Trained as a painter, Chapline incorporates traditional methods of mark making, sketching, and painting with rendering softwares in an artistic process that obscures the boundary between analogue and
digital modes of production.
Not exact matches
As film
production and exhibition rapidly embraces
digital technologies, more and more contemporary films are paying homage to earlier
modes of production when films were shot and screened on film.
A feature - length adaptation
of the late - 80s television series for which Mann served as executive producer and unofficial show - runner, Vice marks an important shift for Hollywood in the
digital era for the way it actively engaged with the implications
of a technological change most had simply taken for granted, and it does so by both wholly embracing its
mode of production and reflecting the consequences
of doing so.»
Production car first: Drag -
mode Launch Assist SRT engineers went
digital to isolate and resolve one
of the biggest challenges to clean launches and driveline integrity — wheel hop.
The Photography /
Digital Media program prepares artists to take full advantage
of the traditional and contemporary
modes of creating, manipulating, printing and / or publishing their photographs, lens - based artworks, and media art
productions.
It is the largest show ever mounted by the Gallery, providing a comprehensive look at how the «collage» emerged as a
mode of artmaking in the early twentieth century and has evolved through the rapid uptake
of technology and
digital media to facilitate new
modes of production in all fields
of visual culture today,» said Kathleen S. Bartels, Director
of the Vancouver Art Gallery.
Director
of the Vancouver Art Gallery, Kathleen S. Bartels, says the exhibition provides, «a comprehensive look at how the «collage» emerged as a
mode of artmaking in the early 20th century and has evolved through the rapid uptake
of technology and
digital media to facilitate new
modes of production in all fields
of visual culture today.»
Some paintings do however utilize
digital methods
of output and in so doing create a dialogue between the two
modes of production.
Robak's iteration
of «
digital art» perhaps takes the term most literally: the artist is forever chasing the vanguard
of computer - generated imagery, seeking out the neoteric
modes of artistic
production made possible by technological innovations.
She is interested in ways the
digital vernacular affects current and future
modes of production, shifts in socio - economic concerns, cultural consumption / participation, and the inevitable environmental consequences
of these forces.