Sentences with phrase «dimensional images made»

These pieces of the level are actually two - dimensional images made to look 3D, which was the original visual goal of the Genesis Sonics; job well done.

These are two dimensional images made by passing radiation through a focused point on the body.

Not exact matches

They are not one - dimensional archetypes but people, which means that Lance Armstrong, despite his celebrity, is really one of us — a human being, made in the image of God, marred by sin and living in a broken world.

This real person has tried to make himself relevant by turning himself into Marlins Man, a two - dimensional image flattened onto people's screens and social feeds.

Two - dimensional images of virtual performers can also be made to appear 3 - D through stage tricks that involve carefully placed projectors and reflective surfaces.

Glasses worn by the viewer then make the image appear three - dimensional by providing a different view to each eye.

Over 20,000 two - dimensional cryo - EM images of bacteriophage P22 (also known as the P22 virus that infects the common bacterium Salmonella) from Baylor College of Medicine were used to make the model.

Creating three - dimensional images would require a more sophisticated mathematical model to interpret the signals coming in, as well as improving the whisker sensors, making them smaller and more flexible.

His strategy was to first cluster the voxels (essentially three - dimensional pixels) that make up each image into larger units called supervoxels.

Analysis of the resulting images allows the researchers to determine the position of each of the thousands of atoms of the test substance with great precision, which makes it possible to create a three - dimensional model.

Analyzing changes in hundreds of three - dimensional images is difficult, so TRACK - HD scientists used three completely distinct techniques to make sure changes they observed weren't due to technical problems.

In an excerpt from the blog: «Making three - dimensional images that can be seen by the naked eye requires a special liquid crystal, so we tested it out by putting it in the Game Boy Advance SP..

The colours employed by map makers to differentiate between land and sea add a sense of depth and texture, which almost makes the images appear three - dimensional.

Image spaces and space forming but r presents positions of contemporary painting that make these classic two - dimensional self - conscious questioning.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

During this time, however, and in the years immediately following, he made a large number of collages and three - dimensional assemblages, compiling everyday objects and found images from (often pornographic) magazines.

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

The stereoscope is a device used to make images appear three - dimensional by presenting each eye with a slightly different point of view of the same scene; in attempting to reconcile the difference, the eye is tricked into seeing volume.

The show comprised five sculptures each of which was made using a similar process to his earlier works: images of classical and Modernist art objects found on the Internet were rendered, via a computer, as basic three - dimensional models.

Curator Gary Garrels writes: «Iran do Espírito Santo makes wall drawings that allude to the three - dimensional space of architecture, transformed into flat planes, like artificial shadows, retinal after images, or disembodied memories.

He scans his drawings into the computer so that images can be enlarged, taken apart, made smaller or three - dimensional, reshaped, transformed into digital games, or given to someone else to execute.

McLean tells me that he hopes to make a series of sculptures out of the bars of the sunset paintings, and to experiment with cutting - up and reassembling images of the shade paintings to create real shadows in three - dimensional space.

That was when I understood I was going back to what I had desperately been aiming for in 1959, and I started making abstract three - dimensional images in cut metal.

Showing a range of sculptural and two dimensional work produced over a twelve year period, Brown harnesses a diverse range of mediums including digital image creation, model making, painting, print making and embroidery.

Later, she began exhibiting her copies alongside the actual objects upon which they had been based, as in one of her most iconic three - dimensional works, To Fix the Image in Memory (1977 — 82), for which Celmins made bronze casts of eleven stones she found in New Mexico and painted them so as to be indistinguishable from the originals.

In the 1980s, Loving broke free of the flat image, using heavy rag paper to make three - dimensional collages in brilliant colors.

In between fluid abstraction and sculptural figuration, these works become three - dimensional pictorial spaces with a potential for image making.

But it also underscores the point that Sartre makes about the painterly characteristics of Giacometti's sculpture, which reside not only in the equivalency between the touch of his hand and that of his brush but also in the sense of permanent remove in both the two - dimensional and the three - dimensional image.

McNeil comments: «I find writing quick notations, recording phrases, or making simple written lists often stimulates drawings that can become a portal to explore an idea in the form of a two - dimensional image.

Deftly creating dynamic illusions of depth and space on a two - dimensional surface, Grotjhan makes reference to various points in the history of painting, from Renaissance linear perspective, to the utopian shapes and visions of early 20th century Russian Constructivism, to the hallucinatory images of 1960s Op Art.

The German sculptor & photographer Thomas Demand is known for making photographs of three - dimensional models that look like real images of rooms and other spaces, often sites loaded with social and political meanings.

Approaching image - making from a sculptural perspective, the practitioners transform the picture plane into three - dimensional objects.

But in her crisp, elegant shots, Chetrit makes everything count, bringing sculptural concerns to bear on a two - dimensional form and referring to historical precedents even as she launches an inquiry into the future of the image.

This rural site of subterranean raw graphite is the source from which pencils were historically first made, which crystallized the concept for Fernández of a drawing that is both dimensional material, actual place, and drawn image.

Between 1948 and 1950, however, he was to develop a radical approach to image - making grounded in a poetic exploration of matter that challenged the two - dimensional nature of the wall - mounted artwork — an interest that he continued to expand and refine over the course of a long career, working with a wide range of materials such as rubber, pumice stone, plastic and sacking.

Choi will illustrate examples of her works and explain how to make images in a similar style, encouraging participating artists to go beyond the page and explore three - dimensional planes.

Heinecken expanded on this work by taking still, decisive images of the TV's image and making two - dimensional dye sublimation prints, «Daytime Color TV Fantasy» (1974).

I decided to make both paintings and sculptures, and in the paintings I worked with large geometric lines, extensions of three - dimensional letters, or objects that played on the surreal, elongated, figurative images in Lam's work that sometimes depict Yoruba deities like Eleguá, Yemayá or Changó.

Gabriele Beveridge (b. 1985) is a London - based artist who creates two - dimensional and three - dimensional collages and installations using sun - faded images and a variety of natural and man - made objects.

The three - dimensional black spheres that make up this work are in some ways distant relatives of the pixels of that original, two - dimensional photograph, but instead of being transcribed into a flat image as micro dots of ink on paper, here they well up into great waves that crash against the very walls of their original subject matter.

Rachel de Joode has made a style out of flattening textured and three - dimensional images into a smooth 2D surface, images that contradict themselves and trick the eye from every angle.

Alex Dordoy aims to expand the traditional flatness of painting and image - making by producing Works that explore beyond the limits of the canvas or page and move into the three - dimensional physical world.

Dordoy aims to expand the traditional flatness of painting and image - making by producing works that explore beyond the limits of the canvas or page and move into the three - dimensional physical world.

She is known for photographing sculptures and three - dimensional still - life assemblages of her own making, [2] some of which she destroys after the photos have been taken, as well as for creating images of classical figures and architectural details and their relationship to space.

Many of the «sculptures» included often operated with or within more - two dimensional components — I am thinking here of Jon Kessler's Exodus (2016) and Evolution (2017), configurations far more about the transmutation of object into digital image than it is about the materiality of things; Rafa Esparaza's Figure Ground: Beyond the White Field (2017), a weighty and timely installation on labor, colonialization and identity read through adobe bricks; or Raúl de Nieves» beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end (2016), an installation of five ornate, grotesque, and vibrantly hued sculptures set against a backdrop of eighteen colorful acetate sheets made to resemble stained glass windows.

In the 1980s, Loving broke free of the flat image, using heavy rag paper to make three dimensional collages in brilliant colors.

Approaching Op Art, carefully rendered three - dimensional abstract objects (segments) combine together on a grey ground to make an image that is more than the sum of its parts, appearing to generate light as much as reflect it.

... The roving mind of God casts its shadow in our minds, And like children tracing the shadows of trees on the ground, We mistake this image made of shadows, This dimensional flattening of truth, For the Truth.