Sentences with phrase «digital damage we do to»

Not exact matches

Trump (and Zeldin) did well in this Long Island district, but Democrats have continued to target Zeldin, most recently launching radio and digital ads against him for voting against legislation that included relief funds for Hurricane Harvey damage in Texas.

From the news story on Variety: «Videa hired German lab TLEFilms to do digital restoration on the damaged 35 mm celluloid original... The original Suspiria screen titles have been also been restored, as they appeared in Argento's original cut.»

But does this mean that educators and parents addressing the challenges of educating children with ADHD, many who saw digital toys as kids stuck in front of a screen damaging their already fragile abilities to focus, will soon be steering their charges to more game play?

nothing ever came of it, as we were able to work out the damage ourselves... but since then we've discussed keeping a cheapo digital camera in the glove box (one that takes regular AAs that we don't have to keep inside it so they aren't dead when we need them), but we keep forgetting to actually do it (probably because my iPhone is ever - present).

Like pollutants in a lake, error ridden amateurish work damages the image of the digital publishing environment for everyone - and tarnishes the work of people who do take the time to get it right.

By Stone's account, Steve Jobs's innovations at Apple in digital music — the creation of the iPod and the iTunes store, which rapidly upended and damaged the music industry — persuaded Bezos that Amazon had to move fast to capture the digital reading market before Apple did.

comrade... friendshipping and «fellowshipping» decreased in quality and quantity, 2) too many comics were late, in short supply, or damaged, 3) I didn't want to have to bring a copy of Previews or a Diamond printout to know which comics to expect or which ones were already gone, 4) the shop - owners didn't seem as concerned about staying relevant, 5) back issues were often poorly - organized and thus too hard to find, 6) dust and allergy concerns, 7) all the freebies Marvel (used to) put out digitally, 8) no more hearing that comics weren't in because of a holiday that I forgot about or because UPS was late or misdelivered, 9) going out - of - town no longer meant having to find a local comic shop so I could see what stuff showed up, 10) 99 cent digital sales, baby.

I think the real «damage» that digital comics does to the Direct Market is more psychological.

Now gamers will no longer find themselves hassling with removing games from behind their 3DS screen, this is something that is a very welcomed sight and has made gaming on the handheld rather easy versus slightly meticulous when having to either, open your screen or close it based upon ease of access to ensure the top screen didn't get scratched, damage, or just even in the way when swapping between games (for those of you who don't prefer digital).

Though, it was because the developers, Polyphony Digital, didn't have the talent to visually display damage, it was actually the fault of the car manufactures.

Kessler writes that the exhibition «is not only about a group of Mark Rothko paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The exhibition features a much - damaged five - panel mural that Rothko was commissioned to make in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural which was painted for the commission and held in reserve until Rothko decided which five paintings he wanted for the final installation.»

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texdo something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TexDo the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

A digital footprint is difficult to erase — not only do you risk causing serious reputational damage to a potentially innocent person, you could also find yourself at the sharp end of a criminal investigation.

This is no longer about what damage digital could do to traditional legal business development; it is about what digital is already doing to business development.

A digital footprint is difficult to erase — not only do you risk causing serious reputational damage to a po - tentially innocent person, you could also find yourself at the sharp end of a criminal investi - gation.

Section 3 is a free - to - download digital addendum that supplements the chapters of the guidebook and focuses on discussion items that you and your teen can cover at night — such as short stories about the damage that can be done by loose items in your vehicle or the 10 most dangerous foods to eat while driving (hint: all are hot and / or gooey ones that can cause distractions!).