Replicas are basically
the digital mirror images of the printed edition.
Not exact matches
====== OPTION PACKAGES: BURMESTER HIGH - END SURROUND SOUND SYSTEM: 16 individually driven loudspeakers including a 25 - cm 300 - watt active subwoofer with Class D
digital amplifier, complex high - end components such as special ribbon tweeters (air motion transformers (AMT)-RRB-, preset sound sets and sound conditioner, WHEELS: 21 911 TURBO DESIGN: front / rear: 10J x 21RO50, 1 - piece alloy wheels, wheel centers and full - color Porsche crest, Wheel Arch Extensions, Tires: 21, PREMIUM PACKAGE PLUS: Front Seat Ventilation, seat squabs and backrests in the front featuring three - stage ventilation and separate controls for left and right, Porsche Dynamic Light System Plus (PDLS), Lane Change Assist (LCA), a visual signal from the exterior
mirrors, Porsche Dynamic Light System Plus (PDLS Plus), Panoramic Roof System, 2 segments
of tinted safety glass, electrically operated sunscreen covering entire glass and comfort closing facility, Reversing Camera with Front & Rear ParkAssist, a color camera
image with dynamic guidelines on the audio system CDR Plus and the Porsche Communication Management (PCM) screen facilitates controlled and precise reverse parking and maneuvering, Electric Sunblinds for Rear Side Windows Horsepower calculations based on trim engine configuration.
Observers will look for door
mirrors in vain; replacing them are small streamlined cameras integrated in the wing doors: e-
Mirrors (
digital outside
mirrors) that send
images of the surroundings behind the car to two displays inside the vehicle (e-
Mirrors made their debut in the XL1).
Copies
of Monaco, Papers, Please, Prison Architect, and Risk
of Rain, all decent and interesting in their own ways, sit in my Humble Bundle account like
mirror images of their Steam counterparts, trapped in
digital amber behind a login I'll never remember the password for.
Produced between 2001 and 2005, the
digital photomontages
of Re-take
of Amrita combine
images that encompass three generations and incorporate not only Sundaram's family but also the paintings,
mirrors and household interiors
of the period, collapsing both time and space into contemporary fictions.»
Virtually all are manipulated somehow, either through advance
digital processes, crude Microsoft Paint - like effects, or in - camera techniques, filters, dyes, and
mirrors with which Samaras established his early reputation as proto - Photoshop artist and kind
of define his career - long probing
of his psyche and identity through altered
images.
Speakers include graphic artist and illustration mastermind Jean Jullien, whose iconic» Peace for Paris» symbol became an instant global meme; children's book author and illustrator You Jung Byun, known for her detailed narrative and commissioned work inhabited by strange beasts and lost children; everyone's favourite gif - wunderkind Julian Glander, creator
of bubblegum - coloured
digital illustration, indie games and interactive artwork, all subsumed under the catchword «
digital toys»; animator, writer, and producer Ben Bocquelet, creator
of the famed animation series «The Amazing World
of Gumball `; Martina Paukova, illustrator with an incredibly fast - paced career, whose jam - packed
images in a trademark palette and Memphis - inspired patterns
mirror our mundane lives in the
digital age; and Jaime Álvarez, renowned for his 3D rendered Mr. Kat (PE) universe, fusing pre-Columbian with contemporary kawaii aesthetics.
Eschewing
digital technology, Sepuya uses the
mirror to collapse the studio space into one plane, allowing him to integrate the subject, the camera tripod and prints
of earlier
images into a single layered, collage - like composition.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists
of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition
of four: 93 Drawings
of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a
mirror Gary Indiana contributes a short piece
of fiction to the accompanying publication 1988 In Cologne sees show
of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection
of 9 - letter
images 1989 Fall
of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies
of photographs
of black and white paintings 1991 Creates edition
of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white
images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum
of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective
of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum
of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum
of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging
of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos
of New York City 2005 First
digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
Like entering the
mirrored corridor, new information utopias seem shiny and inviting at first but you can watch yourself in the black
mirrors as euphoria turns to claustrophobia and promises
of the
digital Shangri - La is just your frightened
image staring back at you.
Taking Jacques Lacan's concept
of the «
mirror stage» — a psychoanalytic stage
of human development in which the infant first encounters an
image of itself (often via a
mirror) and begins to perceive the notion
of selfhood — as its starting point, this exhibition explores how we as human beings now reencounter and reimagine the self via the myriad
of screens we encounter in our
digital lives.