Her work ranges from two -
dimensional drawing and painting to three - dimensional sculpture and assemblage.
PM Session: Amazing Animal Investigation Students will create
dimensional drawings and paintings of animal collages.
I make two and three
dimensional drawings and paintings exploring spontaneous mark making, experimental use of prefabricated materials and ready - made forms.
Not exact matches
12/13/2010 in 12 + years old, 18 mos to 2 years old, 3 - 5 years old, 6 - 12 years old, All Ages, Art, Body Care, Building / 3
Dimensional, Christmas Crafts, Crafts, Dollmaking, Doughs,
Paints, Mixes,
and Concoctions,
Drawing & Illustration, Family, Gifts to Make, Kids Handmade Holiday, Needlework, Paint, Paper Crafts, Recycled Crafts, Textiles, Themes Permalink Comments (2)
This has allowed NAME to focus on
painting,
drawing,
and 3
dimensional modelling in a range of materials.
Photographs focus on interesting texture, colour
and contrast
and could provide the starting point for
drawing,
painting or 3
dimensional work.
«Studying Leonardo Da Vinci's human propositions, his skills in
drawing and three -
dimensional paintings, can be brought into many math lessons,» writes Maarit Rossi (@pathstomath).
Studying Leonardo Da Vinci's human propositions, his skills in
drawing and three -
dimensional paintings, can be brought into many math lessons.
By
painting and drawing, a child begins to understand that two -
dimensional lines can represent three
dimensional objects — a precursor to comprehending that letters can represent sounds
and words can represent objects or ideas.
I am going to focus on photographing two -
dimensional artwork like
paintings and drawings.
Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps, because over the course of this long
and productive career, her creative output has vacillated between
painting and drawing (with forays into three -
dimensional constructions); smooth surfaces
and chaotic buildup on canvas;
and intimate small - scale works
and jaw - dropping large
paintings that grab your eye from across the room.
In arriving at
paintings in which an expression of form
and space was created by, essentially, the coloured structure, Cézanne,
and Bonnard, in his mature
paintings, tended to suppress the three
dimensional information contained in tone
and drawing.
The Jackson's Open
Painting Prize exists to recognise and appreciate original, 2 - dimensional fine art works in any painting or drawin
Painting Prize exists to recognise
and appreciate original, 2 -
dimensional fine art works in any
painting or drawin
painting or
drawing media.
Through his expressive depictions of children
and animals ranging from
paintings and drawings, to three -
dimensional works employing FRP, ceramic, bronze,
and large - scale installations, Nara continues to attract audiences internationally
and is one of Japan's most iconic artists of our time.
Spanning acrylic
and oil
paintings, gouache
and paper collages, patchworks made from fabrics
and paint, silkscreens,
and colored pencil
drawings, this show brings together an expansive group of two -
dimensional works to explore the relationship between
painting and drawing.
Inspired by jazz
and his family's quilting traditions, since the 1980s Al Loving has been broadening the definition of modern
painting and drawing, experimenting with heavy paper
and color to create three -
dimensional collages.
Juxtaposing
dimensional space with
drawn and painted shapes, Moore's reductive
paintings reflect his interest in the illusions perpetrated by photography
and linear perspective.
The differences between
drawing and painting resulted in very different outcomes of the same two -
dimensional exploration.
The exhibition is not only structured around Takamatsu's
paintings, prints,
and three -
dimensional works but also provides a reexamination of his
drawings, book
and magazine designs, illustrations,
and documentary photographs.
Her «thing» is a little bit difficult to sum up, perhaps, because over the course of this long
and productive career, her creative output has vacillated between
painting and drawing (with forays into three -
dimensional constructions); smooth surfaces
and chaotic buildup on canvas;
and intimate small - scale works
and jaw - dropping large
paintings that grab your eye from across the room.
Louisa Chambers recent practice responds to ongoing research into depiction
and visual perception on two
dimensional surfaces (more specifically, concentrating on the mediums of
drawing, collage
and painting).
Alternating sculpture — the medium in which he develops a broader spectrum, ranging from small three -
dimensional creations to large - sized installations
and hybrid objects — with photography,
drawing,
and mural
painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images,
and spaces.
Here will be a diverse mix of
paintings,
drawings, collages
and three -
dimensional pieces.
Taking direction from architect
and theosophist Claude Bragdon's treatise on
drawing four -
dimensional patterns on a two -
dimensional plane, Ms. Auerbach presents a series of glass sculptures
and a sculpture consisting of 3D - printed parts, along with large - scale acrylic
paintings created with custom - made tools
and a new group of her coveted Weave
paintings.
When selecting two -
dimensional work, Wilson identified «
paintings, prints
and drawings that had a winter theme or responded well to the beautiful grounds of the site.»
Considering two -
dimensional works only as a manifestation of an idea,
and not as objects, his
drawings had a limited duration
and all of them were ultimately
painted over.
Majolica retains the nuances of Pessoli's meticulous handcrafting of his figures, enabling the translation of his
drawings and paintings into three -
dimensional forms.
Ye's videos are an amalgamation of his
drawings,
paintings,
and fascination with digital animation, resulting in surreal, seemingly three -
dimensional loops that focus on both the reduction
and building up of various forms that interest him — in this case New York City's Chrysler building, an imagined gold coin,
and a chained tiger.
Formal analysis, then, is fair game,
and strikingly noticeable among the two -
dimensional works on view on all three curators» floors is the dominant presence of grisaille
paintings and drawings.
Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism
and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art
and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum
and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art
and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California
Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art
and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum
and De Young Museum 1967 FUNK, University Art Museum, Berkeley,
and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art
and Philadelphia Museum of Art 1966 Twenty
Drawings: New Acquisitions, Museum of Modern Art, New York Two -
Dimensional Sculpture, Three -
Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery
and Des Moines Art Center Public Collections
In 1987, Bannard began his «brush
and cut»
paintings, consisting of large - scale canvases in which he applied transparent tinted gel with large street brooms
and industrial floor squeegees to make
painted «
drawings,» featuring vigorous brushwork
and three -
dimensional illusions.
Thomas transformed these sketches into larger work - colleges
and paintings - as well as small - scale installations or three -
dimensional models that were inspired by her commute
drawings.
While some artists create large - scale oil
paintings, others
draw on top of photographs, or combine sculpture
and two -
dimensional work.
Artist German Stegmaier creates
drawings that embrace four -
dimensional spaces
and paintings of simply layered
and nuanced colors.
[New York] We are pleased to present «M E M O R Y,» a new exhibition of
paintings,
drawings and three -
dimensional works by Fahamu Pecou.
Working daily, Huang will assemble an evolving installation layered with
painting,
drawing, video, collage,
and three -
dimensional frames.
We have over 80,000 images of prints,
drawings,
paintings, textiles
and 3 -
dimensional artwork from our permanent collections... View More
In the Armory Show he exhibited two
paintings and five etchings
and took away new influences, the colorful palette of the Fauves
and the stylized
drawing of emerging abstract painters who were emphasizing form
and line over objective three -
dimensional reality.
Opportunity Description: This opportunity is open to all Otis College alumni working in all disciplines,
and submissions in every form of two
dimensional media are encouraged — such as
painting, photography, graphic design, printmaking,
and drawing as well as non-traditional forms such as fashion designs, blueprints, commercial art, text, or cartography.
Included in the acquisition are 39
paintings, 10
drawings,
and 18 three -
dimensional objects (sculpture, ceramics, glass,
and mixed - media assemblage).
These renderings are then executed in acrylic
paint and overlaid with enlarged
drawings painted with a vinyl
paint that alternately reinforces the illusionistic space of the
painting and calls to attention the physical reality of the
paintings» two -
dimensional linen support.
Eligibility Requirements: This opportunity is open to Otis College alumni working in two -
dimensional media including, but not limited to,
painting, photography, graphic design, printmaking,
and drawing.
Artists are invited to submit work into any one of the following four categories: Photographic & Digital Art;
Painting &
Drawing; Three -
Dimensional Design & Sculpture,
and Video, Installation & Performance.
Timothy Harding's work explores the fluid relationship between the pictorial space
and the three
dimensional realm, between
drawing,
painting and sculpture.
Applebroog propels her
paintings and drawings into the realm of installation by arranging
and stacking canvases in space, exploding the frame - by - frame logic of comic book
and film narrative into three -
dimensional environments.
A further six shortlisted artists complete the group show, spanning
painting, installation, three
dimensional design,
drawing and film.
The award invites artists to submit work into any one of the following four categories: Photographic & Digital Art;
Painting &
Drawing; Three
Dimensional Design & Sculpture,
and Video, Installation & Performance.
Entries may include 2 -
and 3 -
dimensional media, such as
paintings,
drawings, photography, mixed media, installations, ceramics, jewelry, fabric, sculpture, fiction, poetry, short stories
and other written explorations (up to 900 words).
She was
drawn to the fragility
and hardness of glass, its liquid quality as well as its capacity to adapt to the two -
dimensional status of
painting.
We've
drawn a turkey before, we've also finger
painted a turkey, we've even made a turkey cutout, but those were a couple years ago... this new turkey lesson is a little more realistic
and 3
dimensional.