He still works in oil on linen, with resolutely two -
dimensional areas of color.
Not exact matches
In their works they dealt with what they considered to be the fundamental formal elements
of abstract painting: pure, unmodulated
areas of color; flat, two -
dimensional space; monumental scale; and the varying shape
of the canvas itself.
For instance, because these artworks were entirely self - referential, their presence was meant to be «felt» immediately, through their «hard edges», or the abrupt transition between
areas of solid, unvarying
color from a restricted palette, as well as the repetitive patterns and geometric forms resulting in flatness and two -
dimensional space.
The yarn is twisted and pressed into place as it changes direction to complete each
area of color, giving the resulting work a series
of architectural bevels, and a three -
dimensional surface.