Sentences with phrase «digital effects»

The cinematography is great, and they have made use of some amazing physical special effects (including some especially creepy moments), avoiding the use of digital effects whenever possible.

As an author, you might not know how to create a book trailer with digital effects which is designed to wow the audience, but there are many college students that do.

And never in the film did I feel like he was using digital effects just to use them to cover up for what was missing in the story.

But in 2018, the use of CGI and digital effects in blockbuster filmmaking has swallowed the practice of practical effects, turning it into a novelty.

I like some of the sci fi and horror films made today but too many of them rely on digital effects, even when they're not really called for.

Where most effects firms specialized, it was equipped to offer digital effects for feature films and TV, cartoons, and animated feature films.

That seemed a little strange coming from a man whose job it is to add digital effects.

It has more coherent fight sequences and more impressive digital effects than its predecessors did.

There's no real reason for this live action / animation hybrid version of the classic cartoon besides the fact that digital effects allowed them to do it.

Besides just beautiful pretty things to look at this book also includes commentary from the actors, artists, digital effects specialists, and many other crew members talking about the items displayed.

As I noted earlier, the world feels expansive, and it's even hard to notice where physical sets end and digital effects begin.

As far as animal digital effects go, he's a pretty good actor and certainly a convincing presence.

The same holds true for «visual effects,» as there are just too many people involved in the creation of the spectacular digital effects we see on screen.

Some of the older footage had some unrealistic looking digital effects that make the actors look a bit goofy.

There is a large array of digital effects and plug - ins.

But more importantly, there are two characters created with digital effects that show how far technology has come.

In Transformers: Dark of the Moon, it's accompanied by digital effects of the planes exploding, buildings collapsing, and ships piloted by giant robots shooting at them.

I think we can safely assume that one of them will be the new all - digital Yoda in Episode I. Way back when Episode III was released on DVD, ILM digital effects supervisor Pablo Helman confirmed to me that the puppet Yoda in Episode I was replaced with a digital version to better match his appearance in Episodes II and III.

Long before digital effects appeared, animatronics was making cinematic history.

Ben Whishaw's mellifluous vocals are just the right antidote, soothing and mature yet still capable of naive observations; a balance nailed by the cuddly digital effects team.

While digital effects created the Hulk's intimidating stature, Ruffalo worked in - studio to ground the character and bring realism to his movements and emotions.

It's impossible to imagine Disney's Beauty and the Beast without Lumiere, Cogsworth or Mrs. Potts, and with top notch digital effects and the voices of excellent actors like Ewan McGregor, Ian McKellan and Emma Thompson playing them, these characters vividly come to life, as do Madame de Garderobe (Audra McDonald), Chip (Nathan Mack), Plumette (Gugu Mbatha - Raw) and the newly - created Maestro Cadenza (Stanley Tucci), a composer transformed into a harpsichord.

We get a much better look at the young Jeff Bridges as Clu 2.0, and for the first time, I got ta say the de-aging digital effects don't look too bad.

An interesting origin story with great digital effects and a great performance from Andy Serkis.

«Faux Finishing, the Visual Effects of The Truman Show» (13 minutes) features visuals effects supervisors Craig Barron and Michael McAlister who discuss the subtle way in which digital effects and matte paintings were used to enhanced Truman's world.

The remainder of the film — and there's an awful lot that remains — is meant to take place in a destroyed London, unexcitedly evoked through a few digital effects and location shooting in abandoned buildings (did Barclays or Mercedes - Benz pay for product placement?).

As in past exhibitions, Gilbert continues his fascination with transforming images on the computer experimenting with color and other digital effects.

(If digital effects were used to a large degree, they are perfectly seamless.)

And for all of Spielberg and Lucas» enthusiasm in remembering the advances that made «Jurassic Park» possible in 1993, only production designer Rick Carter recognizes the parallel between the film's cautionary tale about unchecked technology and how the movie helped usher in an era when digital effects were the new stars of summer blockbusters.

However, the street itself is constructed entirely through CGI.12 Special digital effects here aren't produced for spectacle but for a detailed historic representation that could just as easily be achieved with traditional film sets.

His stare is as piercing to the audience as it is to the kids, and when he gets more animated, his movements (with a little help from digital effects) are completely unsettling.

Such digital effects as the marauding giants that squash baby wizards like bugs or the inky terror that is the Death Eaters — acolytes to the mad, bad wizard Voldemort (Fiennes)-- are magnificent and experienced in one long, clutched breath.

Director Paul McGuigan tried to limit the use of digital effects as much as possible, recalling the great directors who didn't have such means available to them yet made up for them with their imagination.

There are also digital effects, added later using software, like adding blood or improving shading or lighting.

Nokia said last week that, with the help of digital effects company Weta Digital, it had built a short virtual reality video that lets people fly on the back of Elliot, the lovable dragon from Disney's (dis) upcoming Pete's Dragon remake.

Jensen admits that he prefers to do as much as he can in - camera, without digital effects, but in this case he has no regrets about going the CGI route.

Well I don't know about you, but I can't look at a painting masterpiece unless it's accompanied by cool digital effects that only the most accomplished high schooler can do.

Less than a year ago, augmented reality — digital effects laid on top of the real world as seen through a computer screen — burst into public consciousness with the release of the mobile game Pokémon GO, in which players see magical little monsters in the real world using their smartphones.

Despite a budget of $ 150 million, Nolan insisted on creating these dreamscapes with minimal digital effects.

Its mixture of slapstick humour and gore — produced by the flying fingers — gives new meaning to the phrase digital effects.

It is exhilarating film - making, engineered with dizzying invention, and it combines commanding 3D digital effects — some of the best I've ever seen — with a surprisingly soulful touch.

Disney and director Andrew Stanton may have dusted off the creaky franchise and wrapped it in $ 300 million worth of 3 - D digital effects, but the final product still feels like ancient history.

Maybe this piece of crap would work as a 12 minute Tales From The Crypt you would watch for the actors and a neat digital effect.

One thing that is better 12 years later are all the sets the money bought versus tiered digital effects.

Every year digital effects improve upon the «uncanny valley» - meaning that six years between Terminator Salvation (in 2009) and Mockingjay Part 2's expected release (in 2015) is significant and could help calm digital skeptics.

It's also a vast improvement on the 2001 original starring Angelina Jolie, Jon Voight, and a pre-Bond Daniel Craig — which, revisited, has the distinct whiff of late - night»90s Cinemax: erotic slow - mo shower scenes, hokey digital effects, prancing villains in George Hamilton tans.»

Director Gareth Edwards (Monster) packs the movie with visual references to A New Hope, cleverly matching the design work by avoiding fakey digital effects in lieu of more practical, battle - scared models and lively settings on a series of new planets and a familiar one.

The other, earlier sequence is a chase through a herd of stampeding horses (The unimpressive digital effects lessen the results, especially since the horses have the appearance of being undead themselves), with Abraham and his prey leaping on the backs of successive horses and even using them as weapons.