Sentences with phrase «digital over film»

Not exact matches

• Finnish companies including Canatu OY, a maker of 3D formable and stretchable films; Grundium OY, a creator of a portable digital microscope scanner; and TactoTek OY, a injection molded structural electronics maker, have raised over 24 million euros ($ 28.5 million) from Ascend Capital Partners.

Many directors, including Quentin Tarantino and Christopher Nolan, have championed film over digital.

The film world was soon buzzing over the imminent introduction of a true cinema - quality digital video camera, not to mention one that would go for maybe a 15th the cost of a traditional camera.

The attack shut down most of the studio's network for more than a week and hackers have released sensitive data over the Internet, including employee salaries and Social Security numbers along with high - quality digital versions of several unreleased films.

75 years ago (from 2015), Nazi Germany was expanding all over Europe, Walt Disney had just released his second animated film, McDonalds was about to open its first restaurant, Roosevelt was president, his New Deal was still new, and the first electrical digital computer was revealed.

While that isn't remotely surprising in 2011, when studios have been comfortable doing direct digital transfers on computer - animated films for over a decade, it still is supremely satisfying, especially since the movie is one of the nicer - looking cartoons to hail from DreamWorks (or any non-Pixar studio).

Over the weekend, Variety reported that Legendary Digital Media plans to make a feature - length film based on Capcom's Dead Rising series.

But, in an age when CGI and digital technology are taking over the realm of animated filmmaking, I'm willing to give Burton a pass for that needless 21st - century enhancement to his otherwise moving and funny film, and his terrifically old - school approach to animation.

During the making of (Johnny X), everything started shifting over to digital, but I still wanted to finish it on film because I feel that film delivers something (organic) that you still can not quite replicate (digitally.)

While I'm not sure there's enough to inspire those owning the film's original Blu - ray to upgrade, this agreeable release of an agreeable movie should be full of appeal to HD collectors including those who practically get a free Blu - ray by choosing this Digital HD - wielding set over simply a digital doDigital HD - wielding set over simply a digital dodigital download.

Aside from offering the uncensored version of the film in a 1.85:1 video transfer and 5.1 Dolby Digital audio track, the single - disc release includes a few hours of special features and hilarious interactive menus that show the duo arguing over the audience's failure to choose an option.

As Sawchuk explains it, the suits were originally supposed to be practical effects, but over time, they realized the film would be better served to have full - body replacements and digital doubles integrated into live - action scenes.

Arriving over four years after the film's appearance on the failed HD DVD format, this disc is proclaimed a Limited Edition, treated to the increasingly common collectible Blu - ray book packaging, and even providing a digital copy (a rare inclusion for a catalog title).

In order to celebrate this week's release of «Kung Fu Panda 3» (which is amazing BTW), Dreamworks Animation is re-releasing the first two «Kung Fu Panda» films with over 80 minutes of new bonus content including an all - new 22 minute animated adventure, «Secret of the Scroll,» and an exclusive sneak peek of DreamWorks Animation Kung Fu Panda 3 as well as Digital HD copies of each film.

Christopher Nolan and Alex Ross Perry (Listen Up Philip), representing the blockbuster and indie sides of the film industry, sit down for a 90 - minute chat about celluloid and their preference for using the physical medium over the digital format.

Not surprisingly, it is targeting areas with a military presence or, according to Marchetti, «theaters where we've found action films over index,» adding: «We expect the film to find most of its audience on VOD, so our campaign will shift from theaters towards digital and cable platforms over the next week.»

Especially considering the fact that the picture was shot over a decade ago, just on the brink of the cinematic digital revolution when the alchemy of actual film was still (just barely) the preferred medium over the pixelized perfection of digital cameras.

In anticipation of «Kick - Ass 2» opening this Friday, more press has begun to come up about the upcoming «Kick - Ass» sequel, including an interview over at Digital Spy where creator Mark Millar, director Jeff Wadlow and star Christopher Mintz - Plasse discusses the film and what actually got cut from the film.

«[Waititi's last film] What We Do In The Shadows was a huge success for us, grossing over $ 2M in VOD / digital / cable.

is the leading media company dedicated to entertainment that inspires social awareness and engaging audiences to participate in positive social change, annually producing up to six narrative feature films, five documentary films, three episodic television series, and over 40 hours of digital short form programming through SoulPancake

Participant Media is the leading media company dedicated to entertainment that inspires social awareness and engaging audiences to participate in positive social change, annually producing up to six narrative feature films, five documentary films, three episodic television series, and over 40 hours of digital short form programming through SoulPancake.

With three additional Hunger Games film sequels (including the now - obligatory final book split into two parts) scheduled for theatrical release over the next three Novembers, the original film is available to own in two - disc DVD and Blu - ray editions, each equipped with digital copies and UltraViolet.

His continues to champion the use of 35 mm film over digital, but has acknowledged he would consider using digital if the technology improves.

The most disastrous such veering off - track, and the film's worst failure of narrative nerve, comes near the end, when the narrative is taken over by a showdown between the red - and - blue guy and a huge lumbering green monster emitting bolts of energy, making for a son et lumière as drearily digital as Electro's in the last Spider - Man pic.

I've yet to see Paul Thomas Anderson's latest, Phantom Thread, but over our holiday break, I found myself obsessed with a short musical excerpt from the film's score that Nonesuch Records published ahead of tomorrow's full digital release.

His continues to champion the use of 35 mm film over digital, but has acknowledged he would considerRead More →

Like Christopher Nolan did with Interstellar, Tarantino uses his clout and drawing power to turn The Hateful Eight into a means for extolling the virtues of film over digital projection.

Packaged on two discs in an Amaray case with a snap - in tray and complementary cardboard slipcover, «Phineas and Ferb: The Movie» comes to DVD spread out over two discs — one containing the DVD of the film, and the other a digital copy, plus eight music tracks set for download to iTunes or any other portable music player.

Consisting of no digital touch - ups, over a dozen setting changes, loads of extras, unpredictable animals, air travel (that's right), musical numbers, and even a game of ping - pong, suffice to say, if Bi Gan's goal was to reinvent the language of film, he might have done achieved that goal, but I'm still dizzily reeling.»

Author Solutions has been hosting Book to Screen PitchFest events since 2011, with over 600 books pitched to over 150 different representatives from film, television and digital media companies.

By going mobile and adding interactivity models appearing in both the digital and print versions ended up as highly recognized stars of TV, stage and film, giving Non-no a unique edge over competitors.

Digital radiography has the advantages over conventional film radiographs in that it uses approximately 1/3 of x-radiation to create the image, the ability to enlarge the image to see small changes, increase or decrease contrast to help small lesions show up better, archival of images on a hard drive or back - up disc, easy retrieval, and the ability to print the images for client education.

We are very proud of our digital X-ray equipment, since it provides a number of clear improvements over film X-rays.

Digital radiology has many advantages over the traditional method film - based x-ray imaging, including:

Audio is something long looked over by all except the die - hards, but now we're finally starting to see some appreciation for sound with digital streaming companies slowly but surely abandoning the horribly low quality 256kbps compression methods, while the introduction of Blu - ray and now 4k Blu - ray discs has resulted in a marked improvement for films and games.

The last film, Resident Evil: The Final Chapter, is out now on 4K, Blu - ray, DVD and Digital HD, after earning over $ 300 million at the box office.

Since the early 1990s, Green has worked with film and video, digital media, architecture, and text to investigate circuits of relation and exchange over time, and she focuses on the effects of a changing transcultural sphere on what can now be made and thought.

This intimate, immersive film hub space will feature three chambers; beginning with an extensive library, engaging in film history and theory, curated attentively by participating artists from their personal book collections and intended for browsing and perusing; leading further on to a single screen darkroom, a pulsating digital heart, showcasing a sequence of 115 imaginative short films programmed to play on a continuous loop; and on to the final imaginary space, the Virtual Reality port which will evolve over time in collaboration with various artists.

«A selection of iconic works using light projection — photographs, films, videos, digital imagery and interactive installations from plasma screens to giant projections — will document the technological innovations that have become part of artistic creation over the past ten years.»

More than 1,000 nationwide events ranging from dance, music, theatre, the visual arts, film and digital innovation are planned with the aim of pulling in over three million people.

Swansea's new paintings, produced over the course of the last year, allude to the artist's background in film and digital art, which has led her to continually introduce elements normally associated with these technologies to otherwise traditional painting techniques.

The 35 mm film From Source to Poem (2016), co-produced by Pirelli HangarBicocca and CAPC musée d'art contemporain de Bordeaux, France, with the participation of Tabakalera, Donostia, Spain, is shot in Culpeper, Virginia at the Packard Campus for Audio - Visual Conservation, part of the Library of Congress: more than 90 miles of shelves that hold a collection of over four million items, both moving - image (films, videos, television episodes) and audio recordings (music, spoken word, radio broadcasts) in obsolete formats as well as modern digital files.

To kick - start Camden Art Centre's 2017 programme, Joachim Koester takes over three gallery spaces with an immersive installation of film, digital video, photography and audio, spanning a 12 year career.

B / W film still kicks ass over any digital camera equivalent.

Rather than employ digital methods, Diamond conceives the work in film, with formal rigour, over a period of five years.

Layering translucent red panels of color over her muddy landscapes like a screen, this application mimics both light - leaks in film as well as digital color filters popularly used in photo - sharing social media outlets.

They display paintings, drawings, sculptures, installations, prints, photography, film, video, and digital art by over 4,000 artists.

This intimate, immersive film hub space will feature three chambers; beginning with an extensive library, engaging in film history and theory, curated attentively by participating artists from their personal book collections and intended for browsing and perusing; leading further on to a single screen darkroom, a pulsating digital heart, showcasing a sequence of 115 imaginative short films programmed to play on the continuous loop; and on to the final imaginary space, the Virtual Reality port which will evolve over time in collaboration with various artists.

The mammoth show — which features over 100 works rendered in paint, film, sculpture and installation, by the likes of Picasso, Laure Prouvost, Kerry James Marshall and Andy Warhol — examines how the studio as a space has evolved and become an important marker of the artist's own identity and style, and takes into account the impact of technology in our digital age.

Around 200 of the world's leading international Modern and contemporary art galleries display artworks by over 4,000 artists, including paintings, sculptures, installations, photography, film, video, and digital art.