Sentences with phrase «directed feature after»

Not exact matches

Facebook is reportedly planning to test a news service with a paywall that would direct users of the social network's Instant Articles feature to sign up for digital news subscriptions after reaching a threshold of monthly articles.

Musk and Riley were together for a year after they remarried, but they have lived apart the past five months while Riley wrote and directed her first feature film, «Scottish Mussel,» in the United Kingdom.

Gibson is set to produce the film through his Icon Productions company, and will decide on whether to direct or act in the feature after the script is completed.

Many of these features were secured after extensive value engineering, directed by restaurant general contractor Hospitality Construction Services.

After entering the direct - to - consumer market with its foam mattress design, Leesa followed it up with the Sapira mattress, a hybrid mattress that features an innerspring core topped with several layers of foam.

The speech came shortly after the Sandy Hook Elementary School massacre and Cuomo focused on his seven - point SAFE Act that featured the toughest assault weapon ban in the nation, required more stringent background checks for gun sales, and banned direct ammo sales over the internet.

A late - film bit of business featuring Trintignant catching and freeing a pigeon flying loose in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed scene has more to do with whether such a gesture feels tonally earned after so much horror.

Altman, who made his feature debut on 1957's The Delinquents after years of helming industrial shorts, began regular directing work in the late 1960s.

Welcome to Willits is directed by filmmaker Trevor Ryan, making his feature directorial debut after a number of short films.

In 2011, when Kevin Smith released his last feature film, Red State, he announced (with his usual long - windedness) that he'd be retiring from film directing after completing one more film.

After completing the second and third films in his Pusher crime saga, and before embarking on the production of his 2008 biopic Bronson, Nicolas Winding Refn directed a feature - length episode of the British ITV television show Agatha Christie's Marple (also known as Marple) entitled «Nemesis».

Bad Samaritan is directed by veteran producer / writer (of the scripts for Universal Soldier, Stargate, Independence Day, Godzilla, «The Outpost») and now filmmaker Dean Devlin, making his second feature film after directing Geostorm previously.

I have to admit that after interviewing Timothee Chalamet I was a bit spent, but I was incredibly eager to speak with Enyedi, particularly when I discovered it had been 18 years since she directed her last feature.

Gehenna is directed by Japanese filmmaker Hiroshi Katagiri, an FX legend working for years at Spectral Motion and Stan Winston Studios, now making his feature directorial debut after a few short films previously.

After the impact of these two features (the latter screening at Cannes and championed by such critics as Pauline Kael), Schepisi moved on to directing films overseas, including such varied works as Barbarosa (1982), Plenty (1985), Roxanne (1987), The Russia House (1990), Six Degrees of Separation (1993), Last Orders (2001) and the HBO - financed Empire Falls (2005), which won a Golden Globe for Best Mini-Series or Motion Picture made for Television.

Puzzle is directed by American producer / filmmaker Marc Turtletaub, an experienced indie film producer, directing his second feature film after Gods Behaving Badly in 2013.

Directing his first feature after breaking through with «Me and Earl and the Dying Girl,» Gomez - Rejon seems wary of turning this period drama into a science lecture or a stuffy prestige project, and thus errs on the side of flashy modern technique.

6 The Club Pablo Larraín just made his U.S. directing debut with Jackie, a ghostly portrait of Jacqueline Kennedy in the week after the president's assassination, but this 2015 Chilean feature, which premiered in Chicago earlier this year at Gene Siskel Film Center, shows the filmmaker working closer to home both geographically and psychologically.

Gudegast, making his feature directing debut after writing «A Man Apart» and «London Has Fallen,» seems to understand just enough about that element of Mann's film to recreate some of its conflicts — both in terms of crime scenarios and the characters» civilian lives — but lacks the discipline, or maybe skill, to lend them real emotional weight, much less originality.

Disney will continue to break glass ceilings soon after Black Panther: On March 9, the studio will open the feature adaptation of the children's classic A Wrinkle In Time, which at a $ 100M - plus budget is the first production of its scope to be directed by a woman of color, Oscar nominee Ava DuVernay (at one point before Coogler, she was in talks to potentially direct Black Panther).

Director Stephen Gaghan returns to feature film directing after over a decade long hiatus, and it seems atrophy has set in.

The Art Of Getting By, formerly known as Homework, was both written and directed by up - and - coming filmmaker Gavin Wiesen, who's making his feature debut after a short film in 2008 called Kill the Day.

The weekend takes a terrifying turn when a meteorite crashes the party forcing everyone to face the darkest, screaming extraterrestrial nightmare imaginable... The Gracefield Incident is written and directed by up - and - coming filmmaker Mathieu Ratthe, making his feature directorial debut after a number of short films previously.

Red Tails is directed by up - and - coming filmmaker Anthony Hemingway, making his feature directing debut after lots of TV work on HBO, including extended work as the first assistant director on «The Wire».

Red Christmas is both written and directed by Australian actor - filmmaker Craig Anderson, making his feature directorial debut after numerous short films and TV work including «Double the Fist», «Black Comedy», and «How Not to Behave».

Polaroid is directed by Norwegian filmmaker Lars Klevberg, making his feature directorial debut after a few shorts previously, including the Polaroid short this film is based on.

Midnighters is directed by up - and - coming filmmaker Julius Ramsay, a veteran from the TV world making his feature directorial debut after work on «The Walking Dead» and as an editor for «Battlestar Galactica» and «Flashforward».

The last FilmDistrict release before the company is folded into Focus Features next month, this remake of the Park Chan - wook's 2004 Korean cult classic (which grossed $ 700,000 initially in the U.S. with major DVD interest after) was directed by Spike Lee and released as a modest - scale wide release.

Hounds of Love is written and directed by Australian filmmaker Ben Young, making his feature directorial debut after a few short films previously as well as episodes of «Prank Patrol» and «Castaway».

Nancy is written and directed by up - and - coming filmmaker Christina Choe, making her feature directorial debut after a number of short films previously.

Freak Show is directed by English filmmaker Trudie Styler, an actress / producer making her feature directorial debut, after also co-directing The Sweatbox documentary.

Other significant personal preems, in order of original release, included: Buster Keaton's Go West (1925) and College (directed by James V. Horne, 1927); Howard Hughes's and James Whale's Hell's Angels (1928 - 30), featuring (sorry, other Howard) the most awesome aerial scenes I've ever witnessed; John Ford's Up the River (1930) and Airmail (1932); Michael Curtiz's The Kennel Murder Case (1933), utterly silly but quite beguiling as an empty exercise in directorial pizzazz; Gordon Wiles's — and Daniel Fuchs's — The Gangster (1947), an archetypal arty film noir; Val Lewton's Apache Drums; (directed by Hugo Fregonese, 1951); Richard Fleischer's The Narrow Margin (1952); Robert Bresson's Quâtre Nuits d'un rêveur (1971); Tobe Hooper's The Texas Chainsaw Massacre (1974); Phil Karlson's Framed (1975); Clint Eastwood's The Gauntlet (1977); and Robert Mulligan's Bloodbrothers (1978), which returned to Seattle (after a five - day first run in» 78) only via Showtime.

Izzy Gets the F*ck Across Town is both written and directed by American filmmaker Christian Papierniak, making his feature directorial debut after a few short films previously.

After years of directing music videos as part of team «Hammer & Tongs», Garth Jennings made his feature debut on 2005's The Hitchhiker's Guide to the Galaxy.

The Escape of Prisoner 614 is both written and directed by writer / filmmaker Zach Golden, making his feature directorial debut after working as a writer for «Gigi Does It» on TV.

The film is written by Peter Craig, who recently penned Ben Affleck's «The Town» with director Asger Leth making his dramatic feature directing debut after his 2006 documentary «Ghosts of Cite Soleil.»

Ingrid Goes West is directed by American filmmaker Matt Spicer, who's making his feature directorial debut after a few shorts previously.

READ MORE: Why Steve Carell Didn't Change His Approach For «Foxcatcher,» the Darkest Project Of His Career Three years after directing Brad Pitt to an Oscar nomination in the 2011 sports drama «Moneyball,» Bennett Miller (Oscar - nominated for «Capote») is finally back in theaters with his fourth feature «Foxcatcher,» which opened in select theaters last Friday after screening at every major festival this year, including Cannes, Toronto and New York.

After years behind the camera directing commercials, short films, and music videos, Anna Axster has completed her first feature debut, A Country Called Home.

Misher's previous credits include It's Kind of a Funny Story and The Scorpion King, while Muschietti is coming off his feature directorial debut with Mama (after first directing a short film of the same name).

Aardvark is directed by American actor - filmmaker Brian Shoaf, making his feature directorial debut with this film after a few shorts previously.

Heder has most recently been writing and story editing on Orange Is The New Black, and Tallulah marks her feature writing / directing debut, after a couple of short films.

In the feature, Donaldson effectively compares and contrasts the career trajectories for Mimi Leder, who made her name through her Emmy - winning work on «ER,» directed the one of the top - grossing films of 1998 with «Deep Impact» and then went to «movie jail» and didn't direct another film for nine years after the middling performance of her 2000 family drama «Pay It Forward,» to those of Trevorrow, who made his feature debut with the Sundance hit «Safety Not Guaranteed,» won the choice gig helming «Jurassic World» on director Brad Bird's recommendation and managed steer to the reboot of one of the most popular film franchises of all time to giant box - office success.

Summer 1993 is directed by Spanish filmmaker Carla Simon, making her feature directorial debut after a few short films previously.

Half Magic is written and directed by American actress Heather Graham, making her feature directorial debut after 30 years as an actress.

Soon his whole world turns upside down... Life After Beth is both written & directed by American filmmaker Jeff Baena, making his feature directing debut after co-writing the I Heart Huckabees screenplay in 2004 with David O. RusAfter Beth is both written & directed by American filmmaker Jeff Baena, making his feature directing debut after co-writing the I Heart Huckabees screenplay in 2004 with David O. Rusafter co-writing the I Heart Huckabees screenplay in 2004 with David O. Russell.

The Cleanse is both written and directed by filmmaker Bobby Miller, making his feature directorial debut after a whole bunch of award - winning short films, including Tub and End Times.

Violet is both written and directed by young Flemish filmmaker Bas Devos, making his feature directorial debut after a few short films previously.

Patrick Brice's writing and directing debut Creep — premièring digitally on iTunes just a few days after the theatrical bow of his audacious second feature, The Overnight — offers further proof that heading to the woods with a Duplass brother is a winning horror formula, though Brice's conceit is more rigorously thought - through.

Earlier this week I joked that, after Sunday's episode of Mad Men, I wouldn't be surprised if John Slattery (who directed the episode) was picked to make his feature directing debut with Fifty Shades of Grey.