The artists interact with the local creative community while developing a self -
directed studio practice.
Not exact matches
When Surrealist painter Roberto Matta gave a talk at the New Bauhaus about Automatism — the
practice of letting one's subconscious
direct his work — Woelffer was deeply affected, and began to experiment with non-objective painting in the
studio.
Her work entails not only a
studio - based
practice, but also a dedicated feminist activity, such as founding and
directing the South Asian Women's Creative Collective, for which she has had the opportunity to work «in collaboration with hundreds of amazing women practitioners across disciplines.»
I was more interested in the energy I could develop around these kinds of collaborative creative projects, and less in sustaining a
studio practice of my own, so I
directed my work in this direction.
Well known for large stylized figurative paintings with elements of abstraction, his
studio practice has evolved to include
directed abstraction in intimately scaled paintings.
By facilitating artists»
direct engagement with the waste stream, RAIR encourages residents to consider their
studio practice through the lens of sustainability and to thoughtfully re-asses their processes of material sourcing and waste disposal.
The Program in Visual Arts offers
studio courses that emphasize
direct, hands - on art making under the guidance of
practicing visual arts professionals.
The
studio courses in particular emphasize
direct, hands - on art making under the guidance of
practicing visual arts professionals.
From The Taubman Museum: «Paul Villinski: Farther will survey developments in Villinski's
practice over the past decade, as well as publicly debut multiple new works
direct from the artist's New York
studio.
In the last four decades I have committed much of my
studio practice to a mixology; an alchemy which tends to
direct the composition toward visual play, a paronomasia of textural complexities and surface variations.
Drawing from the classic
practice of the artist depicting his own atelier, Al - Hadid makes her most
direct overture to Rosso by portraying both her own
studio in the panels and Rosso's in the works on mylar, presenting both source and inspiration.
She recently established an informal project space in her
studio, for her or invited guests to present projects informed by, and
directed at, critical conversations about art
practice.