Sentences with phrase «dimensional object in space»

Column No. 2 In Front of Its Own Image (1972 - 3) systematically records the grid or lattice formed by the movement of a three dimensional object in space, itself a solid representation of the intersection of two wavy lines.

When the viewer moves in and out of the projected light beams, they are forced to reconcile their perceived sense of a three dimensional object in space with the actual reality of the mutable properties of light.

Based on the new Apple patent, the company is developing an app that will enable the Apple Pencil to be used in virtually drawing three - dimensional objects in space.

Not exact matches

To each observer there corresponds a 3 - or 4 - dimensional perspective or «private space,» in which the sense data literally serve as mathematical points in mapping out the existence and extent of objects that a particular observer seems to perceive.

Superstrings are one - dimensional objects (like lines, hence «strings») vibrating like rubber bands in multidimensional space.

In his framework, the three dimensions of space and time are woven together to create a four - dimensional fabric, which acts as the source of gravity because it bends and warps around massive objects, like stars.

Just as a bedsheet hanging on a clothesline appears to be a two - dimensional object hanging in a three - dimensional world, all of space - time would be suspended in a higher - order space.

Japanese engineers have developed a new system of acoustic levitation, using sound waves from four audio speakers to suspend solid objects in three dimensional space.

The volume is the amount of space an object fills in three - dimensional space (which tells approximately how much a container, like a juice box, can hold), and the surface area is the total amount of area on the outer surface of the object (which tells approximately how much material was used to create the shape).

What I'm studying is branes, membranelike objects in higher - dimensional space.

For the first time in history, humans knew the stars not just as points on a sky chart but as objects with defined locations in three - dimensional space.

It looks to us like there are photons and these other particles, but they might really be manifestations, projections, from a higher - dimensional space, of objects that are more conveniently described in our world by saying, «There is a photon,» or «There is a gluon.»

The goal, says survey leader Robert Millis, is to discover enough objects to begin to understand the scale of the belt, the three - dimensional distribution of objects in space, and their orbits.

The goal, says former survey leader Robert Millis, was to discover enough distant bodies to begin to understand the scale of the belt, the three - dimensional distribution of these objects in space, and their orbits.

«In our three - dimensional environments, objects in the lower half of our visual field are usually close, a part of near spacIn our three - dimensional environments, objects in the lower half of our visual field are usually close, a part of near spacin the lower half of our visual field are usually close, a part of near space.

«Moreover, kinesthetic awareness — your brain's ability to calculate where your body is located in three - dimensional space in relation to other objects around you — helps to improve balance and flexibility.

These devices allow the wearer to move around in three - dimensional space by shooting duel grapple hooks into nearby objects and propelling them into the air.

Audio objects originate and move anywhere in three - dimensional space, including anywhere overhead.

Content mastered for home reproduction includes all the audio objects from the original film, placed in three - dimensional space, just as in the cinema.

Specifically, a predetermined character or predetermined object such as a background, a person etc. is provided (rendered) in a three - dimensional space such as the virtual game space, and a two - dimensional image that is viewed from the virtual camera (viewpoint) is generated.

The core gameplay concerns itself with manipulating objects in a three - dimensional space relative to a source of light, in order to create a two - dimensional relief that Dawn can then successfully negotiate as a shadow.

And we perceive space, particularly depth, largely by interpreting visual cues — lines converging in the distance, near objects occluding those far away, and so on — in a process that is ultimately not so different from reading a conventional representation of space on a two - dimensional surface.

Craig - Martin's recent large powder coated steel sculptures are essentially three - dimensional line drawings in space, again of readily identifiable objects.

Based in color theory, these three - dimensional still lifes address the perception of objects and the spaces between.

Alternating sculpture — the medium in which he develops a broader spectrum, ranging from small three - dimensional creations to large - sized installations and hybrid objects — with photography, drawing, and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.

Often working in a square format (neither portrait or landscape), she limits her images to geometric shapes and flat colors in order to eliminate overt references to objects and illusions of three - dimensional space.

Like Judd's Minimalist objects, Rauschenberg's Combines would undertake the passage from pictorial to real (three - dimensional) space, but they would do so only while foregrounding the mediated and commodified state of the «real» in postwarsociety.

Future People, a solo exhibition by Derrick Adams, is a multifaceted experience combining large scale two dimensional works on paper mimicking spaceship windows with galactic scenes, a video projection animating the objects included in the collages, sculpture installation referencing a space station control center, with an added live DJ set component featured opening night and...

A flexible panel, such as a textile, is particularly interesting because it is in essence flat, but can transcend two dimensional space to become a dynamic three - dimensional object.

While his previous installation - based work is a direct response to the architecture in which it inhabits, the dimensional paintings are a more singular instance of how an object occupies space.

I have always been interested in creating an environment for my paintings, either through transforming the gallery space into an installation, or introducing three - dimensional sculptural objects to engage in a relationship with a two - dimensional work.

He then layers these slides one onto the other to create an illusion of three - dimensional objects or landscapes trapped in space.

Rather, they are three - dimensional, semi-sculptural objects in which negative space (the gaps between the panels) not only establishes structure and depth, but also line.

In Vance's canvases, the background no longer surrounds the object, but breaks through it — by opening and closing these spaces in the pictorial plane the artist is able to create the illusion of a three - dimensional spacIn Vance's canvases, the background no longer surrounds the object, but breaks through it — by opening and closing these spaces in the pictorial plane the artist is able to create the illusion of a three - dimensional spacin the pictorial plane the artist is able to create the illusion of a three - dimensional space.

SOME PEOPLE SAY we live in a world of objects — a world of three - dimensional lived space, the apprehension of which can somehow yield autonomous experiences.

Artist Statement My new pieces bridge the gap between sculpture and drawing: three - dimensional objects in low relief that define space with colorful, linear elements.

-LSB-...] In my curatorial life, where I am working more exclusively with three - dimensional objects in a three - dimensional space, I find I'm not in such a secure position of masterIn my curatorial life, where I am working more exclusively with three - dimensional objects in a three - dimensional space, I find I'm not in such a secure position of masterin a three - dimensional space, I find I'm not in such a secure position of masterin such a secure position of mastery.

Exposed to the plate in their original glassine bags, the negatives appear as dimensional objects in their own right but trapped in a two dimensional space.

Nozkowski and De Keyser, both in top form, display an unanticipated kinship of shapes hovering in two - dimensional space, while Ryman and Richter manipulate the idea of paint - as - object into some of the most sensually satisfying works of their careers.

These objects serve as surrogate paintings for the artist, incorporating elements that can not function in two dimensional space.

Along with Pablo Picasso and Georges Braque, Léger crafted unique ways of expressing three - dimensional objects in pictorial space.

In this new work, You Walk into a Space, Any Space, or Poor Little Girl Beaten by the Game, 2010, she is seen attempting to hold elementary two - dimensional Bauhaus shapes; a triangle, a circle and a square, which have metamorphosed into three dimensional physical objects; a pyramid, sphere and cube.

Painters eventually stopped trying to represent objects in three - dimensional space not because photographs could do it better (photographs don't represent anything as a matter of fact) but because the painterly conventions involved in representing objects (and landscapes and the human figure, etc.) could no longer do what they were supposed to do, namely, form or discover a connection between the painter (and viewer) and the world.

In this painting the hexagonal motifs float in a space that I can not help but see as deeper than the two - dimensional flat plane that I know it is and that the painting itself keeps reminding me it is, by the refusal to open up a window on the world of recognizable objects, almost as if I find myself at the moment where perception attempts to become cognition and the attempt is continually thwarteIn this painting the hexagonal motifs float in a space that I can not help but see as deeper than the two - dimensional flat plane that I know it is and that the painting itself keeps reminding me it is, by the refusal to open up a window on the world of recognizable objects, almost as if I find myself at the moment where perception attempts to become cognition and the attempt is continually thwartein a space that I can not help but see as deeper than the two - dimensional flat plane that I know it is and that the painting itself keeps reminding me it is, by the refusal to open up a window on the world of recognizable objects, almost as if I find myself at the moment where perception attempts to become cognition and the attempt is continually thwarted.

People can interact with objects in second life in a poly - dimensional fasion: space, time, physics, and social interaction.

Height channels Movie soundtracks encoded with Dolby Atmos and / or DTS: X treat audio events as objects that can be placed in three - dimensional space.

The motion tracking camera assists in tracking a user's position in three - dimensional space, and the depth sensing camera measures the distance between objects through an IR emitter.

Called «World Effects,» the feature lets you place emoji - style 3D objects in three - dimensional space via your iPhone's rear camera.