Sentences with phrase «direct features make»

Not exact matches

If there are still open questions, if there are changes or mid-course corrections that must be made, if there are pricing concerns or additional critical features to be added, there's really only one person who can make those calls, meaning that the inputs to the decision - maker must be direct and, ideally, face - to - face from the market and the customers.

It is said to come with a direct cellular connection built in that would make the device much less dependent on a smartphone connection (and a feature Ionic lacks).

And it also features a 360 - degree nozzle that makes it possible to direct the mist where you want it and a dual speed setting.

This unit features an adjustable 360 - degree nozzle that makes it possible to direct the humidified air where you want it most.

This drone also features headless mode, which orients the copter to the operator, making it easier to direct for some players.

This proximity in time, and anatomical features that appear to foreshadow those of early humans, have made Lucy's species the main contender as a direct ancestor of Homo.

Madhusree Mukerjee distinguished herself at Scientific American for the depth of her knowledge about string and related theory as well as the elegance of her news and feature writing.After she left, the trained physicist applied her writing prowess to a book on the Andaman Islanders and recently to Churchill's Secret War, a scathing investigation from a raft of primary sources that revealed how direct decision - making by Winston Churchill led to massive famine on the Indian subcontinent.Meet Madhusree in this recent interview in Harper's, in which she parries gracefully a series of sharp questions from interviewer Scott Horton.

The bunk room's modern ceiling lamp made of carbonized steel construction with a white finish features three fixed arms with different lengths, with scoop - like shades that can be adjusted up or down or side - to - side to direct the lighting.

The stunning crystal encrusted Catrina peep toe shoes feature mesh inserts making them the perfect party shoes.Court ShoesHigh HeelStiletto heelPeep toeUpper - Satin, Lining - Synthetic, Sole - SyntheticKeep away from direct sunlight Shop At House Of Fraser

Zegna's ambitous «A Rose Reborn» directed by Park Chan - wook made our list, as did Alexander Wang's funny Autumn / Winter campaign film, featuring Chris Kattan as Mango, a character from the American comedy show Saturday Night Live.

Facebook Connection: The best feature of Dates Near Me is that it provides a direct link with your Facebook account which makes the signing up process easier and also provides a means for users to invite their friends.

On a photo dating app like Tinder, clearly the photo is one of the key things they need to fake... adding direct from camera roll makes life even easier for scammers, and Tinder will want to balance the undoubted appeal of this feature with users against the increased security risk introduced into their platform.»

Days of Heaven was directed by the ever - elusive Terrence Malick, who has only made three features in twenty - six years, though all three are excellent.

The second film to be made from Woody Allen's successful stage comedy (following a 1969 feature starring Jackie Gleason), Don't Drink the Water is a made - for - television adaptation directed by and starring Allen himself.

Phyllida Lloyd makes her feature film directorial debut an uneven one; she's a leading British theatre director who is noted for her work in opera and directed the original stage production.

As directed by Rupert Goold — a British theater veteran making his feature debut — it's deliberately paced, with much more talk than action, which seems appropriate for the material but might frustrate fans of its stars.

This enjoyable and harmless adventure directed by Chris Columbus is entertaining enough as it makes nice references to Greek Mythology gods and creatures, and it features a very amusing performance by Uma Thurman as the Medusa.

This modest indie with major ambitions is directed by veteran cinematographer Steven Bernstein, making a solid feature debut.

Poorly written and directed, the film features a bland performance by all the leads, except for Nick Nolte and Beatrice Dalle, who are the only two who make an impression.

While Emmy - winning Survivor producer and host Jeff Probst (born November 4th, 1962) has occasionally taken a seat besides Kelly Ripa on Live with Regis and Kelly and even directed his own award - winning feature film, chances are that when all is said and done, the role he'll be best remembered for is that of the firm but fair host who snuffed out more than his share of torches on the popular competitive reality show that made him a household name.

He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made - for - television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast).

Leather Bar.,» an experimental feature that he directed with Travis Mathews about the making and remaking of «Cruising.»)

The overwhelming English sadness of Ian McEwan's novella On Chesil Beach has been transferred to the movie screen, adapted by the author and directed with scrupulous sensitivity and care by Dominic Cooke, known for his stage work and making his feature film debut here.

As directed exquisitely by Gillian Armstrong in a headstrong spirit that recalls her debut feature, «My Brilliant Career,» this elliptical tale makes up in visual beauty whatever it lacks in universal meaning.

Comedian Demetri Martin makes his feature writing - directing debut with this earnest, comedic tale about dealing with loss.

Writer / actress Jennifer Westfeldt (Kissing Jessica Stein 72, Ira & Abby 62) makes her feature directing debut with a romantic comedy about two best friends (played by Westfeldt and Adam Scott) who decide to have a baby together while maintaining a platonic relationship.

«Lucy» doesn't make a lick more sense than «Transcendence» did — even though both feature Morgan Freeman working overtime to talk us through the proceedings — but at least «Lucy» has the good fortune to be written and directed by Luc Besson, which means that while the results may be cuckoo - bananas, they're never boring.

McTiernan went on to make over 200 television commercials before making his feature film debut by directing the fantasy horror movie Nomads (1985).

Goreshter made her foray into film opposite actor Harrison Ford, Gary Oldman and Liam Hemsworth in the high stakes thriller feature PARANOIA, directed by Robert Luketic.

Altman, who made his feature debut on 1957's The Delinquents after years of helming industrial shorts, began regular directing work in the late 1960s.

Colin Hanks makes his feature directing debut with this irresistible documentary about the evolution of the music business.

Tom Gormican makes his feature writing and directing debut with this comedy; see it in theaters beginning January 31, 2014.

At a Cannes Film Festival full of directors with lengthy track records, few people could have guessed that the biggest sensation would be caused by a 39 - year - old German woman who'd only directed two previous features, neither of which made it to Cannes.

Welcome to Willits is directed by filmmaker Trevor Ryan, making his feature directorial debut after a number of short films.

An upgrade also makes a dramatic difference with «Night Tide,» a slow - moving, richly atmospheric supernatural tale from 1961, closer in spirit to M. R. James than EC Comics, that was the first feature - length narrative directed by the avant - garde filmmaker Curtis Harrington.

Nocturnal Animals is the new film by Ford, the fashion designer who made his feature directing debut on A Single Man.

Island Zero is directed by newcomer filmmaker Josh Gerritsen, making his feature directorial debut.

Sacha Baron Cohen's longtime writing partner, Dan Mazer, tries to balance his flair for shock - humor and his desire to make a realistic romantic comedy in his feature - directing debut.

The One I Love is cleverly written by Justin Lader and directed with budget - minded skill by Charlie McDowell (son of actor Malcolm, and step - son to Ted Danson, who makes a small acting appearance), both of whom are making their feature film debuts.

Director Mimi Leder made the step up from television for her first big feature (she had directed numerous episodes of ER, starring Clooney and executive produced by Dreamworks's Steven Spielberg) and it received reasonable notices, though I can't really think why (it was nowhere near as good as the other big, dumb action movie of that year, Air Force One).

These were directed by Zack Snyder and feature Hans Zimmer's Man of Steel score, which immediately make them feel special.

Bad Samaritan is directed by veteran producer / writer (of the scripts for Universal Soldier, Stargate, Independence Day, Godzilla, «The Outpost») and now filmmaker Dean Devlin, making his second feature film after directing Geostorm previously.

The Brit, best known for directing nearly every episode of the UK series «The Mighty Boosh», just made one minor feature film prior to this.

Gehenna is directed by Japanese filmmaker Hiroshi Katagiri, an FX legend working for years at Spectral Motion and Stan Winston Studios, now making his feature directorial debut after a few short films previously.

Marrowbone is written and directed by Spanish writer / filmmaker Sergio G. Sanchez, making his feature directorial debut.

TCM Movie Database, < http://www.tcm.com/tcmdb/title/82394/Magnificent-Obsession/articles.html > The website also notes that, before up - and - coming new star Robert Taylor was borrowed from MGM for his first big leading role, unsuccessful overtures had been made to Douglas Fairbanks, Jr., to play Bobby Merrick.Coincidentally, Taylor's first feature role was as a supporting player in Too Late for Love, aka There's Always Tomorrow (1934), based on an unpublished novel by Ursula Parrott, directed by Edward Sloman, and remade by Douglas Sirk in 1956.

After the impact of these two features (the latter screening at Cannes and championed by such critics as Pauline Kael), Schepisi moved on to directing films overseas, including such varied works as Barbarosa (1982), Plenty (1985), Roxanne (1987), The Russia House (1990), Six Degrees of Separation (1993), Last Orders (2001) and the HBO - financed Empire Falls (2005), which won a Golden Globe for Best Mini-Series or Motion Picture made for Television.

Ezra Edelman, known for directing this summer's O.J.: Made in America has been set to direct The Ballad of Richard Jewell as his first - ever narrative feature.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

Featuring relative unknowns as its starring cast and a directing team of Justin Benson and Aaron Moorhead who despite a few small, mostly unheard of films are still making a name for themselves.