Sentences with phrase «digital picture spaces»

Not exact matches

Gray had worked for 10 years with Hopkins scientists to implement the Sloan Digital Sky Survey, a massive, computer - driven effort to piece together a picture of space one snapshot at a time.
In sampling the combo pack's DVD, I found its anamorphic picture and Dolby Digital 5.1 soundtrack satisfactory, despite the limited disc space afforded them.
Even though a new computer's intended purpose might be work and not play, digital media (music, movies, pictures, and so on) and program files — not documents — take up a majority of a hard drive's free space.
Whether you're a professional or just simply love sharing pictures with your friends, you'll run out of time and space on your digital camera / smartphone before you run out of places to photograph.
Amorphous shapes, sharp - edged logos, scything blocks of colour and silky veils of tinted varnish intrude into Stubbs» picture planes, fragmenting the surface; it is as though the physicality of the works are coming up against the pixilation of the flattened, immaterial space of the digital image.
Through digital drawing and digital collage, Beeferman manipulates space, density, color and perspective to shape formally conscious pictures of the environment.
The image above is a work by Oster + Koezle whose images of abandoned buildings, are originally shot on film, are transformed into alternate space with a simple digital occupation turning the image of reality into an independent image following the rules of a picture plane.
Barcelona, Spain (October — September) Walker Art Gallery, Liverpool Biennial (October) Late at Tate Britain, (performance), London, (Friday 4 June, 18.00 — 22.00) 2010 Psychopomp Milton Keynes Gallery, Milton Keynes, UK Tomio Koyama Gallery in Tokyo, in conjunction with Daiwa Foundation Art Prize 2009 Marcus Coates, Kunsthalle, Switzerland Marcus Coates and Martin von Hasselberg, New Orleans Museum of Art Follow the Voice, Unitarian Church, Shrewsbury, UK Performance A Ritual For Elephant and Castle Coronet Theatre London Marcus Coates, Lisson Gallery, London, UK Trying To Cope With Things That Aren't Human, Air - Space Gallery, Stoke on Trent The Plover's Wing, Workplace Gallery, Gateshead, UK 2008 Performance, Pastoral Spirit, Wallspace, All Hallows Church, London Performance, Report, Channel 9 TV, Galapagos Islands, Ecuador Performance, This Wild Melody, Barbican Art Gallery, London Performance, Spirit Caravan, Hayward Gallery, London 2007 Performance, A Heligoland for Souls — Experiment Marathon, Serpentine Gallery, London Performance, HaPazura, Israeli Centre for Digital Art, Holon, Israel Exhibition, Cycle Parking and Prostitution, Rekord Gallery, Oslo, Norway Solo Screening, Dawn Chorus, Venice Biennale, Italy Exhibition, Marcus Coates, Whitechapel Gallery, London, UK Performance, Dawn Chorus, Arnolfini, Bristol, UK Exhibition, Dawn Chorus, Picture This, Bristol, UK Exhibition, Dawn Chorus, Baltic Centre for Contemporary Art, Gateshead, UK Performance, 100 Ways to Change the World, Hayward Gallery, London, UK Performance, Pub Shaman, The Event, The Lamp Tavern, Birmingham, UK Solo Screening, Artesmundi, Cardiff, UK 2006 Performance, Kamikuchi, Grizedale Arts, Ikebukuru Tokyo, Japan Performance, The Mouth of God, Grizedale Arts, A-Foundation, Liverpool Biennial 06, UK Solo Screening, In Conversation with Mark Wallinger, ICA, London, UK 2005 Solo Screening, Marcus Coates» Films 99 - 2005, Side Cinema, Newcastle, UK 2004 Exhibition, Journey to the Lower World, Café Gallery Projects, London, UK 2003 Exhibition, Unbecoming, The Gymnasium, Berwick upon Tweed, UK 2001 Performance, Chiffchaff, Compton Verney, The Bandstand, Leamington Spa and Herbert Gallery and Museum, Coventry, UK
«It's one thing to take a picture at arm's length, but when it is three times arm's length, you are invading someone else's personal space,» Sree Sreenivasan, the chief digital office for the Met told New York Times this week.
It and the two other works on view — Radio Piece (Hong Kong)(2015), a backward moving shot of Hong Kong's Kowloon district, and KING (after Alfred Wertheimer's 1956 picture of a young man named Elvis Presley)(2015), for which Claerbout has recreated the historical photograph, pixel by pixel, using other images taken throughout Elvis's career — masterfully play on the space between what is real in physical terms and what one can come to perceive as real in the digital realm in which we spend so much of our lives.
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