Sentences with phrase «digital exhibition catalogues»

Recent examples of Woodmere digital exhibition catalogues can be found here.

A digital exhibition catalogue will be available on line with an Introduction by Christina Hunter.

Not exact matches

In addition, Artifex Press will publish a digital catalogue raisonné of Martin's paintings and works on paper as well as full exhibition and bibliographic information, which will be updated continually online.

This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques — often used alongside digital technologies — to the worldwide proliferation of self - published artist's books and ephemera.

With this exhibition, SFMOMA is expanding its innovative ventures in digital publishing to include an online exhibition catalogue for the first time.

This digital catalogue is published by the San Francisco Museum of Modern Art on the occasion of the exhibition Soundtracks, co-curated by Rudolf Frieling and Tanya Zimbardo, held at the San Francisco Museum of Modern Art from July 15, 2017, to January 1, 2018.

The result is an epic project including twelve books, a touring exhibition, in - depth catalogue and digital archive.

To the museum's Publications and Web and Digital teams, led by Kari Dahlgren and Keir Winesmith, thank you for welcoming the challenge of creating the museum's first solely online exhibition catalogue with enthusiasm and for exploring the possibilities it affords to include documentation and dynamic multimedia content during the run of the show.

This exhibition catalogue features entries with full - color illustrations of the works in the exhibition as well as six new essays discussing the artistic, historical, and religious significance of the caves and their sculptures and recent research dedicated to their digital reconstruction.

The exhibition will be accompanied by an opening gala, press outreach, plus a digital catalogue purchasable in book form on demand, and will be featured prominently on the Otis Centennial website launching in August 2018.

Alongside the online gallery of each of the 80 works in the original exhibition are excerpts of faculty and student essays, access to a digital version of the original exhibition catalogue, and links to archival material.

Charles Merewether writes in his introduction to the exhibition's catalogue: «Digital media art, in the hands of such artists as teamLab, succeed as an art of participatory installation and part of our everyday contemporary lives.»

The exhibition will be accompanied by an illustrated digital catalogue.

For this exhibition, Mulroney has also produced a new series of collages that appear in digital form for the catalogue.

An opening reception for the artist will be held on Friday, March 10 from 6 to 8 p.m. Pace will publish a digital catalogue to accompany the exhibition, with an essay by Valérie Duponchelle.

The copiously illustrated, full - color catalogue includes essays by noted Columbia University art historian and Conrad scholar Branden Joseph; Whitney Museum Performance Curator and 2012 Whitney Biennial Curator Jay Sanders; filmmaker and Anthology Film Archives Curator Andrew Lampert; Swiss digital archivist Tabea Lurke; as well as an in - depth interview between Conrad and exhibition curator Michael Cohen examining Conrad's life and career.

An online catalogue for the exhibition, which includes images and audio, as well as a video on Saar produced by her husband and digital media artist, Tom Leeser, can be accessed at lalouver.com/saar2016.

AAMC received nearly 120 nominations for the 2017 awards and selected 26 curators for their work on various projects, including exhibitions, catalogues, essays, and digital publications, all staged or published during 2016.

We have presented «Electric Cherry Blossom», the solo exhibition of new works by Simon J Harris, in a digital catalogue...

Published to accompany the group exhibition Propositions for a stage: 24 frames of a beautiful heaven, including Amanda Beech, Zach Blas, Rabih Mroué, Uriel Orlow and Ming Wong at the ICA Singapore Foreword by Bala Starr Essay by Bridget Crone Texts on the artists and works in the exhibition by Bridget Crone Catalogue of works in the exhibition Digital, 78 pages, 16 illus.

Launched in 2017, the Take It or Leave It digital archive extends the life of this significant exhibition, with a gallery of artwork images and the associated didactic label texts from the installation at the Hammer Museum; essays, artist biographies, and a bibliography and chronology from the Take It or Leave It exhibition catalogue; and a variety of other resources meant to encourage further research.

In the meantime, the digital Isamu Noguchi Catalogue Raisonné presents complete entries for artworks, exhibitions, and literature where research has been finalized, as well as partial entries for anticipated content, identified as «research pending.»