Sentences with phrase «dimensional images of the surfaces»

By measuring on many locations with micrometer spacing between the measurement points, we can construct a two - dimensional image of the surface's repellency, called a wetting map,» explains Professor Quan Zhou from Aalto University School of Electrical Engineering.

An atomic force microscope (AFM) is a scientific tool that is used to create detailed three - dimensional images of the surfaces of materials, down to the nanometer scale — that's roughly on the scale of individual molecules.

Not exact matches

Miller contends that none of these theories account for the elements of the image that continue to defy naturalistic explanations: that the image is singed only on the surface of the cloth, and that its three - dimensional nature and the prints of the flowers and coin that Whanger believes are present remain unexplained.

Two - dimensional images of virtual performers can also be made to appear 3 - D through stage tricks that involve carefully placed projectors and reflective surfaces.

Due to the manner in which the image is created, SEM images have a characteristic three - dimensional appearance and are useful for judging the surface structure of the sample.

The idea is similar to that of ordinary holograms where a three - dimensional image is encoded in a two - dimensional surface, such as in the hologram on a credit card.

Three - dimensional image using scanning tunneling electron microscopy of electrons on the surface of a Weyl semi-metal, a kind of crystal with unusual conducting and insulating properties.

The researchers examined the cells using AFM, which requires minimal sample preparation and provides three - dimensional images of cell surfaces.

Three - dimensional rendering of surface features imaged by ptychographic coherent diffractive imaging.

It is versatile because an atomic force microscope can not only image in three - dimensional topography, but it also provides various types of surface measurements to the needs of scientists and engineers.

The front fender surface treatments form a complex, three - dimensional look to further enhance the image of sophistication and structural depth against the deeply set headlights.

The development of laser technology in 1962 enabled the creation of holograms that displayed three - dimensional images on a two - dimensional surface.

It involves rendering an image by placing a sheet of paper over an object or dimensional surface and rubbing it with a marking agent such as graphite or wax crayon.

Although Singer's works often begin with Internet image searches for general categories — for example, «performance art» in Happening (2014)-- and are more or less traditionally painted onto two - dimensional surfaces to create the illusion of space and depth, to call them paintings is largely a misnomer.

These collaged elements — along with images of pillows and a detail from a Baroque relief — are sealed within a clear Plexiglas casing that acts as a support for the surprising array of three - dimensional objects suspended from the work's surface, ranging from tin cans and a spent tube of paint to assorted empty plastic tubes and salvaged wooden chair rungs.

A painter before he became a filmmaker, Jacobs was a student of Hans Hofmann, and Hofmann's injunction to «manifest a three - dimensional event on a two - dimensional surface» has been, formally, the point of departure for all of Jacobs's moving - image work.

The relief technique involves sculpting an image from a two - dimensional surface so that the sculpted image protrudes out of the surface of the work.

Deftly creating dynamic illusions of depth and space on a two - dimensional surface, Grotjhan makes reference to various points in the history of painting, from Renaissance linear perspective, to the utopian shapes and visions of early 20th century Russian Constructivism, to the hallucinatory images of 1960s Op Art.

The works of the three artists picture a feeling of longing as a place, a three - dimensional image, as plain, surface, material, colour, effect, taste, time, a moment of happiness, but most of all as a projection.

Little info is provided about de Joode's exhibition at Cinnamon, but if the press image has any relevance, her signature style of flattening textured and three - dimensional images into a smooth 2D surface will hold strong.

Rachel de Joode has made a style out of flattening textured and three - dimensional images into a smooth 2D surface, images that contradict themselves and trick the eye from every angle.

Accordingly, Grosse seeks to pictorially open up and dive into the space and surface of the images, contesting the two - dimensional quality of paint on canvas.