Sentences with phrase «digital identities between»

Indy is a distributed ledger with a decentralized identity designed to create independent digital identities between blockchains.

is a distributed ledger with a decentralized identity designed to create independent digital identities between blockchains.

Not exact matches

Her current research focuses on the relationship between digital media practices, social identities, and learning in urban schools.

(Motherboard) Trying to strike a balance between paper and digital, human rights, privacy and the ease (or pitfalls) of verifying your identity in the digital age.

The exhibition offers an overview of art made in the United States between 1989 and 2001 — from the fall of Communism to 9/11 — and is organized around three principle themes: the so - called «identity politics» debates; the digital revolution; and globalization.

Here, Place the Lever is the abject, conceptualizing a difficult commons between subject and object populated by semiocapital, networked identity, digital culture and other symptoms of modernity.

Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.

Describing the current state of net art and digital feminism, she uses both of the artists as examples of women whose explorations in digital identity blur the boundaries between art and life.

As the body is simultaneously personal and political, this screening is collecting work that forges connections between queer, migrant, spiritual and intercultural identity in a digital world.

She investigates contemporary Chinese identity, exploring the border between dreams and reality through a combination of staging, costumes and digital compositions.

An expansion of his previous body of work, Loss / Less walks the line between abstraction and figuration to explore the collision of our physical and digital identities.

Featuring works from Stewart Uoo, Wu Tsang, Juliette Bonneviot, Andrea Crespo, and Morag Keil, the show explores the relationship between mass digital culture and identity — and how the former informs the latter — through film installations, sculptures, paintings, and photography.

The work I have brought together for the Biennial reflects this, whether through complex relationships between linguistic and visual forms; the interface of digital technologies with more traditional media, and the recorded past with the lived moment; the development of two - dimensional scores, scripts, and patterns into three - or even four - dimensional actions and environments; the challenging of binary conventions of gender; or the intricacy of cosmopolitan, cross-national identities.

Many of the «sculptures» included often operated with or within more - two dimensional components — I am thinking here of Jon Kessler's Exodus (2016) and Evolution (2017), configurations far more about the transmutation of object into digital image than it is about the materiality of things; Rafa Esparaza's Figure Ground: Beyond the White Field (2017), a weighty and timely installation on labor, colonialization and identity read through adobe bricks; or Raúl de Nieves» beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end (2016), an installation of five ornate, grotesque, and vibrantly hued sculptures set against a backdrop of eighteen colorful acetate sheets made to resemble stained glass windows.

Several of these projects are expected to be launched in 2017, such as: a digital case file for bankruptcy cases (for which the Bar Association acquired a third party platform); an eIDAS compliant identity card that identifies the card holder as an admitted lawyer and facilitates access to courts, prisons and institutions; a secure platform for communication between lawyers and courts; and many more.

Blockchains could provide principal disintermediation between digital asset issuers, application developers and consumers and decouple tasks related to asset management, such as issuance, transaction processing, securing users» funds and establishing users» identities.

Over 30 pilot projects were carried out between 2016 and 2017, into areas including taxes, the justice system, and digital identities.