Sentences with phrase «digital identity through»

A job search strategist who combines corporate experience with a lifelong passion for writing, she partners with leadership candidates to develop branded resume and executive portfolios, plus optimum strategies for a memorable digital identity through LinkedIn.

The readers can boost their own digital identity through sharing, and the writers can tap into an emotion they know already exists for an easy view count.

Not exact matches

Through Fiverr, I was able to help numerous clients meet their business goals and now I can confidently identity myself as a digital branding and marketing specialist.

Entrepreneurs and companies can increase public recognition, distinguish their identities, products and services through strategic digital solutions, all the while safeguarding their digital assets and valuable proprietary rights.

More 56 % of social login sessions in Q4 2017 is authorised through Facebook, according to Janrain — a company known for digital identity management and tracking.

Pantone offers designers, brands and consumers, products and services through three unique business divisions: Pantone standards, which includes digital and physical workflow tools and the quintessential Pantone color language; the Pantone Color Institute ™, which provides trend, brand identity, and color assurance consulting services; and Pantone Lifestyle, the consumer products division that brings color and design together across apparel, home and accessories.

Management of digital identity: How an individual is represented online in the public domain based on activities, connections or tagging through social media posts, photos, public online comments or reviews, and awareness and monitoring of depictions by others.

Through their projects they construct theoretical knowledge of multiliteracies as they become digital storytellers of their own identities, and they construct technological pedagogical content knowledge (TPCK) about how to integrate such digital video technology in their future classrooms.

Paige Schaffer, President and COO of Generali Global Assistance's Identity and Digital Protection Services Global Unit, commented on today's news, «We are immensely proud to have once again been recognized for our utmost commitment to customer service through the receipt of our second Stevie Award in 2016.

Steam Direct will begin taking submissions June 13, Valve explains that «A new developer will simply need to fill out some digital paperwork, including entering bank and tax information and going through a quick identity verification process.

This spring, the Serpentine presents the first European solo exhibition of American artist Sondra Perry (b. 1986, Perth Amboy, New Jersey), who explores the intersection of black identity, digital culture and power structures through video, media, installation and performance.

Themes of self - reflection, performance, and identity are traced from early nineteenth - century experiments through contemporary digital techniques in outstanding self - portraits drawn entirely from the Audrey and Sydney Irmas Collection at the Los Angeles County Museum of Art.

From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's challenge of conventional viewing perspectives; from Christopher Baker's examination on participative media to Victoria Vesna's collaborative project on social networking, identity ownership and the idea of a «virtual body» — the show guides the viewer through an array of captivating approaches that challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.

Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.

With the democratisation of the image through social media and the internet in today's digital age, Double Take explores the continued power of pictures in shaping ideas of identity, gender, race, desire and sexuality.

Through her work, she posits questions regarding gender, identity, sexuality, and the perception of reality within an increasingly digital society.

She investigates contemporary Chinese identity, exploring the border between dreams and reality through a combination of staging, costumes and digital compositions.

Today, online, we represent ourselves through images or within limited character counts; the digital medium, like the protest sign, necessitates a form of essentializing of our own identities.

Virtually all are manipulated somehow, either through advance digital processes, crude Microsoft Paint - like effects, or in - camera techniques, filters, dyes, and mirrors with which Samaras established his early reputation as proto - Photoshop artist and kind of define his career - long probing of his psyche and identity through altered images.

Achieving this and more, the new identity focuses on the brand's heritage and embodies a personality that reflects the business as it currently stands — not as it was — through contemporary visuals and a fresh approach to its entire digital presence.

Assuming Identity: Group show by the 2016 University of Houston BFA candidates in photography and digital media, curated by Sarah Sudhoff and Allison Pappas; opens 6 p.m. Saturday, through April 23; Rudolph Blume Fine Art, 1836 Richmond; 713-807-1836, uhpdm.com.

Through site - specific installations and cross-cultural dialogue, the seventh CiR season evokes themes of identity as mediated through digital communicThrough site - specific installations and cross-cultural dialogue, the seventh CiR season evokes themes of identity as mediated through digital communicthrough digital communications.

With the democratisation of the image through social media and the internet in today's digital age, «Double Take» explores the theme of appropriation and the role of photography across generations in shaping and re-examining ideas of authorship, originality, identity and culture.

Through the use of digital montage, Kambli pieces together different cultures, generations, and identities in the picture plane.

Featuring works from Stewart Uoo, Wu Tsang, Juliette Bonneviot, Andrea Crespo, and Morag Keil, the show explores the relationship between mass digital culture and identity — and how the former informs the latter — through film installations, sculptures, paintings, and photography.

The work I have brought together for the Biennial reflects this, whether through complex relationships between linguistic and visual forms; the interface of digital technologies with more traditional media, and the recorded past with the lived moment; the development of two - dimensional scores, scripts, and patterns into three - or even four - dimensional actions and environments; the challenging of binary conventions of gender; or the intricacy of cosmopolitan, cross-national identities.

Many of the «sculptures» included often operated with or within more - two dimensional components — I am thinking here of Jon Kessler's Exodus (2016) and Evolution (2017), configurations far more about the transmutation of object into digital image than it is about the materiality of things; Rafa Esparaza's Figure Ground: Beyond the White Field (2017), a weighty and timely installation on labor, colonialization and identity read through adobe bricks; or Raúl de Nieves» beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end (2016), an installation of five ornate, grotesque, and vibrantly hued sculptures set against a backdrop of eighteen colorful acetate sheets made to resemble stained glass windows.

The department has successfully defended cases on copyright allegations, identity fraud, modification of computer systems, diversion of funds, file sharing over the internet through mediums including Torrent, Kazaa and Napster, trade description infringement, piracy, offences involving misuse, abuse and the unlawful access and modification of computer systems, as well as understanding digital language, such as «warez», «phishing», «pharming», «hacking», «cracking», «spamming», «DOS attacks» and «Botnet».

Paige Schaffer, President and COO of Generali Global Assistance's Identity and Digital Protection Services Global Unit, commented on today's news, «We are immensely proud to have once again been recognized for our utmost commitment to customer service through the receipt of our second Stevie Award in 2016.

Paige Schaffer, President and COO of Generali Global Assistance's Identity and Digital Protection Services Global Unit, commented on today's news, «As the world becomes increasingly more connected through social media, digital records and «smart» devices, scammers and fraudsters have greater access to sensitive information than ever before, across all global bDigital Protection Services Global Unit, commented on today's news, «As the world becomes increasingly more connected through social media, digital records and «smart» devices, scammers and fraudsters have greater access to sensitive information than ever before, across all global bdigital records and «smart» devices, scammers and fraudsters have greater access to sensitive information than ever before, across all global borders.

The digital identity - focused blockchain project SelfKey has started works with two international banks based in the Dutch Antilles and the Cayman Islands, which will offer their banking products through the SelfKey Wallet and Marketplace.

NEO is positioning itself, (alongside Ethereum), at the forefront of blockchain tech with its innate support for digital identity - backed smart contracts, ability to communicate with other blockchain through a cross-chain protocol, quantum resistant cryptography, distributed storage protocol and secure communication protocol.

WISeKey claims itself as the only vendor in the industry providing an integrated PKI Blockchain, Cryptocurrency solution that combines a back - end certificate and device management system with a hardware RoT, a Secure Element (highly secure crypto chip) that protects the digital identity and certificates, to bring trust to the transmitted data through secure authentication of the device and related encryption of the data channel.

He also claimed the digital currency was backed by a team of experts around the world, though he couldn't reveal the names of the company's executives for fear they would be poached by competitors — he even kept his own identity anonymous through the ICO process.

Through SelfKey's Identity Wallet, individuals and companies are able to securely manage their digital identities.

Assets registered through a validated digital identity are protected by law.