Hofmann's essay, «Plastic Creation,» in the League (1932 - 1933) is his first important statement made in America concerning the function of two -
dimensional picture space.
Not exact matches
To get a more precise, three -
dimensional picture of the entire magnetosphere would require observations directly from
space.
The light that Barth creates within her paintings is a spell - binding presence that shifts the
picture plane into a deep
dimensional space at the same time that her compositional shifts in scale destabilize.
Many of his paintings also produced optical effects as they played with the tension between the two -
dimensional picture plane and three -
dimensional space.
The current exhibition, Color As
Space, explores Leo Valledor's interest in bold colors and vector geometry combined with curvilinear and circular shapes to explore space in the two - dimensional picture p
Space, explores Leo Valledor's interest in bold colors and vector geometry combined with curvilinear and circular shapes to explore
space in the two - dimensional picture p
space in the two -
dimensional picture plane.
It delineates with clarity the frontal facet of isometric projection in the two -
dimensional space of the
picture plane of the drawings.
The artist retained the irregular forms of his «shaped canvases» of the late 1960s, but replaced the minimalism of his earlier paintings with three -
dimensional reliefs that project forwards from the
picture plane into the surrounding
space.
Harewood explains the artist's intention: «Rosenquist, in a similar rebellious desire to move beyond the two -
dimensional picture plane into other
spaces, developed his crosshatch technique.
Gordon's work can be seen as a fusion of dialectical tensions, between disparate cultures, between three
dimensional «real»
space and the two
dimensional picture plane, as well as between civilization itself and the natural world.
As a variety of technical devices were employed by early modernist painters to intimate extension beyond the
space defined by the
picture plane, and by later artists to reveal and acknowledge the two -
dimensional surface of illusion, the artists in this exhibition have utilized devices which indicate a contemporary view of time and
space and the work of art.
They are influenced by the edge and the grid of the two
dimensional picture plane and evoke the liminal
space between sensation and memory.
The current exhibition, Color As
Space, explores Leo Valledor's interest in bold colors and vector geometry combined with rectilinear, curvilinear and circular shapes to explore space in the two - dimensional picture p
Space, explores Leo Valledor's interest in bold colors and vector geometry combined with rectilinear, curvilinear and circular shapes to explore
space in the two - dimensional picture p
space in the two -
dimensional picture plane.
This series of paintings is fresh and exciting with novel compositions and illusory effects that create a tension between the two -
dimensional picture plane and three -
dimensional space.
Fridriks began to work on installation too: her ensemble Molecular
Spaces in 2008 where she focused on transforming her
pictures into three -
dimensional theatrical settings.
He explored shaped canvases, reductive color palettes and multi-component canvases to create the illusion of three -
dimensional space in a two -
dimensional picture plane.
The Italian painter Lucio Fontana also made a name for himself in the 60s with his «slashed» canvases, allowing the spectator to see through the
picture plane to the three -
dimensional space beyond, which itself becomes part of the work.
«The Old Masters had sensed that it was necessary to preserve what is called the integrity of the
picture plane: that is, to signify the enduring presence of flatness underneath and above the most vivid illusion of three -
dimensional space.»
In literal terms the painting was made as a simulation of Matta - Clark cutting through layers of a building, more formally the canvas surface is not only a two -
dimensional picture plane but expands into
space and becomes a physical thing.
The elimination of recognizable, three -
dimensional space flattens the
picture plane and shifts attention to Howard's figures, which she handles differently than clothing.
Snapchat even included two templates for users who haven't worked with 3D objects yet, including a two -
dimensional picture frame you can add to the AR
space.