Sentences with phrase «dimensional picture plane»

In literal terms the painting was made as a simulation of Matta - Clark cutting through layers of a building, more formally the canvas surface is not only a two - dimensional picture plane but expands into space and becomes a physical thing.
For a painter whose eye was acutely attuned to the tactility and motion of the dimensional picture plane, this was a sensual pleasure palace.
Then Analytical Cubism (1908 - 12)- probably the most intellectual of all the avant - garde movements - which rejected the conventional idea of linear perspective in favour of greater emphasis on the two - dimensional picture plane, scandalizing the arts academies of Europe - along with visitors to the Parisian Salon des Independants and the New York Armory Show (1913)- in the process.
Linnenbrink's approach to painting extends beyond a two - dimensional picture plane.
The two - dimensional picture plane of painting has shifted from a standardized formal element to a pattern of behavior.
By containing this sort of internal dynamism, the work brings new liveliness to the conventional two - dimensional picture plane.
He explored shaped canvases, reductive color palettes and multi-component canvases to create the illusion of three - dimensional space in a two - dimensional picture plane.
This series of paintings is fresh and exciting with novel compositions and illusory effects that create a tension between the two - dimensional picture plane and three - dimensional space.
These paintings demonstrate how Graves moved effortlessly between sculpture and the two - dimensional picture plane, combining the two art forms by painting her sculptures and attaching armatures and three - dimensional elements to her paintings.
The current exhibition, Color As Space, explores Leo Valledor's interest in bold colors and vector geometry combined with rectilinear, curvilinear and circular shapes to explore space in the two - dimensional picture plane.
They are influenced by the edge and the grid of the two dimensional picture plane and evoke the liminal space between sensation and memory.
Egged on by critics like Clement Greenberg (1909 - 94), abstract expressionists concentrated on purely formal criteria (line, shape, colour and the two - dimensional picture plane) while ignoring (or at least trying to ignore) representational and emotional content.
For Ward, dominoes have served as a playful metaphor of change and the passage of time, and have been at the root of the artist's sustained investigation of the physical possibilities of the two - dimensional picture plane.
Gordon's work can be seen as a fusion of dialectical tensions, between disparate cultures, between three dimensional «real» space and the two dimensional picture plane, as well as between civilization itself and the natural world.
The exhibition will feature works from Donovan's latest series, Compositions (Cards), wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.
He opened an art school in Munich in 1915, and for the next 15 years he articulated a philosophy of art based on Fauvism and cubism; in particular, he sought to redefine Paul Cézanne's two - dimensional picture plane in terms of light.
Harewood explains the artist's intention: «Rosenquist, in a similar rebellious desire to move beyond the two - dimensional picture plane into other spaces, developed his crosshatch technique.
Exemplary of Rauschenberg's incongruous combining of medium and genre, his Combines earned him acclaim for fusing the two - dimensional picture plane with the three - dimensional object.
Extending upon the artist's core interest in investigating aggregative procedures using a singular material, the new series is comprised of wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.
The current exhibition, Color As Space, explores Leo Valledor's interest in bold colors and vector geometry combined with curvilinear and circular shapes to explore space in the two - dimensional picture plane.
Papagos, Greece is a symmetrical, multicolored design that shows the influence dimensional picture plane..»
Many of his paintings also produced optical effects as they played with the tension between the two - dimensional picture plane and three - dimensional space.
Known for her commitment to process, Donovan has earned acclaim for her ability to discover the inherent physical characteristics of an object and transform it into art.Extending upon the artist's core interest in investigating aggregative procedures using a singular material, the recent series is comprised of wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.
The pictorial tension of these complex paintings, such as Parting and Together, 1978, and Twist of Fate, 1979, both of which will be on view in the exhibition, pushed the boundaries of the two - dimensional picture plane, foreshadowing the three - dimensional paintings that would characterize Murray's work in the 1980s.
This is especially apparent when Beck opens up the two - dimensional picture plane to the realm of the sculptural, in which her creations stagger upright, balancing between creation and destruction.
The exhibiton will feature works from Donovan's latest series, Compositions (Cards), wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.

Not exact matches

The light that Barth creates within her paintings is a spell - binding presence that shifts the picture plane into a deep dimensional space at the same time that her compositional shifts in scale destabilize.
The Cubist style emphasized the flat, two - dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro and refuting time - honoured theories of art as the imitation of nature.
Since 2007, Tadasky has reintroduced optical effects by infusing his atmospheric circles with brightly colored drips of paint that activate the surface and create a three - dimensional illusion as though the circles bulge out of the picture plane.
It delineates with clarity the frontal facet of isometric projection in the two - dimensional space of the picture plane of the drawings.
The artist retained the irregular forms of his «shaped canvases» of the late 1960s, but replaced the minimalism of his earlier paintings with three - dimensional reliefs that project forwards from the picture plane into the surrounding space.
Integrity of the picture plane is not at issue, for the picture plane is itself shaped by three dimensional geometry in controlled perspective.
Approaching image - making from a sculptural perspective, the practitioners transform the picture plane into three - dimensional objects.
Chanel Von Habsburg - Lothringen's photographed mounds of her grandmother's clothing represent the flattening power of photography and its ability to merge three dimensional objects into a single picture plane.
As a variety of technical devices were employed by early modernist painters to intimate extension beyond the space defined by the picture plane, and by later artists to reveal and acknowledge the two - dimensional surface of illusion, the artists in this exhibition have utilized devices which indicate a contemporary view of time and space and the work of art.
The pins hover just above the picture plane in perfect roundness and project physical dimensional presence.
The paintings manipulate what the viewer has come to understand to be two - dimensional both in the paints that have amalgamated on the picture plane and the layered complexity of the polyester screens.
The premise to Morris Louis» resplendent veil Beth Zayin was born out of his fastidious methodology that explored methods of paint application in an effort to preserve the picture - plane as a two - dimensional surface.
Cubists and Futurists Reacting against the «prettifying nature» of Impressionism, Cubist artists focused on intellectual issues concerning the two - dimensional picture - plane.
The Italian painter Lucio Fontana also made a name for himself in the 60s with his «slashed» canvases, allowing the spectator to see through the picture plane to the three - dimensional space beyond, which itself becomes part of the work.
These artworks were the first to obscure the traditional distinction between fine art painting and sculpture, by violating the picture plane with the incorporation of three - dimensional «objets trouvés».
«The Old Masters had sensed that it was necessary to preserve what is called the integrity of the picture plane: that is, to signify the enduring presence of flatness underneath and above the most vivid illusion of three - dimensional space.»
In each painting, I work to maintain the two - dimensional structure of the picture plane.
This sculptural extension established a physically immediate and active connection with the viewer, who now approached not a flat picture plane but a dimensional and bodily one.
The elimination of recognizable, three - dimensional space flattens the picture plane and shifts attention to Howard's figures, which she handles differently than clothing.
PS, if you're having trouble placing yourself in Kahan's plane view, consider how you'd label an additional axis (or several more) to go beyond the 2 - dimensional picture he sketches out.
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