Sentences with phrase «dimensional space of the gallery»

At the Hammer Museum, Holtzman has created a site - specific immersive installation that merges the historical with the contemporary and thoughtfully and inventively transposes his concerns with space, color, and form to the three - dimensional space of the gallery.

In these works, Joel Shapiro extends the investigations of his recent suspended sculptures [Pace Gallery, 2010; Museum Ludwig, 2011; Rice University Art Gallery, 2012] that explore the dispersion of form and color in space, exchanging the three - dimensional space of the gallery for the two - dimensional plane of the paper, and industrial cordage and pigment - soaked wood forms for aqueous eruptions of line and color in gouache and charcoal.

Not exact matches

The Magic Gardens is a three dimensional, immersive piece of installation art and a museum gallery space in Philly created by mosaic artist Isaiah Zagar, who were inspired by materials like used bottles, bike wheels and folk arts.

A group exhibition of contemporary artists exploring 2 and 3 - dimensional sculpture curated by Indira Cesarine to take place at The Untitled Space gallery in New York City July 2018 and online on Artsy.

Their art comprises two - dimensional cut - outs and collages; free - standing sculptures; and large - scale installations that engage the architecture of the museum's gallery space.

The catalogue, published by the Upper East Side gallery Zwirner & Wirth, includes two pages of notes written by the artist in the 1970s, which read like a crash course in the paradoxes woven into his incorporeal realm of three - dimensional lines drawn in space:

A group exhibition of contemporary artists exploring 2 and 3 - dimensional sculpture curated by Indira Cesarine to take place July 2018 at The Untitled Space gallery in New York City as well as online on Artsy.

The hoses, articulating the formal lines of a drawing in space as much as a three - dimensional sculpture, create a multitude of niches and smaller locales within the gallery.»

Gréaud's first solo exhibition LADI ROGEURS with Galerie Max Hetzler in Paris in the beginning of this year was conceived as a three - dimensional sketch, encompassing the entire gallery space.

This new Hatje Cantz publication emphasizes the influence of Arte Povera on Rhode's aesthetic, whose creative dialogue also formed during his meeting with the gallery Tucci Russo and his early collaborative efforts with photographer Paolo Mussat Sartor, in which he transformed urban landscapes and interior spaces into imaginary worlds, as two - dimensional renderings become the subject of three - dimensional interactions by a sole protagonist (usually played by the artist or by an actor inhabiting the role of artist).

The canvases of Francesco Clemente take on three dimensional space with a new body of work at Mary Boone Gallery.

Finally, to make Lichtenstein's creative work truly accessible to all visitors, the Skirball transformed one of its galleries into an interactive space where visitors could step into Lichtenstein's reimagination of Vincent van Gogh's Bedroom at Arles, brought to life in three - dimensional form.

The gallery provides 160 feet of linear wall space as well as 1,200 square feet for three - dimensional works.

In contrast to the compressed energy of the block works, Clearing, a three - dimensional drawing in space is five kilometers of arcing metal rod which turns the Main Gallery into a vast energy chamber contesting the architectural definition of space and making the viewer its subject.

IMPULSE exhibitors will include Black & White Gallery / Project Space, debuting three - dimensional works by Peter Brock, founder of Baji Lives!

Spanning the late»60s through to performative and site - specific pieces made to intermingle in the three - dimensional volume of the gallery, and extending via sound into the space, works by fifteen international artists, among them Julian Opie, Monika Grzymala, Tom Marioni and Richard Long, are included.

Opened in 1982, the Olin Art Gallery supports the display of both three - dimensional and hanging works in its 1,900 - square - foot exhibition space.

Ryman ornaments his subtle pieces by crafting individual hanging and framing devices, bringing into question the work of art and its placement within three dimensional space gallery space.

The installations that Vancouver artists Michelle Allard and Khan Lee create in Circulation Patterns occupy the three - dimensional space of the SFU Gallery in very different ways.

For the installations and wall drawings in «Dentro, o que existe fora» (Inside, What Exists Outside), the artist used colored planes to form simple geometrical compositions that nonetheless produced complex experiential effects, giving the impression of three - dimensional shapes folding into and out of the corners, walls, and floors of the gallery, as if collapsing out of and drawing viewers into revealed spaces existing parallel to the structural planes of the

His career seemed to move inexorably toward creating an extra dimension, as his paintings took on the sculptural quality of shaped canvases and pushed into the gallery space, becoming more and more three - dimensional.

Wide White Space will also look at how designers can extend the parameters of their practice: by consciously operating within the broader context of the art world, by taking a transdisciplinary approach, by considering physical interaction within an art gallery, and by exploring time and three - dimensional sSpace will also look at how designers can extend the parameters of their practice: by consciously operating within the broader context of the art world, by taking a transdisciplinary approach, by considering physical interaction within an art gallery, and by exploring time and three - dimensional spacespace.

The first one was the group show Making Matters, at Platform A Gallery, a great space, quite big with lots of natural light doing justice to the work, whether the three dimensional objects by Kate Terry or the paintings by Andrew Bick, Katrina Blannin, Clem Crosby, David Ryan, and Francesca Simon.

Mokha Laget In Her First Solo Exhibition with David Richard Gallery Presents New Shaped and Colorful Stained Canvases That Create Illusions of Three - Dimensional Structures Floating In Space

Highlights included solo shows at the National Gallery of Iceland by Italian artist Claudio Parmiggiani, who exhibited sculptural and installation works; photos by American Minimalist Roni Horn; abstract three - dimensional colored - paper works by Iceland's Svava Bjorndottir; and Jon Gunnar Arnarson's installation Cosmos (1982, first shown at the 1982 Venice Biennale), which approaches «infinite space and Earth's gravity.»

It cuts the gallery space diagonally in half, transforming it into a three - dimensional rendering of one of Bulcão's tile designs, which is also represented in the form of a charcoal wall painting.

(Note: While the press photo of Snyder's Beanfield below will likely remind the viewer of Monet before evoking Guston, a detail snapped by a visitor to the gallery reveals a different painting: one with vigorous, loose paint handling, and «bean sprouts» that seem absurdly to grow out of the canvas into three - dimensional space.)