One of my issues with the previous model was that I didn't like the way that your child slept
directly on the canvas base.
Approaches to oil painting techniques include indirect painting, whereby successive layers of paint are added to build up a painting's surface, as well as «wet into wet,» which involves blending wet paint
directly on the canvas and is closely associated with alla prima painting.
Approaches to oil painting techniques include indirect painting, whereby successive layers of paint are added to build up a painting's surface, as well as «wet into wet,» which involves blending wet paint
directly on the canvas and is closely associated with alla prima painting.
Approaches to oil painting techniques include indirect painting, whereby successive layers of paint are added to build up a painting's surface, as well as «wet into wet,» which involves blending wet paint
directly on the canvas and is closely associated with alla prima painting.
This also coincided with his transition from pre-planned compositions to paintings improvised
directly on the canvas.
As for collage, I don't directly use outside material, not even for reference, I don't even work from drawings — everything is generated from my head and travels through my arm and happens unplanned
directly on the canvas.
To create his «Drape» paintings, Gilliam embraced intuition and improvisation by pouring acrylic paint
directly on a canvas, which may be folded, tied into knots, or hung from architectural elements.
In fact, in some cases it looks as if the oil is mixed
directly on the canvas.
The title of this exhibition, From time to time, comes from Du Pasquier's shift from representing constructed compositions to constructing compositions
directly on the canvas, and from representational work to abstract work.
Using charcoal and white acrylic
directly on canvas, he started sketching multi-dimensional, interlocking configurations, surrounding them with colored ground.
The depicted figures are not defined beforehand and then simply executed in oil painting, but are gradually developed in several layers, which are repeatedly sanded and painted over
directly on the canvas.
Working first with oil paints and later acrylic, Jenkins poured paint
directly on the canvas, allowing it to drip, bleed, and pool, as well as manipulating it with an ivory knife.
In these works he had dispensed with the more formal traditional technique of drawing and under - painting in favor of working
directly on the canvas with a loaded brush.
Working
directly on canvas with no preparatory drawing, Essenhigh's imagery is often triggered by random associations to find the most «convenient» narrative, with entire paintings emerging from the mere hint of a shape.
These paintings are largely developed
directly on the canvas with tape - masked stripes and poured figures.
JB: I only work with yellow light, and, interestingly enough, I can't work with light hitting
directly on the canvas.
I do paint
directly on the canvas with brushes, rollers and knives, but most of the marks and images are screenprinted.
Unlike the prototypical abstract expressionist immortalised in Rosenberg's article «The American Action Painters», Kline relied heavily upon sketches in order to methodically execute his paintings.45 He did not spontaneously improvise
directly on the canvas in a variation on automatism that had been adopted from the surrealists.
Beginning in the 1970s Poons began to work
directly on his canvases, pouring, throwing and splashing the paint onto the surface.
The artist wryly refers to her compositions as «arranged marriages» in which imagery is painted, repainted, and edited
directly on the canvas, an almost masochistically longhand form of collage that is at odds with the speed at which we consume images today.
It turned out that he poured the paint
directly on the canvas, controlling the colors but letting gravity form the saturated textures.
The process continues until a solution is found, always applying and mixing paint
directly on the canvas, scraping away layers to reveal the ghostly characters of the previous.
Although he made no studies for the Ocean Park paintings, preferring to work
directly on the canvas, his prints and drawings provide the most intimate access to his highly personal search for order and the means to express it.
Pollock worked impulsively and
directly on the canvas to capture the unconscious images as they tumbled out.
He allows himself to smush around too much white — muddy the colors and mix paint
directly on the canvas.
Sometimes I'll begin with a rough sketch but often I'll just jump into an idea
directly on canvas.
Approaches to oil painting techniques include indirect painting, whereby successive layers of paint are added to build up a painting's surface, as well as «wet into wet,» which involves blending wet paint
directly on the canvas and is closely associated with alla prima painting.
I have not put vinyl
directly on canvas without first painting a base coat, so I'm not sure how it will turn out.
Not exact matches
Seriously — it almost looks as if the
canvas has been printed
directly on the wood.
They used an online photo &
canvas printing service for the scanned artwork (and some other very cute stuff), but you could create the little masterpieces
directly on blank
canvases too.
«Interactivity turns a video from a monologue to a dialogue, and allows the video to achieve business goals ranging from ensuring knowledge transfer to allowing the direct purchase of products
directly on the video
canvas», the company says.
To cool off at Buffalo Camp, guests are invited to slip into the sleek, elevated rim - flow swimming pool, offering views
directly into the forest canopy, or relax
on the sun loungers in the shade under a wide
canvas umbrella.
If a 24 × 30 paintng
on canvas is $ 400 dollars in a gallery, a painting of similar size and content that you sell
directly to a patron must be sold close to that same price point.
The stretched
canvas could be hung
directly on the wall or framed to match your decor - the choice is yours.
Refining a technique, developed by Jackson Pollock, of pouring pigment
directly onto
canvas laid
on the floor, Ms. Frankenthaler, heavily influencing the colorists Morris Louis and Kenneth Noland, developed a method of painting best known as Color Field — although Clement Greenberg, the critic most identified with it, called it Post-Painterly Abstraction.
He is renowned for being one of the first artists to make the radical gesture of taking the
canvas off the stretcher and hanging it
directly on the wall in works such as Purple Octagonal 1967, as well as making provocative sculptures such as Third Rope Piece 1974, the intimate scale of which
directly responds to traditional ideas of monumental art.
His creative process was based
on application of the thin layer of binder mixed with pigment
directly onto the clean
canvas.
The artist strips color from flags of African and African diaspora countries, leaving only the graphic stripes, stars, crescents, and shields, applied in black acrylic paint
directly on raw
canvas.
All works are graphite and gesso
on canvas or graphite applied
directly to the wall.
In the late 1940s, Jackson Pollock (1912 — 1956), now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a
canvas laid flat
directly on the floor.
Placing
canvases on the floor, Pollock would incorporate metal rods, kitchen tools, towels, and sticks into his painting process, though these tools rarely touched the
canvas directly.
Either
directly on the walls or primed
canvases, the Swiss artist has used exclusively a mix of highly - pigmented chalk pastels to achieve a lively visual experience with a fresh, graphic sensibility.
Her works are often created through the manipulation of the
canvas: she pours paint
directly on to the board, and, through movement, intuitively makes images.
Sprawling across a two - metre tall
canvas, the painting exaggerates the viewer's perspective of the pieces shown, creating a dizzying effect: the pieces near the bottom of the
canvas are painted as though the viewer is looking
directly down
on them, while those at the top seem to tower above, giving it the appearance of a photograph taken through a wide - angle lens.
This same awareness, we could even call it «duplicity,» is upfront in Haim Steinbach's installation of either and or — two pieces (necessarily separate, as one word is painted
on a
canvas, and the other
directly onto the wall).
At this point, drawing became critical to the development of the paintings as the artist skillfully drafted works
on paper that would translate
directly to the
canvas.
Painting with a single layer of paint
on a white ground, Neel «draws» with her brush
directly on to the
canvas, using the brushwork and harsh colours to convey information, not for their own sake.
Binder is now working to archive this form of creating, by consciously creating paintings
on canvas rather than
directly on the wall, dappling with notions of permanence and mobility.
Eschewing tools, as if to reject any reliance
on the flightiness of brushwork, he applies layer upon layer of somber - hued pigment
directly with his hands, not so much to paint as to rub the color onto the
canvas.
She thrived
on the physical intensity of a process that allowed her to pour every ounce of her energy
directly onto the
canvas, producing graceful gestures that pulsate with energy and vitality.