Sentences with phrase «dimensional wall works»

The artist's two - dimensional wall works, which comprise the majority of the exhibition, in contrast, feel much more complete.

Ivelisse Jiménez makes abstract, three - dimensional wall works that re-inscribe the flatness of the wall by making reference to it through layers and layers of appliquéd and hanging plastic forms.

Each creates works with a varying dependence on the wall, include two - dimensional wall works, three - dimensional wall works and fully sculptural installations.

In her third solo show at the gallery, Castrillo Diaz debuts a series of three - dimensional wall works that continue parallel dialogues with light and shadow, visibility, surface and materials.

For nearly two decades Nolan has explored illusions of three - dimensional space through the use of pattern, line and shape in two dimensional wall work and floor installations.

Not exact matches

Her early work on carbon fibers, beginning in the 1980s, provided Dresselhaus with the understanding and perspective to postulate the existence and unusual attributes of one - dimensional «single - wall carbon nanotubes (SWNTs),» years in advance of their actual discovery.

It's genuinely frustrating how one - dimensional the seemingly open playgrounds actually are — while they may play at being large, free areas, not once is there more than one solution to a problem and however inventive you may get, invisible walls and manufactured hurdles will still be in the way until you work out what actually has to happen, and then eventually manage to make it happen.

Among the most stunning works in the critically lauded Frank Stella retrospective at the Whitney Museum this fall are four wall sculptures — three - dimensional paintings, if you prefer — that revel in nautical themes inspired by Melville's White Whale.

In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.

When the CAMH survey show came together, Jones was surprised to see how those early drawings evolved over a decade into three - dimensional pieces, such as the works of her «SHHH» series, which are made from noise - cancelling electric guitar cables that she «plugs» directly into walls.

Both of these artists create intricate art - Brookes works with clay and mixed media creating wall works in high relief and King is a mixed media artist who has worked primarily with paint and collage on canvas and paper, but now has added three dimensional digital art to her oeuvre.

The TM Sisters collaborate in video, performance, large - scale installation, and two - dimensional works to break the walls of time, tense, and consciousness.

Outstanding works in the contemporary collection include Frank Stella's monumental geometric painting Raqqa II (1970), Ellsworth Kelly's minimalist painting Blue Panel (1980), Anselm Kiefer's Untitled (1980 — 86) triptych, Gerhard Richter's abstract painting Station (577 - 2)(1985), Elizabeth Murray's three - dimensional painting Pigeon (1991), Guillermo Kuitca's evocative painting People on Fire (1993), Sean Scully's luminous painting Wall of Light Peru (2000), Jaume Plensa's illuminated sculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture II (2013).

While Gilliam had taken his earlier work off the wall by abandoning traditional support, these collages emphasize their geometric compositional structure with added three - dimensional elements.

Evocative of Louise Bourgeois's distinctively melancholic works, Schwartz's three - dimensional wall pieces made of upholstery fabric, jewelry, feathers, charms, and other every - day materials re-appropriate decorative motifs and transfigure objects into the unfamiliar, their readability and intentions rendered opaque.

So you see a lot of two - dimensional work that's actually three - dimensional; it comes off the wall.»

From his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.

The exhibiton will feature works from Donovan's latest series, Compositions (Cards), wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.

Many of the works mix materials that make even wall - hung works three - dimensional.

Her work culminated in a series of two and three dimensional works that adorned the gallery walls.

Hinman's work is physical, of significant scale, wall - mounted and three - dimensional.

The structure's interior reveals vibrantly hued parallel strips that run across the walls, ceilings, and floors transforming it into a 3 - dimensional walk - all - over work of art.

From these objects he then transitioned to the early reliefs where the work projects off the wall and is less a flat painting than a three - dimensional object confronting the viewer.

Pascali's other works involving canvas include «Grande bacino di donna, mons Venus», and «Labbra rosse», these works were large flat canvases that became three - dimensional sculptures through the use of wooden structures, paint, and other materials, though they were still able to be hung on the wall.

Their built - up layers of paint and collage elements make them the most time - consuming works Bradley produces, as does the sculptural, three - dimensional way in which they are painted: on the floor, tacked to the wall, and on the back of the canvas, picking up studio detritus along the way.

Using the cube as the basis for his complex modules and systems, LeWitt created two - and three - dimensional works, which range from wall drawings and works on paper to towering structures, pyramids and geometric forms.

Known for her commitment to process, Donovan has earned acclaim for her ability to discover the inherent physical characteristics of an object and transform it into art.Extending upon the artist's core interest in investigating aggregative procedures using a singular material, the recent series is comprised of wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.

In these works, Porter merges photography and drawing, extrapolating the limits of the first through graphite lines that begin as interventions on photographic paper and continue on the wall, inserting what is photographically represented in the three - dimensional architectonic field.

The exhibition will include significant examples of the artist's objects, a self - coined category of work comprised of three - dimensional forms that hang or lean on a wall and seem to simultaneously occupy the realms of both painting and sculpture.

Extending upon the artist's core interest in investigating aggregative procedures using a singular material, the new series is comprised of wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.

The body, in most instances her own, became her primary subject matter and the springboard for ceramic sculptures, latex wall pieces, chewing gum sculptures, and numerous performances, photographs, films and two dimensional works.

On this level, there were some miscues — the usually outstanding Renée Green and Nari Ward both contributed text - based works that, in this context, seemed one - dimensional, diminishing the social ambitions that might elsewhere be unlocked through wall text.

Using an assortment of mixed media — cut paper, graphite, gouache and wall painting, Natasha Bowdoin presents a site - specific sculptural installation along with recent two - dimensional works.

For past exhibitions, I've created collections of pieces around a theme, and most of the work has been two - dimensional figurative pieces presented in the traditional manner: framed prints hung on the wall.

Literally tearing apart these books — widely published arbiters of authenticity — and reconstructing them into abstract two - dimensional works for the wall is, as Jones writes, «a means of creating a medium that communicates this feeling of being on the outside, as well as providing a possible resolution to the search for a place of inclusion and identity as an outsider.»

Her work blends the mediums of painting and sculpture producing two and three - dimensional works that hang both on the wall and suspend from the ceiling.

The size of each work is derived from standard screen dimensions of laptops and tablets and each collage is shown at a different angle to the wall therefore creating different reflections and shadows.These started out both as a literal play on the idea of loops of self - reference and from thinking about screens becoming three dimensional objects.

As impressive are the artist's two - dimensional work on display such as «Survival Machine» (2015), a series of five acrylic paintings with a height of almost 3 meters that span one wall of the gallery.

In close proximity to his canvas works, Amm's wall and sculptural pieces project his deftly constructed compositions from the surface of the canvas into the multi dimensional space of architecture.

In the early 1960s, he moved very quickly into making three - dimensional work, so while the first room in the exhibition is given over to paintings, the second shows his first wall reliefs and sculpture.

The exhibition focuses on 3 - dimensional sculpture and includes both free standing and wall works.

The gallery provides 160 feet of linear wall space as well as 1,200 square feet for three - dimensional works.

Reconsidering the rules for hanging something seemingly two - dimensional on a wall, her works are often complimented by sculptural components that have the simultaneous magnitude and simplicity of a Richard Serra or Donald Judd piece.

His prolific two and three - dimensional work ranges from Wall Drawings, over 1100 of which have been executed, to photographs and hundreds of works on paper and extends to structures in the form of towers, pyramids, geometric forms, and progressions.

The exhibition will feature works from Donovan's latest series, Compositions (Cards), wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.

Anna Masters is a mixed - media artist whose practice incorporates wall - based pieces, three - dimensional works and site - specific installations.

While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into sculptural forms.

Against the Infinite includes three - dimensional wall - mounted works and freestanding sculptures as well as a large installation which features 30 individual animal heads on diamond - shaped panels.

When hung, these beveled edges projected the works off of the wall and towards the viewer, removing the image from the two - dimensional realm of traditional painting and into the viewer's «real» physical space.

Genzken will also debut new hybrid forms that combine her Schauspieler figures with these wall - mounted panels, erasing the distinction between two - and three - dimensional works.