Sentences with phrase «dimensional objects in our world»

Just like us, dogs see three - dimensional objects in our world.

Not exact matches

Just as a bedsheet hanging on a clothesline appears to be a two - dimensional object hanging in a three - dimensional world, all of space - time would be suspended in a higher - order space.

It looks to us like there are photons and these other particles, but they might really be manifestations, projections, from a higher - dimensional space, of objects that are more conveniently described in our world by saying, «There is a photon,» or «There is a gluon.»

Visual signs, I have argued, have culturally evolved to look like natural objects, and have the kinds of contour combinations found in a three - dimensional world of opaque objects.

Deussen, one of the world's leading experts on modeling three - dimensional urban scenes, architecture, natural objects, and biological processes, has developed a sophisticated series of software packages to render these subjects in videos, computer graphics, or animations.

The policies that were criticized were those that increased attention to academic outcomes at the expense of children's exploration, discovery, and play; methods that focused on large group activities and completion of one - dimensional worksheets and workbooks in place of actual engagement with concrete objects and naturally occurring experiences of the world; and directives that emphasized the use of group - administered, computer - scored, multiple - choice achievement tests in order to determine a child's starting place in school rather than assessments that rely on active child engagement, teacher judgment, and clinical opinion.

The standards covered in Unit 6 are: describe objects in the environment and the relative positions of these objects as above, below, beside, in front of, behind, and next to, classify and sort, correctly name shapes, identify shapes as 2D or 3D (flat / plane or solid), analyze and compare two and three dimensional shapes, model shapes in the world by building shapes from components, and compose simple shapes to form larger shapes.

In an age of digitally manipulated imagery and visual consumption via computer screens, it is all the more important to remember to get our hands dirty and take a look at actual objects in the three dimensional worlIn an age of digitally manipulated imagery and visual consumption via computer screens, it is all the more important to remember to get our hands dirty and take a look at actual objects in the three dimensional worlin the three dimensional world.

The technique of creating three - dimensional artworks by combining objects — both natural and manufactured, usually from the world outside art making and in their original form.

It was not simply a statement against an ivory towered «high art» but an effort to shed light on the relationship between art and life, an investigation of our daily experience of the world.1 In Kounellis's «objects,» the convergence of two - and three - dimensional materials engages the senses, imagination and emotion.

SOME PEOPLE SAY we live in a world of objects — a world of three - dimensional lived space, the apprehension of which can somehow yield autonomous experiences.

Galindo's graphic scores and three - dimensional sculptural cyber-totemic sonic objects have been shown at major museums and art biennials in America, Europe, Asia, and around the world, including documenta14 (2017), Pacific Standard Time (2017), and CTM Festival, Berlin (2017), FIAC Art Fair, Paris (2017), Rusk Festival, Finland (2017), and Miami Art Basel (2017).

Regarding three - dimensional painting: although examples of this approach are to be found in all four categories, its existence as a real world object along with whatever formal or metaphorical freight it carries tends to put much of it in the Hybrid Mimetic - Abstract category.

Painters eventually stopped trying to represent objects in three - dimensional space not because photographs could do it better (photographs don't represent anything as a matter of fact) but because the painterly conventions involved in representing objects (and landscapes and the human figure, etc.) could no longer do what they were supposed to do, namely, form or discover a connection between the painter (and viewer) and the world.

In this painting the hexagonal motifs float in a space that I can not help but see as deeper than the two - dimensional flat plane that I know it is and that the painting itself keeps reminding me it is, by the refusal to open up a window on the world of recognizable objects, almost as if I find myself at the moment where perception attempts to become cognition and the attempt is continually thwarteIn this painting the hexagonal motifs float in a space that I can not help but see as deeper than the two - dimensional flat plane that I know it is and that the painting itself keeps reminding me it is, by the refusal to open up a window on the world of recognizable objects, almost as if I find myself at the moment where perception attempts to become cognition and the attempt is continually thwartein a space that I can not help but see as deeper than the two - dimensional flat plane that I know it is and that the painting itself keeps reminding me it is, by the refusal to open up a window on the world of recognizable objects, almost as if I find myself at the moment where perception attempts to become cognition and the attempt is continually thwarted.

Called «World Effects,» the feature lets you place emoji - style 3D objects in three - dimensional space via your iPhone's rear camera.