Sentences with phrase «digital image artist»

Not exact matches

Instead, Pitt's digital image was recreated on screen by teams of visual effects artists, leaving the actor free to work on other projects.

Digital Scrapbook Artist provides many scanned items for placement, and allows users to use any digital image saved on their comDigital Scrapbook Artist provides many scanned items for placement, and allows users to use any digital image saved on their comdigital image saved on their computers.

Famous Artists Paintings — High Quality Digital Images - Collection A 250 + images A superb collection of high quality famous artists» paiArtists Paintings — High Quality Digital Images - Collection A 250 + images A superb collection of high quality famous artists» painImages - Collection A 250 + images A superb collection of high quality famous artists» painimages A superb collection of high quality famous artists» paiartists» paintings.

It's also the car that digital artist Nathan Dearsley chose as the basis for the set of images you see here.

Starting with Ford's teaser image, digital artist Michael Clark then incorporated the 2004 Bronco concept in coming up with this set of preview renderings.

The Google Cultural Institute has compiled images, videos and documents for an exhibit on Osamu Tezuka, marking the first time a manga artist has been featured in the digital historical...

A proposal should include digital images of artwork and a written description of what the artist is proposing to exhibit, along with any other materials that may help the Gallery Committee make selections.

Daily Propaganda — Daily Propaganda travel blog provides a healthy does of fresh photography & travel writing from a passionate traveller David M Byrne — David M Byrne is a travel site by a passionate photographer, talented Getty Image artist and around the world traveller Daydream Away — Abby is a life - long travel junkie journalist who works hard to find adventure in everyday life after two years of travel De La Pura Vida Costa Rica — Come check out this great travel blog from a freelance graphic designer and teacher lbased in Costa Rica Delusional Journey — Travels with Harrison to Nepal Departing Melbourne — This is a wonderful travel blog featuring lighthearted narrative covering holidays and planning to inspire others Destination Savvy — Destination savvy is a travel site that will encourage and inspire you to explore & discover life on the road as a vagabond Destination Unknown — Travel blogger, photographer and solo wanderer Different Doors — A travel blog providing you with more stories per journey Digital Nomad Community — If you're an aspiring nomad — or just thinking about living that kind of lifestyle — this is the site for you Discount Travel Blogger — Travel cheap, fun and worry free... Let's go Backpacking Discovering Ice — A travel blog by Steph and Andres.

Many of the students I encounter hunger for something «real», something that doesn't involve digital technology, and printing can be the perfect thing for future designers, typographers, and artists to engage with - they're forced to connect with the physicality of building images, respect space as real space, and the actuality of objects.

Inspired by the modern - day macabre works of video artist Chris Cunningham and the lo - fi / high - cry films of David Cronenberg (specifically Videodrome), these hybrid images utilize both practical and digital effects.

Cinema Remixed and Reloaded: Black Women Artists and the Moving Image since 1970 was nominated by AICA / USA in the «digital media, video, or film» category.

The workshops offer instruction for artists in digital photography, image manipulation, digital portfolio creation, and more.

Artists may send digital images or links to online portfolios to a curator through [email protected].

Assembling in Marfa will be a faction of contemporary artists who are peeling the page one frame - at - a-time in an inquiry into the visual dimension of language, ranging from David Gatten's reflection on the role of documents and Michael Tracy's secret, worldly recitations to Julia Meltzer and David Thorne's digital archives where images become a fault - line between world views and hidden narratives.

Images: Laura Ginn, Untitled (detail), 2011, Digital photograph, Dimensions variable, Courtesy the artist Clifford Owens, Anthology (Steffani Jemison)(detail), 2011, C - print, 20 × 16 inches, Courtesy the artist Jayson Scott Musson, Art Thoughtz: How To Be A Successful Black Artist by Hennessy Youngman (detail), 2011, Video still, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the artist Clifford Owens, Anthology (Steffani Jemison)(detail), 2011, C - print, 20 × 16 inches, Courtesy the artist Jayson Scott Musson, Art Thoughtz: How To Be A Successful Black Artist by Hennessy Youngman (detail), 2011, Video still, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the artist Jayson Scott Musson, Art Thoughtz: How To Be A Successful Black Artist by Hennessy Youngman (detail), 2011, Video still, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the Artist by Hennessy Youngman (detail), 2011, Video still, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the artistartist

The Artist Registry offers the opportunity for artists to submit digital images of their work to be included in the registry, which is regularly consulted for inclusion in group exhibitions in the gallery, or solo exhibitions in the Project Room.

The Artist's Museum locates these diverse works within a cultural moment and artistic impulse bookended by the historical cabinet of curiosities and 20th century image libraries, and our current era of the hyperlink and circulation of digital images.

Among the things that make Genzken relevant to this cultural moment are her move from fabricated sculptures into assemblage in the 1990s, her apprehension of the way that information and images circulate in our digital age, her heterogeneous approach to art - making and, above all, her interest in, and upending of, the formal and ideological legacies of modernism — a concern shared by younger artists from Wade Guyton to Carol Bove.

5 digital images each measuring 1 MB, with accompanying documentation labeled with: artist's name, title of work, date, size, and medium.

He also discussed his work with small children, the impact artists have on shaping our world, and how images have changed in the digital age.

Featuring both digital and 35 mm work by approximately 30 young artists, the images in Selected Shots illustrated the students» enthusiasm for photography and their excitement to explore various genres, from portraiture and still life to more abstract and manipulated techniques.

Allison Schulnik, Arin Rungjang, art fair, artist studio, Australian Centre for the Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors, commercial, contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jinshi

In these new paintings, depth, dimension, and the artist's hand are typically lost in translation from object to image, allowing the information to exist as it might appear on a digital screen.

New to the fair was a sector called Survey, bringing gravitas with a deliberately digital - free zone that called on 13 galleries to present tightly curated historical projects — the standout, New York artist Alison Knowles's The Boat Book, 2014, eight 8ft - high, wood - framed movable pages covered with images described by her dealer, James Fuentes, as «seminal social sculpture» that is «read» by crawling through it.

This work significantly augments the ICA / Boston's painting collection while also building on strategies of artists such as Sherrie Levine and Cady Noland that introduce notions of the painterly, the decorative, and the use of digital circulation of images into their work.

The Moving Image Fund is designed to help museums and galleries across the UK collect and share with audiences the work of contemporary artists working with digital media, video and film.

Over fifty national and international artists will participate with original works contained within (or a product of) a digital image format.

The artist noted in his artist statement that that he builds ``... upon the image with others, clips, and digital drawing.

On view right now are some exciting digital images by Nobel Prize winner (in Chemistry) scientist / artist Wally Gilbert that he created totally in the computer.

A digital image with no fixed identity or context, Annlee became the subject of several works by a group of invited artists — including Dominique Gonzalez - Foerster, Anna Lena Vaney and Liam Gillick — incorporating video, sound, neon, print and sculpture.

[Image: Kahn / Selesnick, The New City of Salt (detail), 2001, archival digital print, 3/5, 9 x 37 inches, Museum Purchase, Courtesy of the artists]

Naida Osline is a Los Angeles - based artist who combines and manipulates images sourced from both analog and digital processes, in which she blends conceptual and documentary photographic practices with an abiding interest in the transformative, mythical, and ethereal nature of existence.

© 2013 Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild - Kunst, Bonn; Digital Image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.

All that is required of accepted artists is a print - quality hi - res digital image of accepted works.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

Artwork © Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris; digital image © Museum of Modern Art / licensed by SCALA / Art Resource, NY.

I'm a London based artist and curator working in installation, sculpture, moving image, net art and other digital mediums.

Antivj, artist talk, avant - garde, classical music, culture, digital, electronics, exhibition, experimental, festival, hacking, image, improvisation, information, installation, kinetic, light, manipulation, media, Modernism, MoTA, multimedia, Olivier Ratsi, perception, performance, politics, sculpture, Sonica, Sonica Festival of Transitory Art, sound, technology, transgression, video, video art

All media accepted, national juried show (US only) Size may not exceed 12» on longest size, excluding frame Total framing (frame plus mat) or sculpture stand may not exceed 4» Digital Entries accepted online only Entry fee: $ 35 for up to 2 digital entries, hand - delivered; $ 45 for up to 2 shipped works ($ 10 handling fee will be refunded to artists whose work is not juried in) Images — jpeg formDigital Entries accepted online only Entry fee: $ 35 for up to 2 digital entries, hand - delivered; $ 45 for up to 2 shipped works ($ 10 handling fee will be refunded to artists whose work is not juried in) Images — jpeg formdigital entries, hand - delivered; $ 45 for up to 2 shipped works ($ 10 handling fee will be refunded to artists whose work is not juried in) Images — jpeg format only

The Otis Dozier Sketchbooks digital collection includes around 6,400 images that comprise a complete representation of 130 sketchbooks by Texas regionalist artist Otis Dozier (1905 - 1987).

Chelsea: Viridian Artists Inc. is pleased to present the exhibition «BROKEN IMAGE», digital prints on aluminum by Wally Gilbert.

Bob is a London based artist working in moving image, installation, sculpture and other digital mediums.

The artist has now shifted his focus from photography to making large digital tableaux in which swirling brushstrokes mix with and partially obscure images of contorted, fragmented bodies.

«While many contemporary artists employ the tools of digital technology to alter photographic images, Diggory stands out for using photography and Photoshop as the catalyst for painting.

Artists may submit up to ten digital images or video of original artwork.

This digital C - print, based on an image from the Robert Langmuir African American Photograph Collection at Emory University, presents artist Sanford Biggers as a remixed minstrel in a top hat and tails, his face and clothing bisected into two halves — one white and one black.

Image Credit Gallery: Bob Carey, Goose, 2012 digital archive print 16 ″ x 20 ″ On loan from the artist; Angela Ellsworth Seer Bonnet XIX (Flora Ann), 2011 24, 182 pearl corsage pins, fabric, steel, wood 60 ″ x 13 ″ x 16 ″ (base: 25 ″ x 40 ″ x 4 ″) On loan from Lisa Sette Gallery, Phoenix, AZ

The artist / scientist continues his exploration of the digital media of photography, approaching it with scientific gusto, artistic freedom and the wisdom of experimentation, pushing and transforming his images by taking color to the extreme.

The Korean artist uses digital printing techniques to superimpose images upon nude bodies, creating colorful body tattoos.

Bob is a London based artist and curator working in installation, sculpture, moving image, net art and other digital mediums.