She describes her practice as the creation of «3 -
dimensional organic forms mostly and biomorphic shapes.
the pearl lam galleries hong kong SOHO opens its doors with an exhibition curated by david ho yeung, that presents the three -
dimensional organic forms of ren ri.
Not exact matches
We constructed highly oriented and ordered macropores within metal -
organic framework (MOF) single crystals, opening up the area of three -
dimensional — ordered macro-microporous materials (that is, materials containing both macro - and micropores) in single - crystalline
form.
A typical MOF consists of a metal oxide center surrounded by
organic molecules that
form a highly porous three -
dimensional crystal framework.
By 1940, Falkenstein was living in San Francisco and working predominantly in wood and ceramics, creating abstract,
organic three -
dimensional forms with moveable parts.
In 2016, Mutu opened a second studio in Nairobi, and this return to her «alien mother,» as the artist has referred to it, has catalyzed a transformation in her work.4 Fresh materials and methods referencing the Kenyan landscape — such as the distinctive rust - colored clay of Nairobi's volcanic soil and a dark, coal - like paper pulp — evidence a shift in the artist's focus from primarily two -
dimensional works to the earthy, the
organic, and the spiritual, with an emphasis on three -
dimensional forms and performance - based installations, as well as the playful and imaginative opportunities of video animation.
Fogt's collaged images from a 1960 Sears catalog hover in fields of empty space, the pieces appearing to float on the page, while the swirling cacophony of Yeapanis's colorful ink drawings echo the unpredictably
organic forms of her 3 -
dimensional installations.
The images depicted on the prints appear sculptural in
form, mimicking her three -
dimensional work in its use of strong, geometric and
organic lines.
Incorporating the aesthetic vocabulary of widely opened eyes, polka - dots, nets, and
organic shapes that have defined Kusama's seven - decades - long career, the sculptures appear as though Kusama's images have been released from the canvases they are surrounded by and have organized themselves into three -
dimensional forms.
The Louisenberg paintings — colourful geometric grids of repetitive
organic shapes — can be viewed as a two -
dimensional exercise in understanding sculptural
forms.
Known for her sculptural installations which metamorphose industrial found objects into fleshy
organic forms; here Grobler focuses on two -
dimensional works for the most part.
Using printmaking, photography and sculpture, San Francisco — based artist Gay Outlaw (born 1959) explores the balance between the
organic and the geometric, as well as the relationship of photographic imagery to three -
dimensional form.
Her work involves creating 3 -
dimensional flexible
organic forms of a comfortable ambiance that are yet dynamic and possibly mystical or illusionary.
It focuses on the experimental transformation of shapes and surfaces that make up the urban landscape, from which the three artists draw their inspiration from; Fabio Petani with his refined balance between
organic forms and geometry, Nelio through a dense texture of colour fields that he uses to compose his name, and Heiko Zahlmann, with a long and vaunted past as a graffiti writer, evolves his style in three -
dimensional works, in which painting, drawing and architecture interact with one another.
James Sullivan (Dallas) makes two and three -
dimensional work that draws comparisons between the human body and
organic forms in nature and contemplates the relationship between parts and the whole.
These works - colourful geometric grids consisting of rows of repetitive
organic shapes - served as a two -
dimensional step towards understanding sculptural
forms, and heralded his growing interest in sculpture proper.
They were characterised by simple
organic forms floating against a flat field, which reflected her interest in the representation of three -
dimensional form on a flat surface.