Examining the way in which contemporary rides are increasingly deploying sophisticated
digital image projection technologies to augment their experiences, Ndalaianis points out that of «all entertainment media, it's only the theme park ride that can deliver such intense somatic and visceral effects on the body» (p. 70).
They're using cameras and lasers to take advanced flow measurements, including particle image velocimetry, molecular tagging thermometry and
digital image projection.
Not exact matches
IMAX has said that its collaboration with ARRI on the revolutionary cameras will help filmmakers like the Russos «achieve the highest level of
digital image capture for playback on IMAX's xenon and new laser
projection systems.»
Researchers at the University of Guadalajara, in Mexico, in collaboration with the University of the Republic in Uruguay designed a program of
digital processing of 3D
image from the
projection and digitization of binary data that allows three - dimensional reconstruction of various objects in order to reproduce parts of classic automobiles, prehispanic antiques, as well as serving as a tool for face recognition.
They include depictions of analogue and
digital projection equipment (e.g. slide projectors, overhead projectors, video projectors, etc.) that are paired with painted representations of their projected
images.
By using a vector - based program to construct her scenes before they are transferred to canvas, Singer creates a world that is resolutely analog while containing the sense of limitless space and the illusion of depth that have defined the evolution of moving
images across
projection screens and
digital platforms.
The resulting series of 500
images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide
projections,
digital projections and also in book form.
Each work consists of colorful plastic, re-drawn
digital photos, found
images, objects, shelf - like
projections and painted elements, reflecting American politics, immediate experiences, and the poetics of everyday life.
Working in a range of mediums such as
digital animation, slide
projections, light boxes, paper cut - outs, collage, print, and wood sculptures, Ezawa maintains a keen awareness of how
images shape our experience and memory of events.
From his many return trips to China, Chen has created
digital images and video
projections reflecting American and Chinese attitudes toward the twenty - first century role of media and technology and identity issues.
His body of remix artworks includes published cult novels, pioneering works of Internet art,
digital video and surround sound museum installations, large - scale video
projections in public spaces, live audio - visual / VJ performance, and most recently, a series of feature - length «foreign films» shot with different
image - capturing devices in various locations throughout the world.
The 1992 piece manages to elicit tears of confusion, sadness, and joy through just
projections and screens — it's astonishing how
digital images and mechanics manage to access parts of the human psyche that conscious self - examination never could.
The
projections of the paintings — which were commissioned by SFMOMA and can only be seen in the museum's spacious atrium — did only so much to command attention, with an inertness inherent in
digital images that only scales up with size.
Her practice revolves around stock footage and
digital image banks, pulling quotidian pictures to appropriate them for
projections on multi-layered surfaces.
Seen at eye level through a square aperture cut into the white steel cube, the moving
image of the sky is not a
digital projection or display — it is the actual three - dimensional sky.