Sentences with phrase «dimensional objects in the exhibition»

Demand commissioned German artist Thomas Scheibetz to design custom vitrines (the only three dimensional objects in the exhibition), which house the VKhUTEMAS photos and copies of Yvan Goll's 1920 screenplay Chapliniade containing illustrations by Léger.

Not exact matches

Almost 50 years later, it is three - dimensional objects that are cited in exhibitions and texts as the clearest exemplars of Minimalist aesthetics.

The golden «Gong» and the tables first seen as part of the «truth study center» installation, both included in this exhibition, are thus by no means his first engagements with the three - dimensional, though certainly the first works shown as uncompromisingly sculptural objects.

Future People, a solo exhibition by Derrick Adams, is a multifaceted experience combining large scale two dimensional works on paper mimicking spaceship windows with galactic scenes, a video projection animating the objects included in the collages, sculpture installation referencing a space station control center, with an added live DJ set component featured opening night and...

The immersive exhibition Carved, Cast, Crumpled investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

This immersive exhibition investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

The exhibition will focus on the unique way sculptors approach drawing and will explore whether there is a difference between sculptors and other traditional disciplines in the treatment of two dimensional works on paper to communicate three dimensional objects and will challenge the notion that sculptors don't draw.

Vector images have been enlarged into panels, murals and three - dimensional objects, which have been displayed in featured exhibitions including: Yale University Art Gallery; Tennessee State Museum, Nashville, TN; Lighthouse Art Center, Tequesta; Northern Trust, North Palm Beach; and Armory Art Center, West Palm Beach.

Through the comparison of documentary photographs and three - dimensional objects, the exhibition illuminates the role of art and artists in protest.

This resulted in the work Pentagonal Icositetrahedron (2017), the starting point of the exhibition: a three - dimensional spherical object with 24 sides, each carved design contributed by a different artist.

After an interesting experiment with two - dimensional accumulations (Dadaist stamp prints dubbed «cachets») which he showed at a solo exhibition staged at Paris's trendy Galerie Iris Clert in 1958, Arman moved on to his «Coupes» and «Coleres» accumulations of objects which he cut into thin strips before smashing them to pieces in public, in a sort of action - packed performance art.

Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest contemporary example of this art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.

The small three - dimensional collages in the exhibition are made from found objects and photographs taken by Fecteau and others that the artist has collected over the last 20 years.

Thanks to exhibitions in Basel, Zurich, Geneva and Lausanne, Kenny has become well known in this country as an artist who exuberantly engages with the processes and materials of photography, often making three - dimensional objects from photographic origins.