Sentences with phrase «dimensional live image»

The Remote 3D View function additionally gives drivers the ability to call up a three - dimensional live image of their vehicle and its immediate vicinity on their smartphone.

Not exact matches

They are not one - dimensional archetypes but people, which means that Lance Armstrong, despite his celebrity, is really one of us — a human being, made in the image of God, marred by sin and living in a broken world.

Ultrasound is a unique way to catch a glimpse of the fetus, and three - dimensional and four - dimensional (3D / 4D) ultrasound may show much more realistic of the baby because of the real - life like images.

Using a technique that creates high - resolution, three - dimensional images, Guerinot and her colleague Tracy Punshon, an expert at imaging metals moving through living systems, found arsenic concentrated in the grain's nutrient - rich outer layers, which are polished off in the processing of white rice but remain in brown rice.

They also assist with more advanced techniques, such as live - cell microscopy, three - dimensional reconstruction, and image analysis.

The new technique gave unprecedented three - dimensional image sharpness, avoiding damage to living cells and allowing substances such as neurotransmitters and calcium ions administered in an inactive form to be instantaneously activated in a tiny volume of tissue.

The most talked - about portion of the Virtual Guide, using 2 - and 3 - dimensional tracking technology, is its augmented - reality feature, blending six canned 3D overlays with a live image of a particular area of the vehicle seen through a Sonata owner's phone or tablet camera.

Since the infancy of cinema, when moviegoers would watch in disbelief as two - dimensional images leapt into life, painting and film have enjoyed a fruitful if sometimes fraught relationship.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

He was interested to see his frozen screenshots reanimated on a living body, injecting some illusion of life and depth into the arrested two - dimensional images, but judges that if he tried to bring this sculptural, kinetic quality off the catwalk and into his studio work, it would become «a cliché».

As the artist's renditions became more volumetric and pneumatic, he turned to sculpture to create works that were truly three - dimensional; Jones» sexually charged fibreglass sculptures depicting life - size images of women as furniture emerged.

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

The artist questions the limits of painting with three - dimensional works that explore the functional purpose of the image and how it shapes the experience of life in the postmodern condition.

The three «still life» assemblages of chrome objects included in the THE SPECULATIVE GAZE embody a similar duality of material lust and a sort of moral hesitance; as dimensional «vanitas» images they contain a network of objects and their attendant associations, raising a critique of contemporary consumerism and economic insatiability through this material dialogue.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

Levine also reinvents Man Ray's painting La Fortune (1938), multiplying the central image and bringing it to life as a three - dimensional installation whose synced repetition echoes that of minimalist sculpture.

Stern and Jessica Meuninck - Ganger's unique distill life artworks consist of two - dimensional prints and drawings overlaid on continuously looping videos, creating «moving images on paper.»

Likewise, Zeigler's sculptures begin with direct observation from life where an image inspires the muse to transform three - dimensional material into art.

She is known for photographing sculptures and three - dimensional still - life assemblages of her own making, [2] some of which she destroys after the photos have been taken, as well as for creating images of classical figures and architectural details and their relationship to space.

The Creators Update event in October 2016 hinted at a future in which consumers would be able to pull a photo of an armoire from an e-commerce website, convert it into a three - dimensional life - size image, and project a hologram of it into their bedrooms in order to determine if it's the right fit and style before purchasing.

Common duties highlighted on a Visual Effects Artist example resume are developing two - and three - dimensional images, building elements that would be impractical to create live, researching things that happen in real life, and following instructions from clients and supervisors.