Sentences with phrase «digital works for the exhibition»

A group of Japanese artists known as teamLab are currently presenting a compilation of digital works for the exhibition...

A group of Japanese artists known as teamLab are currently presenting a compilation of digital works for the exhibition Ultra Subjective Space at The Pace Gallery.

Not exact matches

For mums and dads we ran parents» forums focusing on why fathers are so important, and worked with internationally renowned photographer Edmund Clark http://www.edmundclark.com/home.html to deliver a six - week course enabling them to explore their realities of fatherhood through the medium of digital photography — culminating in a Father's Day exhibition.

For mums and dads we ran parents» forums focusing on why fathers are so important, and worked with internationally renowned photographer Edmund Clark to deliver a six - week course enabling them to explore their realities of fatherhood through the medium of digital photography — culminating in a Father's Day exhibition.

Hipsters working at Digital October, one of the city's most successful start - up incubators, hang out here, and you can join them for a contemporary art exhibition at Red October Gallery or the Lumiere Brothers Centre for Photography.

TV Open Call 9to5 is looking for artists and creators to submit their work for a month - long digital art exhibition at Georgia State University's new $ 22...

The Artist Registry offers the opportunity for artists to submit digital images of their work to be included in the registry, which is regularly consulted for inclusion in group exhibitions in the gallery, or solo exhibitions in the Project Room.

2015 «A Foot in the Door», Exhibition of Small Works, Washington ArtWorks, Rockville MD Artomatic, Arts Festival, Hyattsville, MD Washington Project for the Arts, ArtNight 2015, Exhibit and Fundraiser Awagami International Print Exhibition, Tokushima, Japan Patricia Ladd Carega Gallery, Sandwich NH, Group Exhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition of Small Works, Washington ArtWorks, Rockville MD Artomatic, Arts Festival, Hyattsville, MD Washington Project for the Arts, ArtNight 2015, Exhibit and Fundraiser Awagami International Print Exhibition, Tokushima, Japan Patricia Ladd Carega Gallery, Sandwich NH, Group Exhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition, Tokushima, Japan Patricia Ladd Carega Gallery, Sandwich NH, Group Exhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member Groexhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member Group Exhibit

As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.

Currently the Director / Curator of PLATFORM: centre for photographic + digital arts, Kegan found himself in New York City this past June as a participant in the inaugural Curatorial Intensive with Independent Curators International, where he work - shopped the exhibition Cabin Fever, which opened at PLATFORM in October.

The ongoing dialogue between the digital and physical worlds provides the backdrop for Data Deluge, an exhibition that presents a selection of sculpture, furniture, painting, photography, video, sound and works on paper by artists who shape Web - based and software - generated data into art.

For Oursler's first solo exhibition in Hong Kong, entitled «PriV % te,» Lehmann Maupin gallery presents eight new multimedia wall works and sculptures offering the artist's perspective on a particular slice of chaos erupting at the convergence of digital media and cultural identity: facial recognition technology.

New Eyes For New Spaces, an exhibition curated by recent CCS Bard alumnae Jess Wilcox and Francesca Sonara, is a timely dialogue between five artists whose works investigate abstract and fragmented representations of place in the age of digital technologies.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

Upstream Gallery proudly presents a two - artist presentation with work by Jan Robert Leegte and Rafaël Rozendaal for inclusion in the SOLO section of Art Dubai 2017: a signaling exhibition in which the impact of digital culture on the visual arts is shown.

SURFACE BSMT Exhibition Space A group exhibition featuring new experiential work by five renowned digital artists, created exclusively for Exhibition Space A group exhibition featuring new experiential work by five renowned digital artists, created exclusively for exhibition featuring new experiential work by five renowned digital artists, created exclusively for Mana BSMT.

Laval's work has been widely exhibited in solo and group exhibitions in the United States and internationally at such venues as the Palm Springs Art Museum, the Los Angeles Center for Digital Art, the Sorlandet Art Museum in Kristiansand, Norway, the Palais de Tokyo in Paris, and at several photo festivals throughout Europe and the US.

The gallery invites photographers, worldwide, to submit their best work using analog, digital, digital manipulation and / or any alternative processes for a group exhibition on the Fusion Art website.

A widely exhibited artist known for large mixed - media prints that combine digital and traditional processes, Carmon Colangelo's work has been featured in more than 20 solo shows and dozens of group exhibitions in Argentina, Canada, England, Italy, Korea, Mexico, Puerto Rico, and across the United States.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

This year, for the first time in the exhibition's history, artists submitted digital photographs of their work online for the preliminary stage of judging.

[69] The largest solo exhibition Hockney has had, with 397 works of art in more than 18,000 square feet, was curated by Gregory Evans and included the only public showing of The Great Wall, developed during research for Secret Knowledge, and works from 1999 to 2013 in a variety of media from camera lucida drawings to watercolors, oil paintings, and digital works.

The semester will conclude with an online exhibition of the digital images, ready for use by New York Times editors, as well as a physical exhibition that will be on display at #infoshow18 at Pratt Manhattan Center on May 11, 2018 as part of Pratt Shows, an annual series of year - end shows that offers the public an opportunity to experience the work of Pratt Institute's graduating class each spring.

For this competition, the gallery invites photographers, worldwide, to submit their best work using analog, digital, digital manipulation and / or any alternative processes for an online group exhibitiFor this competition, the gallery invites photographers, worldwide, to submit their best work using analog, digital, digital manipulation and / or any alternative processes for an online group exhibitifor an online group exhibition.

For this competition, the gallery invited photographers, worldwide, to submit their best work using analog, digital, digital manipulation and / or any alternative processes for a group exhibitiFor this competition, the gallery invited photographers, worldwide, to submit their best work using analog, digital, digital manipulation and / or any alternative processes for a group exhibitifor a group exhibition.

Upstream Gallery presents Shifting Optics, a signalling group exhibition showing the work of a new generation of artists, for whom it is natural to experiment with digital techniques.

Against this backdrop, the group exhibition «Digital Archives» assembles works that deal in a multifaceted way with the networked world and the seemingly limitless possibilities for circulating, archiving, and processing digital inforDigital Archives» assembles works that deal in a multifaceted way with the networked world and the seemingly limitless possibilities for circulating, archiving, and processing digital infordigital information.

TV Open Call 9to5 is looking for artists and creators to submit their work for a month - long digital art exhibition at Georgia State University's new $ 22 million media lab, The Cube.

Through various forms of technology — video projections, virtual reality, digital installations, and film — used within the exhibition galleries, DS+R has created atmospheric scenes that convey imagined functional and social contexts for Chareau's work.»

The exhibition highlights works by artists, graphic designers, writers, and publishers in formats ranging from little known comic books to covers for historic books and magazines, to etchings, digital prints, drawings, and media - based works by some of today's leading artists.

Therefore, the encounter will survey works with either a complex exhibition history or with limited exposure; for instance, the assemblages and pieces the artist made at the end of his life, after officially retiring, in which he revisited, reformulated and refined old materials, such as his «90s punk collages or his «60s and «70s films, which he transferred to a digital format.

The exhibited works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic prints.

For his first exhibition in Ireland / Northern Ireland, New York - based artist Artie Vierkant presents a new iteration of his Fingerprints series of video works produced with digital techniques of fingerprinting and gesture capture.

Posterscope UK managing director Glen Wilson added: «As an organisation that embodies creativity and innovation, Tate Britain was looking for a unique way to premiere David Hockney's amazing digital work and its new Hockney exhibition.

Photoville also introduced me to people who have become close friends and collaborators, including my printer at Digital Silver Imaging, and created opportunities for me to exhibit my work around the world, from the «Photoville's Emerging American Artists» show in the Netherlands, to festivals in Guatemala, Portugal and Northern Ireland, to more recent solo exhibitions in China, Switzerland, Korea, and back home at New York City's Steven Kasher Gallery.

In recent years, Frances Stark (* Newport Beach, California, 1967, lives and works in Los Angeles) has been widely acclaimed for her large - scale multimedia works presented in major international exhibitions, including her digital video «My Best Thing», first shown at the 54th Venice Biennial (2011), «Put a Song in your Thing» from Performa, New York (2011), and her recent work «Bobby Jesus's Alma Matter...» at the Carnegie International, Pittsburg (2013).

In its compelling mix of paintings, drawings, videos, sound works, photographs and sculptures, the exhibition reveals bleary - eyed sleepers woken up to be photographed, prowling coyotes caught on specialist digital cameras, smartly dressed women urinating while standing up in the most unlikely of locations, and a helicopter spotlight searching the night time waters for a missing person.

EXHIBITIONS 2016 «Growth / Decay», Antler Gallery - Portland, OR 2016 «Growth / Decay», Paradigm Gallery - Philadelphia, PA 2016 «Year Two», Sweet As Studios - Pittsburgh, PA 2016 «Photobook 2015 Exhibition», Griffin Museum of Photography - Winchester, MA 2015 «Photobook 2015 Exhibition», Davis Orton Gallery - Hudson, NY 2015 «Art All Day», Artworks Trenton - Trenton, NJ 2014 «Works by Nick Pedersen», Paradigm Gallery - Philadelphia, PA 2014 «Pratt Digital Arts» Art Basel Miami Beach - Miami, FL 2014 «Virtual Vision», Auguste Clown Gallery - Melbourne, Australia 2014 «Art All Night», Artworks Trenton - Trenton, NJ 2013 «Story of the Creative», Angel Orensanz Foundation - New York City, NY 2013 «Superstition», San Francisco Center for the Book - San Francisco, CA 2013 «Graphique Noir», Orange County Center for Contemporary Art, CA 2012 «Electron Salon», Los Angeles Center for Digital Art - Los Angeles, CA 2012 «Daylight Savings», The Banff Centre - Alberta, Canada 2011 «Object / Self / Subject», Museum of Russian Art - Jersey City, NJ 2011 «Devoción por un ídolo», Bastardo Gallery — Bogotá, Colombia 2011 «Pratt Show», The Manhattan Center - New York City, NY 2011 «Digital Print Exhibition», D&D Building - New York City, NY 2010 «Art and Sustainability», Schafler Gallery - Brooklyn, NY 2009 «Politics and Media», Schafler Gallery - Brooklyn, NY

The works gathered together for this exhibition — by Dawoud Bey, Mona Hatoum, Thomas Hirschhorn, Jack Pierson, Wolfgang Tillmans, and Francesca Woodman — stretch from analog culture into the utopic digital age.

Since 2007, this non-profit has advanced a model for publication that encompasses digital works of art and literature, public conversations, exhibitions, and books.

In 2015, the gallery launched its Digital Art House www.gazell.io, an online residency for artists working in the digital and virtual reality realm, occasionally to crossover with an exhibition at the physical galleryDigital Art House www.gazell.io, an online residency for artists working in the digital and virtual reality realm, occasionally to crossover with an exhibition at the physical gallerydigital and virtual reality realm, occasionally to crossover with an exhibition at the physical gallery space.

The exhibition includes works by artists, graphic designers, and publishers in formats ranging from little known comic books to covers for historic books and magazines, to etchings, digital prints, drawings, and media - based works by some of today's leading artists.

She has exhibited her work nationally and internationally with recent exhibitions at the Khyber, Halifax; PLATFORM centre for photographic + digital arts, Winnipeg; Graphic Design Festival Breda, The Netherlands; The New Gallery, Calgary; and Museum of Contemporary Canadian Art, Toronto.

Her work has been presented in many solo and group exhibitions such as For An Experience of Wholeness (2013) at the Digital Media Gallery, Lycoming College in Williamsport; Contemporary Photographic Practice and the Archive (2013) at the Harry Ransom Center at the University of Texas at Austin; X Y Z — The Geometric Impulse in Abstract Art (2012) at the Torrance Art Museum; and Perspectives 168 (2010) at the Contemporary Arts Museum Houston.

For Reduction, Reduction, a selection of works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photographic prinFor Reduction, Reduction, a selection of works have been taken from Broadbent's recent book, The Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photographic prinfor the exhibition as silver gelatin and digital chromogenic photographic prints.

Finally, Dallas» own Bivins Gallery will make its Dallas Art Fair debut this year with a multimedia, solo exhibition of the work of Mary Hull Webster, an interesting artist who has been working in digital and mixed media for over thirty years.

For three days at London's Southbank Centre, the exhibition Digital Africa: The Future is Now featured the work of seven artists whose video pieces and sound art highlighted the experimental nature of new wave African and African diasporic visual art.

While the exhibition fails to distinguish incisively between artists who simply use digital technology and the internet as materials and those who critique or laud their power as models for communication, the strongest works in the show are those that do both, presenting surprising reflections on the «ocean of images» that the exhibition's title claims constitute the modern visual world.

Organized collaboratively by The Kitchen and participating artists, the exhibition takes up the legacy of Minimalist art and composition during the 1960s and»70s as a precedent for reconsidering work by a younger generation for whom serial repetition corresponds more directly with digital technology and, moreover, its reconfiguring of our encounters with physical space through networked communication.

Other exhibitions she has organized at the Menil include «The Progress of Love» (2012), a simultaneous, three - venue exhibition series with the Pulitzer Foundation for the Arts, St. Louis, and the Centre for Contemporary Art, Lagos, that explored love in the digital era; and «Byzantine Things in the World» (2013), which featured works that dated from 9,000 BCE to the present.