The multi-media collaborating artists Mark Jeffery and Judd Morrissey have created the first artwork featuring five intercommunicating websites into one large - scale projected
digital public art work, The Precession.
Not exact matches
Prior to design, her unique journey spanned multiple roles in four countries, three cities, and two states — including professional ballet, management, copywriting, event production, business consulting, and national and international
public relations As a designer, she has had the opportunity to
work with businesses of all sizes, start - ups, agencies, higher education institutions, and non-profits for projects in branding, brand strategy, print design, multi-media, advertising,
digital design, presentation design, marketing, project management, live event production, e-learning, video, photography,
art direction, and out - of - home.
The off - site
public program engages the city's long legacy with
public art, including IN / SITU Outside, siting
works by major contemporary artists throughout Chicago Park District locations for up to one year, and OVERRIDE A Billboard Project, presenting a curated selection of
digital art on the citywide network.
PAUSE is an innovative
public art program that transforms different
digital surfaces into large - scale canvases by showcasing
work from leaders in the contemporary
art world.
This anthology forms both the culmination and a continuation of a series of
public events entitled Lunch Bytes — Thinking about
Art and
Digital Culture, held in Washington, D.C., which invited artists and experts from different fields to discuss their
work in relation to this overarching theme.
Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox
Art Gallery, Buffalo, New York, USA
Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine
Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine
Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary
Art, Ridgefield, CT Palm Beach Institute of Contemporary
Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT:
Digital Image Painting, Banff Centre for the
Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting &
Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie
Art &
Public, Geneva, Switzerland
Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip
Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary
Art, Museum of Fine
Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)
All
work in the 100 Projects will be displayed on our
digital gallery platform and a number of pieces will be presented on the campus of Otis College of
Art and Design in Los Angeles and in other
public venues and outlets, as available.
Texas Artists: Paintings, Sculpture, and
Works on Paper is a joint
digital collections project between Southern Methodist University's Central University Libraries» Bywaters Special Collections and Norwick Center for Digital Services; the Dallas Museum of Art; the Dallas Public Library's Texas / Dallas History & Archives Division and Fine Books Division; the Harry Ransom Center, The University of Texas at Austin; and SMU's Meadows
digital collections project between Southern Methodist University's Central University Libraries» Bywaters Special Collections and Norwick Center for
Digital Services; the Dallas Museum of Art; the Dallas Public Library's Texas / Dallas History & Archives Division and Fine Books Division; the Harry Ransom Center, The University of Texas at Austin; and SMU's Meadows
Digital Services; the Dallas Museum of
Art; the Dallas
Public Library's Texas / Dallas History & Archives Division and Fine Books Division; the Harry Ransom Center, The University of Texas at Austin; and SMU's Meadows Museum.
[69] The largest solo exhibition Hockney has had, with 397
works of
art in more than 18,000 square feet, was curated by Gregory Evans and included the only
public showing of The Great Wall, developed during research for Secret Knowledge, and
works from 1999 to 2013 in a variety of media from camera lucida drawings to watercolors, oil paintings, and
digital works.
His body of remix artworks includes published cult novels, pioneering
works of Internet
art,
digital video and surround sound museum installations, large - scale video projections in
public spaces, live audio - visual / VJ performance, and most recently, a series of feature - length «foreign films» shot with different image - capturing devices in various locations throughout the world.
Pratt's Graduate Fine
Arts Department will present over 100 works in painting, sculpture, photography, drawing, collage, printmaking, installation, video, new forms, digital arts, and performance to the public on Friday, December 3 from 5 to 9 p.m.. All seven of the graduate fine arts studios will be open to the pub
Arts Department will present over 100
works in painting, sculpture, photography, drawing, collage, printmaking, installation, video, new forms,
digital arts, and performance to the public on Friday, December 3 from 5 to 9 p.m.. All seven of the graduate fine arts studios will be open to the pub
arts, and performance to the
public on Friday, December 3 from 5 to 9 p.m.. All seven of the graduate fine
arts studios will be open to the pub
arts studios will be open to the
public.
Now in its sixth year, Sculpture in the City, the City of London's annual
public art programme, launches tomorrow with the first ever screening of Petroc Sesti's
digital piece Solar Relay — one of 17
works of
art in the open - air sculpture take - over of the Square Mile, Sculpture in the City.
Over the past two years, teamLab has mounted five
public installations in Japan including
digital works at KITTE, Tokyo, Kunisaki
Art Project, Oita and Canal City Hakara, Fukuoka, as well as Vortex of Water Particles, 2014, and What a Loving and Beautiful World, 2011, an interactive animation installation, at Narita International Airport, Chiba.
The
Art Center collaborates with the New Media Department at the University of Illinois at Chicago to offer graduate students the chance to create new public digital work to be presented on the only large - scale digital projection facade in the country dedicated to contemporary a
Art Center collaborates with the New Media Department at the University of Illinois at Chicago to offer graduate students the chance to create new
public digital work to be presented on the only large - scale
digital projection facade in the country dedicated to contemporary
artart.
In addition to watercolor, Ms. Campbell
works in pastel, oil, acrylic, mixed media, printmaking, installation, sculpture, the
digital image, and
public art.
Almost my
work are inspired from Street
art, Graffiti,
Public art and designing typeface and he is often trying to redefine the meaning of these theme through his
art work which is using
digital media and shown by several format (installation, digita -LSB-...]
Peter Rostovsky is a Russian - born artist and writer who
works in a variety of disciplines, including painting, sculpture,
public art, installation, and
digital art.
He has taught at
Art Institute of Boston / Lesley University, Boston College, School of the Museum of Fine
Arts, College of the Holy Cross, Savannah College of
Art & Design, and Massachusetts College of
Art & Design and
worked on
digital preservation projects for Harvard University and the Boston
Public Library.
His videos, prints, and interactive
digital environments have been exhibited at numerous venues including 319 Scholes, New York; bubblebyte.org;
Public Works, Chicago; the Museum of Contemporary
Art, Chicago; and the Museum of the Moving Image, New York.
The show highlights over 30 years of Briseño's
work featuring early and never before seen paintings, as well as sculpture, photographic constructions,
digital works, and
public art.
Since 2007, this non-profit has advanced a model for publication that encompasses
digital works of
art and literature,
public conversations, exhibitions, and books.
Cooper Union has demonstrated a long history committed to to service to society, and there are a number of existing initiatives that continue to build community from the Saturday
art program for high school students, to the Interactive Light Studio, an outreach project where engineering students are
working to create a
digital display that responds to sound, which will be installed at local
public school for deaf and hearing children.
In 2013 his
work was presented on fifteen of the large
digital signs in Times Square, as part of a
public art initiative by Times Square
Arts.
Alongside exhibiting nationally and internationally, Jessica has developed her
work extensively in
public art and
digital art fields, including large scale mapping projections for Blinc Digital Arts Festival 2011 and 2012, and Adelaide Festival Australi
digital art fields, including large scale mapping projections for Blinc
Digital Arts Festival 2011 and 2012, and Adelaide Festival Australi
Digital Arts Festival 2011 and 2012, and Adelaide Festival Australia 2015.
Working in partnership with the mayor's office, local
arts organizations, Park (ing) Day founders Rebar
Art & Design Studio, and design heavy - hitter IDEO, festival organizers put out a call for open - source, replicable concepts that combine
digital technology and a physical presence to improve
public spaces.
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