Reactivation of the Installation from Documenta IX, 1992 Variable
dimensions sheets of glass, ventilator, chicken legs, cloth, duvet, pillows, Venetian blinds, carved wood, feathers, rope, test tubes...
Reactivation of the Installation from Documenta IX, 1992 Variable
dimensions sheets of glass, ventilator, chicken legs, cloth, duvet, pillows, Venetian blinds, carved wood, feathers, rope, test tubes with pigment and tobacco, wall - drawing with pigment Collection of the artist photo: Christine Clinckx, M HKA
Not exact matches
Despite its genetic detriments — considerable
dimensions, high center
of gravity, substantial weight — the Urus hugs the road like a salamander climbing up a
sheet of glass, it juggles power and torque like an orangutan brachiating between trees, its responses are as sharp as a chameleon's tongue, and it decelerates like a serpent recoiling from an attack.
Sam Lewitt, Stranded Asset: Filler, 2017, cast fuel ash, 4 copies
of book (ENEL modulo 2, Protezione Ambientale), Murano
glass, 3 buckets
of fuel ash (Kraftwerk Reuter West: Mineral Deutschland GmbH [Berlin]-RRB-, plastic
sheeting, installation
dimensions: c. 50 x 130 x 100 cm.
HEAD ON, 2006,
glass sheet and 99 life - sized replicas
of wolves,
dimensions variable.
Mark DION The Museum
of Poison (Biocide Hall) 2000 Wood and
glass display cabinets, wooden pedestals, pesticide sprayer, pesticide containers, mounted photographs, plastic
sheeting, archival boxes, book, theatrical flat, sand,
glass door
Dimensions variable
Mark DION The Museum
of Poison (Biocide Hall) Detail 2000 Wood and
glass display cabinets, wooden pedestals, pesticide sprayer, pesticide containers, mounted photographs, plastic
sheeting, archival boxes, book, theatrical flat, sand,
glass door
Dimensions variable