from my iPhone (Sammie, Sherlock, and some of the NYC pictures), and all of them turned out incredible!

First off I grabbed my Sony Cyber-shot digital still camera and had my hubby go at it with some pictures as you see above for this post on my striped tee over a floral fun maxi dress.

Every week I share pictures (from my cell phone, via Instagram, or my digital camera) of things that made me smile.

Incase a person is not able to upload a picture of themselves from a digital camera, scanner or mobile phone, the staff will help you upload one for a nominal fee.

If you haven't got access to a digital camera, you can use a disposable to take the picture, and then ask your local developer shop or pharmacy to develop the photos onto a CD for you.

I am creative in that I like to write poetry, make jewelry, take pictures with my digital camera, etc..

Have you given up on nighttime shots because of the fact that when you took pictures of your friends at an evening gathering with your new digital camera the shots were all street too dark?

Even those of us who've owned digital cameras for rather a while can utilize tips on how to make better pictures and troubleshoot when problems arise, if they are in xs.

For some it is, while others may run into a few speed bumps along the way, like not having a digital camera, unable to figure out how to upload a picture, or maybe even trying to figure out how to create a profile that shows off their unique personality in an alluring way.

With digital cameras and cameras on every smartphone, these days most of us have more pictures of ourselves than we can possibly use.

One fun and easy way to snap more pictures of yourself is to grab a best friend and either a digital camera or high quality smartphone camera.

Maybe the camera has been improved, maybe the Boeing digital projectors are a step up from the underpowered Texas Instruments machines, but the picture is bright, crisp and detailed.

Bonus: • Both Theatrical and Unrated Versions of the Film • Video Commentary with Director Todd Phillips and Actors Bradley Cooper, Zach Galifianakis and Ed Helms • «Map of Destruction» • «The Dan Band» • «The Madness of Ken Jeong» Featurette • Gag Reel • «Action Mashup» • «Three Best Friends Song» • More Pictures from the Missing Camera • Previews • Digital Copy

The smackdown sequences are especially masochistic, though Bay and cinematographer Jonathan Sela shot most of the picture on IMAX digital cameras, in 3D, so it looks better than the average postproduction 3 - D conversion job.

Camera (color, widescreen, Red Digital Cinema, 3D), Simon Duggan; editors, Matt Villa, Jason Ballantine, Jonathan Redmond; music, Craig Armstrong; executive music supervisor, Anton Monsted; production designer, Catherine Martin; supervising art director, Ian Gracie; art directors, Damien Drew, Michael Turner; set decorator, Beverly Dunn; costume designer, Martin; sound (Dolby Digital / Datasat / SDDS), Guntis Sics; sound designer / supervising sound editor, Wayne Pashley; re-recording mixers, Steve Maslow, Phil Heywood, Pashley; visual effects supervisor, Chris Godfrey; visual effects producer, Joyce Cox; visual effects, Animal Logic, Prime Focus, Rising Sun Pictures, Iloura, Industrial Light & Magic, Method Studios; stunt coordinator, Glenn Ruehland; assistant director, Jennifer Leacey; casting, Ronna Kress, Nikki Barrett.

Especially considering the fact that the picture was shot over a decade ago, just on the brink of the cinematic digital revolution when the alchemy of actual film was still (just barely) the preferred medium over the pixelized perfection of digital cameras.

Camera (Deluxe color, 35 mm), Roger Deakins; editors, Joel Cox, Gary D. Roach; music, Johann Johannsson; music supervisor, Deva Anderson; production designer, Patrice Vermette; art director, Paul Kelly; set decorator, Frank Galline; set designers, Mayumi Konishi - Valentine, Aaron Linker; costume designer, Renee April; sound (Datasat / Dolby Digital / SDDS), Mary H. Ellis; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Greg Rudloff; visual effects, Pacific Title & Art Studio, Luma Pictures; stunt coordinator, Steven Ritzi; assistant director, Donald L. Sparks; casting, Kerry Barden, Paul Schnee

Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halledigital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah HalleDigital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.

The young technologists take pictures from books with the digital camera, put those photographs on disks, and then include the photos in a Microsoft PowerPoint presentation that shows their progress in guessing ten mystery cities by clues («This city is one of the few world capitals not situated on a coast or navigable river») and comparing photo periods.

With it, students conduct research by programming an onboard digital camera to take pictures of specific places on Earth.

«The ease of using a digital camera allows students to snap many nonsense pictures.

«Above all,» Miller added, «remember that digital photography isn't just about taking pictures; it's about using the camera as a tool to help explore and understand other subjects!»

If you have a digital camera available, take pictures as the town goes through various transformations to document the changes.

While students dress their dolls, I use the digital camera to take pictures of all of them.

Digital Photos: If you have access to a digital camera, take students» pictures on the first day of Digital Photos: If you have access to a digital camera, take students» pictures on the first day of digital camera, take students» pictures on the first day of school.