Sentences with phrase «dimensional space created»

Shifting seamlessly between two - dimensional platforming and precision shooting in a three - dimensional space created unique opportunities for intriguing puzzle solving and some truly epic and memorable boss bottles that its predecessors could only dream of.

Shifting seamlessly between two - dimensional platforming and precision shooting in a three - dimensional space created unique opportunities for intriguing puzzle solving and some truly epic and memorable boss battles that its predecessors could only dream of.

Known for his pioneering use of the mobile, where suspended sculptural elements in a three - dimensional space create an ever - shifting harmony, Alexander Calder (1898 — 1976) was an artist whose practice was truly trans - Atlantic.

Not exact matches

Dutch architectural firm MVRDV collaborated with Tianjin Urban Planning and Design Institute (TUPDI) to create the five - story space that resembles a three - dimensional eye from the outside.

In his framework, the three dimensions of space and time are woven together to create a four - dimensional fabric, which acts as the source of gravity because it bends and warps around massive objects, like stars.

But it did so only by linking time to the three dimensions of space to create a rigid, four - dimensional block of space - time.

With his general theory of relativity, he discarded the traditional notion of space and time as fixed and redefined them as flexible dimensions woven together to create a four - dimensional fabric that pervades the universe.

The volume is the amount of space an object fills in three - dimensional space (which tells approximately how much a container, like a juice box, can hold), and the surface area is the total amount of area on the outer surface of the object (which tells approximately how much material was used to create the shape).

The Magic Gardens is a three dimensional, immersive piece of installation art and a museum gallery space in Philly created by mosaic artist Isaiah Zagar, who were inspired by materials like used bottles, bike wheels and folk arts.

Shattered Horizon challenges you to take your FPS skills to the next level adapting what you have learned on the battlefield to create new tactics in a fully three dimensional battle space.

Dolby Atmos creates moving audio — sound that can be precisely placed and moved anywhere in three - dimensional space, including overhead.

But like everyone else here, he's given too little space to inhabit, let alone create a three - dimensional character.

These are the measurements that create the differences between the two Renaults: The Captur's extra height (contributed to by lifting ground clearance to 163 mm) enables the slightly elevated seating position that attracts many people to SUVs, while the dimensional juggling also means considerably more boot space.

If that's not loud enough, Lexus also offers a Mark Levinson 17 - speaker system that produces 835 watts and creates a 360 - degree, three - dimensional sonic space.

The exterior features a «one motion» form that exudes a sense of speed and the interior combines three - dimensional depth with a strong longitudinal axis to create a relaxed space that maintains a sense of speed.

The core gameplay concerns itself with manipulating objects in a three - dimensional space relative to a source of light, in order to create a two - dimensional relief that Dawn can then successfully negotiate as a shadow.

Mattera notes that the show features «16 artists for whom color and structure intertwine, either to create a suggestion of dimensional space or to invigorate a planar surface with pattern, repetition, or optical effects... While all of the works are strong individually and offer a cogent visual narrative as installed, I found myself drawn to the conversations between and among certain works.»

In arriving at paintings in which an expression of form and space was created by, essentially, the coloured structure, Cézanne, and Bonnard, in his mature paintings, tended to suppress the three dimensional information contained in tone and drawing.

In a new Art21 «Exclusive,» Do Ho Suh rubs every surface in his NYC apartment with colored pencil, creating a three - dimensional drawing of the space that was his home and studio for 18 years.

Through the use of simple materials, Oh creates minimal three - dimensional structures that lead us to explore the space we occupy.

Many of the artists share Deschenes» interest in architecture and the sculptural potential of photography — either creating an image of three - dimensional space, such as the work of Kalpakjian, or with the incorporation of sculpture into their practice, as in the works of both Tonsfeldt and VanDerBeek.

The light that Barth creates within her paintings is a spell - binding presence that shifts the picture plane into a deep dimensional space at the same time that her compositional shifts in scale destabilize.

These waves are created in a three - dimensional virtual space, pointing out that water is a living entity that draws the viewer in and suggests an intrinsic connection with nature.

Aesthetically, the presentation includes Valledor's early expressionist abstract paintings and signature reductive and minimalist compositions with an emphasis on his later hard edge and color - based abstractions from the 1970s and 80s that included illusory and optical constructs exploring space and creating a tension between the two - dimensional and three - dimensional worlds.

His constructed paintings as spider webs, shown at Boone and in a 1992 exhibition at the Parrish, came out of a 1970s movement of sculptured three - dimensional paintings that devalued the centuries» long culture of layering paint and creating an illusion of space.

Many of the artists represented in the collection have explored drawn formats extensively, questioning its status and conceiving new forms of the dessin: e.g. Trisha Donnelly, who fuses drawing and video; Urs Fischer, who creates drawings in three - dimensional space; or artists like Raymond Pettibon, Larry Johnson and Mike Kelley, who work with the pictorial idiom of comics.

Combining three - dimensional elements within a two - dimensional pictorial space to create visually and conceptually loaded images, Muniz creates work that fosters a shift in visual perception as well as cultural preconceptions.

At the Hammer Museum, Holtzman has created a site - specific immersive installation that merges the historical with the contemporary and thoughtfully and inventively transposes his concerns with space, color, and form to the three - dimensional space of the gallery.

Although Singer's works often begin with Internet image searches for general categories — for example, «performance art» in Happening (2014)-- and are more or less traditionally painted onto two - dimensional surfaces to create the illusion of space and depth, to call them paintings is largely a misnomer.

I am continually amazed at the interplay between color, light and space, whether it's in the environment in which I live or the materials with which I work to create three dimensional pieces.

The hoses, articulating the formal lines of a drawing in space as much as a three - dimensional sculpture, create a multitude of niches and smaller locales within the gallery.»

The luminous color space of the background is simultaneously flat and volumetric, like a cloudless sky; it is a resolutely abstract space that asserts the two dimensional nature of painting and creates a dynamic contrast to the illusion of volume in the foreground.

Artist German Stegmaier creates drawings that embrace four - dimensional spaces and paintings of simply layered and nuanced colors.

Employing densely hued shapes and irregular lines, Rifas creates spaces that oscillate between the two - and three - dimensional.

Like contemporaries Richard Hunt and Herbert Ferber, Lassaw strove to create truly three - dimensional sculpture, and in his work, negative space became a vital part of the overall composition.

This projection of white light into the corner of a darkened room creates the illusion of a large three - dimensional floating cube that seems to rotate as the viewer walks through space.

Both paintings recall her signature ability to create tension between two - and three - dimensional space.

Both Castellani and Uecker explore the properties of the two dimensional surface by using nails to liberate the surface from compositional restrictions and create space and volume.

The «Black Paintings,» for example, which create the illusion of three - dimensional space with a few lines, belong to the older works.

By instigating a play of depth that amalgamates natural light in a three - dimensional space, Espirito Santo transforms the way we experience the work, creating a complex conceptual interplay.

The works negotiate a space between sculpture and drawing, using three - dimensional objects to create what, at certain distances, seems to be a two - dimensional field.

James Turrell's (b. 1943) work is primarily concerned with light and space, and Pullen (Red)(1968) is created by projecting a single, controlled beam of light from the opposing corner of the room, so that it appears as a three - dimensional form.

McLean tells me that he hopes to make a series of sculptures out of the bars of the sunset paintings, and to experiment with cutting - up and reassembling images of the shade paintings to create real shadows in three - dimensional space.

«Mark Dean Veca is a purveyor of prehistoric magic: creating space on a two - dimensional plane with a few lines of charcoal, ink or paint.

The works occupy a space between sculptural and drawing, using the styrene cards to create what, from some viewpoints, seem to be two - dimensional fields, but from other viewpoints seem to be three - dimensional fields.

More importantly, these works demonstrate how these visionary artists maintained the rigor and discipline they brought to understanding visual perception by creating the illusion of three - dimensional space and motion using mostly line and color.

Calder's ink on paper works reveal his early considerations of space, while Nicholson's oil relief painting — created as a gift for Calder — aspired to explore the nature of space by creating real depth on a two - dimensional plane.

Soto soon extended colored abstract motifs on layers of Plexiglas, which he thenthese visual experiments into real space, painting vibrantly superimposed to create three - dimensional objects.

Subsequently, the two - dimensional space transitioned into the three - dimensional space, and the artist proceeded to create armatures that could support the fragments of painted and printed images.

By then I had been painting for 10 years and I was yearning for a change in my practice, so I started creating three - dimensional murals in the gallery space.