Sentences with phrase «dimensional space each object»

Not exact matches

To each observer there corresponds a 3 - or 4 - dimensional perspective or «private space,» in which the sense data literally serve as mathematical points in mapping out the existence and extent of objects that a particular observer seems to perceive.

This seemed as self - evident to him as it still does to us; three - dimensional space appears to be just there; objects like planets and falling apples move within space, but space itself does not move.

Superstrings are one - dimensional objects (like lines, hence «strings») vibrating like rubber bands in multidimensional space.

In his framework, the three dimensions of space and time are woven together to create a four - dimensional fabric, which acts as the source of gravity because it bends and warps around massive objects, like stars.

Just as a bedsheet hanging on a clothesline appears to be a two - dimensional object hanging in a three - dimensional world, all of space - time would be suspended in a higher - order space.

Japanese engineers have developed a new system of acoustic levitation, using sound waves from four audio speakers to suspend solid objects in three dimensional space.

The volume is the amount of space an object fills in three - dimensional space (which tells approximately how much a container, like a juice box, can hold), and the surface area is the total amount of area on the outer surface of the object (which tells approximately how much material was used to create the shape).

What I'm studying is branes, membranelike objects in higher - dimensional space.

Second, it does not just capture sky images; it also gauges the distance to many of the objects — a million galaxies and 100,000 quasars so far — that pass through its field of view, providing a unique three - dimensional perspective on deep space.

For the first time in history, humans knew the stars not just as points on a sky chart but as objects with defined locations in three - dimensional space.

It looks to us like there are photons and these other particles, but they might really be manifestations, projections, from a higher - dimensional space, of objects that are more conveniently described in our world by saying, «There is a photon,» or «There is a gluon.»

The goal, says survey leader Robert Millis, is to discover enough objects to begin to understand the scale of the belt, the three - dimensional distribution of objects in space, and their orbits.

The goal, says former survey leader Robert Millis, was to discover enough distant bodies to begin to understand the scale of the belt, the three - dimensional distribution of these objects in space, and their orbits.

«In our three - dimensional environments, objects in the lower half of our visual field are usually close, a part of near space.

«Moreover, kinesthetic awareness — your brain's ability to calculate where your body is located in three - dimensional space in relation to other objects around you — helps to improve balance and flexibility.

These devices allow the wearer to move around in three - dimensional space by shooting duel grapple hooks into nearby objects and propelling them into the air.

Audio objects originate and move anywhere in three - dimensional space, including anywhere overhead.

Content mastered for home reproduction includes all the audio objects from the original film, placed in three - dimensional space, just as in the cinema.

Specifically, a predetermined character or predetermined object such as a background, a person etc. is provided (rendered) in a three - dimensional space such as the virtual game space, and a two - dimensional image that is viewed from the virtual camera (viewpoint) is generated.

The core gameplay concerns itself with manipulating objects in a three - dimensional space relative to a source of light, in order to create a two - dimensional relief that Dawn can then successfully negotiate as a shadow.

And we perceive space, particularly depth, largely by interpreting visual cues — lines converging in the distance, near objects occluding those far away, and so on — in a process that is ultimately not so different from reading a conventional representation of space on a two - dimensional surface.

This question took her down a rabbit hole of experiments with painting on and people and objects that led her to develop an optical illusion for turning three - dimensional spaces into what appeared to be two - dimensional paintings.

Craig - Martin's recent large powder coated steel sculptures are essentially three - dimensional line drawings in space, again of readily identifiable objects.

Based in color theory, these three - dimensional still lifes address the perception of objects and the spaces between.

Alternating sculpture — the medium in which he develops a broader spectrum, ranging from small three - dimensional creations to large - sized installations and hybrid objects — with photography, drawing, and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.

She cuts, folds, layers and forms this printed paper into three - dimensional objects that engage the architecture of a space.

Often working in a square format (neither portrait or landscape), she limits her images to geometric shapes and flat colors in order to eliminate overt references to objects and illusions of three - dimensional space.

Like Judd's Minimalist objects, Rauschenberg's Combines would undertake the passage from pictorial to real (three - dimensional) space, but they would do so only while foregrounding the mediated and commodified state of the «real» in postwarsociety.

Future People, a solo exhibition by Derrick Adams, is a multifaceted experience combining large scale two dimensional works on paper mimicking spaceship windows with galactic scenes, a video projection animating the objects included in the collages, sculpture installation referencing a space station control center, with an added live DJ set component featured opening night and...

Here deep reds, yellows and purples demarcate space as both color fields and dimensional objects.

The works negotiate a space between sculpture and drawing, using three - dimensional objects to create what, at certain distances, seems to be a two - dimensional field.

Brazilian artist, Hélio Oiticica, was occupied by the attempt to liberate colour from a flat, two - dimensional plane and the removal of the space between the art object and viewer.

A flexible panel, such as a textile, is particularly interesting because it is in essence flat, but can transcend two dimensional space to become a dynamic three - dimensional object.

Space, Bachelard argues, is not a container for three dimensional objects, but rather a vehicle for the expression of human consciousness.

While his installations are a direct response to the architecture they inhabit, the dimensional paintings are a more singular instance of how an object occupies space.

When the viewer moves in and out of the projected light beams, they are forced to reconcile their perceived sense of a three dimensional object in space with the actual reality of the mutable properties of light.

While his previous installation - based work is a direct response to the architecture in which it inhabits, the dimensional paintings are a more singular instance of how an object occupies space.

Soto soon extended colored abstract motifs on layers of Plexiglas, which he thenthese visual experiments into real space, painting vibrantly superimposed to create three - dimensional objects.

Column No. 2 In Front of Its Own Image (1972 - 3) systematically records the grid or lattice formed by the movement of a three dimensional object in space, itself a solid representation of the intersection of two wavy lines.

I keep wondering if, similarly, you want to transform an object you need to go through a fourth - dimensional space.

Aware of her work and its relationship to space and the spectator, Heilmann transformed her paintings into three - dimensional objects by using extra thick stretchers and painting the sides of the canvases.

Rather, he focuses on creating pleasurable viewing experiences through works that draw from the language of Minimalism and that explore the liminal space between two - and three - dimensional objects.

I have always been interested in creating an environment for my paintings, either through transforming the gallery space into an installation, or introducing three - dimensional sculptural objects to engage in a relationship with a two - dimensional work.

He then layers these slides one onto the other to create an illusion of three - dimensional objects or landscapes trapped in space.

Reducing photography to new sculptural forms and wall objects, Nina Brauhauser creates ambiguities between 2 - dimensional chromogenic prints and 3 - dimensional space.

For more than two decades, Jessica Stockholder has been fashioning a new language for sculpture and installation art, one that applies a painter's sense of form, pattern, texture and color to three dimensional spaces through the use of a staggering variety of media, from heavy duty construction material to mass - produced commercial products and even live horticulture.Her sculptural and architectural interventions spread themselves over the spaces they occupy; planes of vivid Technicolor hues abut precisely arranged and patterned objects and assemblages of unlikely materials combine and bloom amidst the colorful chaos.

Rather, they are three - dimensional, semi-sculptural objects in which negative space (the gaps between the panels) not only establishes structure and depth, but also line.

In Vance's canvases, the background no longer surrounds the object, but breaks through it — by opening and closing these spaces in the pictorial plane the artist is able to create the illusion of a three - dimensional space.

SOME PEOPLE SAY we live in a world of objects — a world of three - dimensional lived space, the apprehension of which can somehow yield autonomous experiences.

Artist Statement My new pieces bridge the gap between sculpture and drawing: three - dimensional objects in low relief that define space with colorful, linear elements.