Sentences with phrase «dimensional images formed»

Not exact matches

Currently, the whiskers developed in this study can only form two - dimensional images.

The new technique gave unprecedented three - dimensional image sharpness, avoiding damage to living cells and allowing substances such as neurotransmitters and calcium ions administered in an inactive form to be instantaneously activated in a tiny volume of tissue.

A graphics processor generates the high - quality, three - dimensional images, which appear in the form of a 3D terrain model.

The front fender surface treatments form a complex, three - dimensional look to further enhance the image of sophistication and structural depth against the deeply set headlights.

These images can even be reconstructed into 3 - dimensional forms to improve our understanding of the anatomy of the problem and assist in planning a surgery.

Image spaces and space forming but r presents positions of contemporary painting that make these classic two - dimensional self - conscious questioning.

Her three - dimensional forms, at once poetic and quirky, are translated from the artist's personal archive of found images, their sources ranging from details of architectural ornamentation — whether an Art Deco wall sconce or vintage wallpaper — to articles of clothing.

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

This understanding of sculptural language and a preoccupation with forms in space, translated into two - dimensional images, underpins her pictorial practice.

Fogt's collaged images from a 1960 Sears catalog hover in fields of empty space, the pieces appearing to float on the page, while the swirling cacophony of Yeapanis's colorful ink drawings echo the unpredictably organic forms of her 3 - dimensional installations.

The images depicted on the prints appear sculptural in form, mimicking her three - dimensional work in its use of strong, geometric and organic lines.

Images are inserted directly into the clay forms, accentuating the materiality of the printed image and their ability to transform, by illusion, into three - dimensional form.

HILARY LLOYD who combines still and moving images, sound and the three dimensional forms of AV playback equipment to portray the urban environment.

His practice moved quickly from Pop - influenced images to three - dimensional forms which predominated in future shows.

The result is a kind of three - dimensional collage that combines and layers the images of the expressive sculptures with sleekly abstract metal forms.

In erasing features, removing limbs, expanding scale, and joining together internal and external bodily parts, she creates three - dimensional figures and objects in clay that move away from familiar images of the human form.

Colors and forms take on a lucid concreteness that pushes toward the three - dimensional, while collaged elements such as images and fabric become assimilated as building blocks in the work's architecture.

Kidner meticulously translated the column into a 2 dimensional form as a painting by using a systematic method of measurements and colour coding as seen for example in Column in front of its own image 1971.

Column No. 2 In Front of Its Own Image (1972 - 3) systematically records the grid or lattice formed by the movement of a three dimensional object in space, itself a solid representation of the intersection of two wavy lines.

Incorporating the aesthetic vocabulary of widely opened eyes, polka - dots, nets, and organic shapes that have defined Kusama's seven - decades - long career, the sculptures appear as though Kusama's images have been released from the canvases they are surrounded by and have organized themselves into three - dimensional forms.

McNeil comments: «I find writing quick notations, recording phrases, or making simple written lists often stimulates drawings that can become a portal to explore an idea in the form of a two - dimensional image.

The sculpture is three - dimensional in form and has digital printed images on each surface creating the illusion that it is the «Cape Cod» model home from Levittown, Americas first planned suburban community.

Creating a portrait of our society in the form of three - dimensional images is Olaf Metzel's (b. 1952 in Berlin) stated artistic intention.

Macchi often begins his process with a drawing, giving form to an image that he finds compelling; some images will remain as drawings or watercolor sketches, while others evolve into three - dimensional works...

Van de Velde expands this experience of traditional projected image by taking advantage of recent technological advances in both hardware and software to combine light, non-pictorial visuals, color and abstract geometric forms into three - dimensional environments.»

When it was initially presented, the curator claimed the exhibition to be the «first comprehensive survey of photographically formed images used in a sculptural or fully dimensional manner.»

But in her crisp, elegant shots, Chetrit makes everything count, bringing sculptural concerns to bear on a two - dimensional form and referring to historical precedents even as she launches an inquiry into the future of the image.

For a person not familiar with graffiti aesthetics the images of detailed cities might emerge first, for a graffiti artist the flow and form of 3 dimensional graffiti could be seen first.

Just as Monk dramatizes the intimate experience of two - dimensional images in Ruscha's book, «Sunrise» and «Sunset» leap off the cover from LeWitt's book onto the gallery walls in the form of neon signage written in the original Western typeface.

In their initial manifesto they proclaimed a return to fundamentals, notably by renouncing three - dimensional forms, restricting colour to its simplest, and by evoking elemental images.

«For the past two years I have been studying color, shape, and form to better understand both the dimensional and rational means in which our eyes turn stimuli into a descriptive image of our immediate surroundings.

Taking mundane and overlooked, yet architecturally functional forms already present and repurposing them, the flattened images of three dimensional spaces call attention to their source and explore how perspective is key in understanding our environment.

O'Keefe is using light and color play to create images that flatten three dimensions, build depth and form from two dimensional materials, and warp our sense of reality.

The San Francisco — based artist's sculptural practice is rooted in his early work, in which his fascination with images from cat calendars, the architecture of Neverland Ranch, and the mysterious charge of rooms pictured in home decor magazines formed the basis of decidedly quirky three - dimensional collages.