Sentences with phrase «dimensional shaped canvas»

[12] This type of painting is known as a three - dimensional shaped canvas.
Charles Hinman born 1932 in Syracuse, New York is an Abstract Minimalist painter, notable for creating three - dimensional shaped canvas paintings in the mid-1960s.

Not exact matches

It is almost as if Mawer had the vibrant planes of Palermo's structures, or layered architectural shapes of Butler's canvases, or the three - dimensional constructivist landscapes by Dudek in his mind's eye as he wrote.
Lim's «canvas activity» as he calls it, addresses both two - dimensional and sculptural space, utilizing a semi-transparent screen stretched on a shaped support that results in interspatial mark making.
Often rendered on unusually shaped canvases with paint layered so thick it seems three - dimensional, Murray's decision to stick with painting an a time when it had largely fallen out of favor with modern artists — along with her choice to ignore many of painting's traditional boundaries and labels — helped her to stand out.
As he continued to develop his style, Stella also showed a marked willingness to expand his approach, branching out into his signature shaped canvases as well as his later three - dimensional relief sculptures and architectural designs among other unique projects.
Challenging the confinement of the rectangular plane, Smith expanded the three - dimensional elements of his canvases, warping them outwards, adding various shapes to their edges, and dispensing of stretchers all together, hanging sheets of painted canvas like giant kites.
In the early 1980s, he produced his first «Metal Works,» in which he shaped canvases and cut metal to create abstract three - dimensional images.
Challenging the confinement of the rectangular plane, Smith expanded the three - dimensional elements of his canvases, warping them outwards, adding various shapes to their edges, and dispensing of stretchers...
In the seventies and eighties, Richard Smith's exploration of alternatives to the traditional two - dimensional canvas led to stretcher-less kite paintings and irregularly shaped canvases attached to collapsible metal rods.
Castellani's signature technique is to manipulate the shape of the canvas, either by hammering nails into it or by stretching it into various concave and convex shapes by mounting them on three - dimensional frames of his own invention.
Incorporating the aesthetic vocabulary of widely opened eyes, polka - dots, nets, and organic shapes that have defined Kusama's seven - decades - long career, the sculptures appear as though Kusama's images have been released from the canvases they are surrounded by and have organized themselves into three - dimensional forms.
Further bending and crushing their often mangled shapes, he assembled them into abstract sculptures that offered three - dimensional versions of the dense, colorful enfolded spaces of Willem de Kooning's Abstract Expressionist canvases.
The artist retained the irregular forms of his «shaped canvases» of the late 1960s, but replaced the minimalism of his earlier paintings with three - dimensional reliefs that project forwards from the picture plane into the surrounding space.
He has made paintings on traditional, rectangular canvases, paintings on differently shaped canvases, murals, prints, three - dimensional relief paintings and paintings that many people would describe as sculptures.
In 1968 I had been doing my own aggressively shaped canvases which projected from 2D to 3D, influenced not by Noland but by Richard Smith... of whom I wrote — «The final step in the development of what are now amongst the best paintings being made, was the increasing use of three dimensional frontal depth perspective, which allowed the colour to take its place in the surface, which could be shaped and bent in perspective and geometry.
Featuring eleven radiantly colored, eccentrically shaped three - dimensional canvases mostly from the 1960s, this exhibition offered something of a retrospective for the Latvian - born, New York - based artist Sven Lukin.
Like the shaped canvases of the 1960s that broke the confines of the edges and planes of two - dimensional painting, pumpkin painting offers a chance to explore new ways to be creative.
While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into sculptural forms.
As she warped, twisted, and knotted her constructed three - dimensional canvases, she gave the elastic shapes of classic Surrealism a space in their own image.
His career seemed to move inexorably toward creating an extra dimension, as his paintings took on the sculptural quality of shaped canvases and pushed into the gallery space, becoming more and more three - dimensional.
He also painted stripes in interlocking grid patterns, resembling plaid, and later turned to irregularly shaped canvases that presented the illusion of three - dimensional objects.
Chun Kwang Young's Aggregation 15 - NV074, another three - dimensional work, was a relief map of sorts made of Korean mulberry paper tied into shapes and affixed to a canvas, also on view at Pearl Lam.
Assuming a three - dimensional surface, they explore the shaped canvas and question the boundaries between painting and sculpture.
Using a modified acrylic paint and process of application as well as a two dimensional support frequently consisting of shaped canvases, he instead creates an experience of the earth and specific location of a landscape.
The bold sculptures and inventive canvases of this pivotal figure of Post-War Italian Art helped to shape the course of Abstract Art, alongside artists such as Piero Manzoni and Enrico Castellani who sought to blur the boundaries between the two and three dimensional.
Mokha Laget In Her First Solo Exhibition with David Richard Gallery Presents New Shaped and Colorful Stained Canvases That Create Illusions of Three - Dimensional Structures Floating In Space
The work is made up of long painted canvases, built in curved, three - dimensional shapes that Gorchov stacked horizontally in rows, attaching them to achieve a rounded, layered composition featuring vibrant stripes of color.
He explored shaped canvases, reductive color palettes and multi-component canvases to create the illusion of three - dimensional space in a two - dimensional picture plane.
However, she then pushes it further by incorporating the extremes of color juxtapositions explored by Op Artists, such as Julian Stanczak and Richard Anuszkiewicz, to create vibrational qualities to excite the eye and add a retinal quality, while also utilizing the interplay of color value shifts and shaped canvases from Downing and Reed of the Washington Color School to create the illusion of volume and three - dimensional space.
Her recent works replace previous three - dimensional constructed canvases, which she evidently has taken about as far as she could, with simpler, airy construction in low relief; ad - hoc jigsaw puzzles freewheeling shapes that lean, nuzzle and jostle each other to make unlikely harmonies of pungent, ravishing color and abstract pattern.
In their works they dealt with what they considered to be the fundamental formal elements of abstract painting: pure, unmodulated areas of color; flat, two - dimensional space; monumental scale; and the varying shape of the canvas itself.
In a radical innovation, Schapiro worked with computer programmers at UCSD to rotate her open shapes in three dimensional space, projecting the digitally produced images to be transferred onto her canvases in order to create works of technical precision.
His work progresses from hard - edge, shaped painted canvases to systems - based wall pieces and three dimensional work, echoes of which I believe can be seen in the work of artists such as Andrew Bick.
The paintings include both single shaped canvases, multiple canvases joined end to end, and canvases superimposed on top of one another to create a three - dimensional relief.
a b c d e f g h i j k l m n o p q r s t u v w x y z