Calder developed a new method of sculpting by bending and twisting wire — he essentially «drew» three -
dimensional figures in space.
Not exact matches
The «best society» he must imitate to become a man among men is composed of one -
dimensional figures who now crowd the stage
space, bearing lavish silver gifts (props for Merrick's humanity)
in a Christmas pilgrimage to the London Hospital.
These are largely based on reports of subjective emotional experiences and the temporal relationships between different reported states, and suggest that these states can be represented as locations
in two - or three -
dimensional space (
figure 1).
Painters eventually stopped trying to represent objects
in three -
dimensional space not because photographs could do it better (photographs don't represent anything as a matter of fact) but because the painterly conventions involved
in representing objects (and landscapes and the human
figure, etc.) could no longer do what they were supposed to do, namely, form or discover a connection between the painter (and viewer) and the world.
Floating
in a
space in front of it we see a transparent geometrical
figure, or cluster of
figures, that alternates between being flat and being three
dimensional, the whole painting also seeming to undulate gently.