Paddington 2 is a full - blown charm assault, adapted from the Michael Bond books by actor / writer Simon Farnaby and Paul King (TV's The Mighty Boosh, returning as
director after the first film).
Not exact matches
Well, a former SNL
director — who also happens to be lead writer of the David Spade comedy «Joe Dirt» — was behind it, and Stewart was recruited only
after the
first actress suffered a «nervous breakdown» right before
filming.
By keeping the
films inextricably linked through its core cast (Cruise, Rhames), while preserving its currency with self - contained plots and a constantly changing vision through the varying styles of its
directors, the M: I gravy train remains unfettered 20 years
after first exploding inside a tunnel.
Production has reportedly been a «nightmare» and, some sources reported that Universal considered pulling the
film from overwhelmed
first - time
director Rinsch
after the budget may have swelled by over $ 50 million more than the originally planned $ 170 million.
After making his name with three independent
films in Shotgun Stories, Take Shelter and Mud,
director Jeff Nichols approaches his fourth feature with a bigger budget, making it his
first studio production and allowing him to operate on a slightly more ambitious and grander scale.
Produced under the title Papi Chulo, Chasing Papi was the
first feature
film from
director Linda Mendoza
after an extensive resume of credits in television comedy.
In the world of live - action
films, changing a
director when a
film is already in production is rare, though it happened this year on the independent western «Jane Got a Gun,» when Gavin O'Connor replaced
director Lynne Ramsay
after she failed to show up on the
first day of shooting in New Mexico.
After winning an Oscar for his short
film «Six Shooter»,
director Martin McDonagh's
first feature length dares to combine a crime thriller with comedy and the results are surprisingly good.
After a successful outing in
First Contact, Jonathan Frakes (Thunderbirds) takes the
director's helm once again with a pleasant but uninvolving outing which seems more in tune with the style of the TV series than the
film series, special effects notwithstanding.
First, the New York
Film Critics Circle ousts long - time
film reviewer Armond White
after he reportedly heckled Steve McQueen, the
director of «12 Years a Slave,» at an awards dinner earlier this year.
Modeled
after Toshiro Mifune's towering performance in Akira Kurosawa's «High and Low» (the
first of the
film's many nods to Japan's most famous
director), the villainous bureaucrat suggests relocating every single one of the dogs in Uni Prefecture to a place called Trash Island, starting with his own Short - Haired Oceanic Speckle - Eared Sport Hound, Spots.
After the premiere screening at Sundance of his wonderful debut feature «Kings Of Summer,»
director Jordan Vogt - Roberts — responsible for the short «Successful Alcoholics» and a veteran of «Funny Or Die Presents...» — told the audience his influences for his
first feature included early Amblin
films like «The Goonies» with «elements of [Terrence] Malick,» and most surprisingly, «Bad Boys II.»
The Scottish
director had never met Phoenix before the weeks of furiously prepping her
first American
film — needing to take advantage of a small summer opening in Phoenix's packed schedule, just one month
after having secured financing at the Cannes
Film Festival — but he more than confirmed her instincts that he would be perfect for the role.
Apprehensions about Peter Jackson's
first instalment of The Hobbit
films — a trilogy stemming from JRR Tolkien's iconic novel, and the writer /
director's second stint in Middle Earth
after The Lord of the Rings — are swiftly cast aside in The Desolation of Smaug, endless exposition gratefully replaced by rollicking action.
This would make Yan the second female
director DC has hired,
after Patty Jenkins, and it would also make her the
first Asian female
director to take on a superhero
film.
Pirates of the Caribbean is the
first film ever released under the Walt Disney Pictures brand to receive higher than a PG rating (the
film is rated PG - 13), and the team assembled to make the
film is a virtual Who's who of hot properties:
Director Gore Verbinski had a huge hit last year with the spook fest The Ring, Writers Terry Rossio & Ted Elliott were the writing team behind Shrek, Actor Johnny Depp is so extremely selective in his roles no one would ever imagine he'd do a Disney
film, Orlando Bloom is fresh off the Lord of The Rings Trilogy, Geoffrey Rush has at least one Academy Award under his belt, and Keira Knightley has become a hot property
after her performance in the run away indie hit Bend It Like Beckham.
I admit I really didn't enjoy this one upon a
first viewing, but
after watching the
director's cut of the
film, which is far superior, I really got into this one.
Only the third
film that the acclaimed actor has made as a
director (
after 2002's Antwone Fisher and his last, 2007's The Great Debaters), Washington certainly had familiarity with August Wilson's beloved Pulitzer Prize - winning material when he decided to bring it to the big screen; the actor won a Tony Award of his own for starring in the 2010 revival of the production, to go along with the play's Tony for Best Revival (and the many that it won during its
first run on stage in 1987).
Director Michael Apted is handed the reins to guide Dawn Treader into murky waters, replacing Peter Jackson protege Andrew Adamson, who directed the
first two
films — and Apted definitely brings a fresher take on the subject matter, especially
after Prince Caspian, a LOTR: The Two Towers imitation.
Now
after 13 long years away see's
director «Robert Zemeckis» return to the physical world for his
first live - action
film since 2000's Cast Away, so as you can imagine excitement and expectations are at an all time high.
Garland's science - fiction chamber piece — his
first film as
director, and fifth as screenwriter,
after 28 Days Later, Sunshine, Never Let Me Go and Dredd — starts from the premise that no one knows us better than our internet browsers, then turns that queasy intimacy inside out.
After being away for ten years,
director Jonathan Glazer returns with his
first film since 2004's Birth, his followup to debut Sexy Beast in 2000.
In concert, the
film burrows in ever tighter, dramatically reflecting Dickinson's journey into shadows, a progression that feels especially perturbing
after Davies's atypically breezy
first half, which offers a rare showcase for the trademark wit («Going to church is like going to Boston; you only enjoy it
after you've gone home») the writer -
director usually flashes only behind the camera.
The sources for Collider stated that Vaughn is Warner Brothers
first choice at
director which is good news because the last time they mentioned their top
director for their superhero
film, it was Matt Reeves for Batman, and they ended up signing him
after a few shouting matches.
After all, he's a certified director now after being at the helm of his first feature film, The Hollars, a family drama that we loved at Sundance and is coming to limited theaters starting this wee
After all, he's a certified
director now
after being at the helm of his first feature film, The Hollars, a family drama that we loved at Sundance and is coming to limited theaters starting this wee
after being at the helm of his
first feature
film, The Hollars, a family drama that we loved at Sundance and is coming to limited theaters starting this weekend.
A couple of hours
after announcing that Terrence Malick's long - awaited Knight Of Cups will premiere at next month's Berlin
Film Festival, FilmNation Entertainment has released the
first trailer for the
film, which showcases the reclusive
director's unparalleled talent for getting actors to jump around, then stand really close to each other without making eye contact.
His
first film as writer -
director was 1990's «Joe Versus the Volcano,» starring Tom Hanks as an ex-firefighter who goes on a picaresque journey
after a scary medical diagnosis, and Meg Ryan as three different women he meets along the way.
Two separate commentary tracks, the
first and best with
director Ben Wheatley and co-writer Amy Jump and the second with actors Neil Maskell, MyAnna Buring, and Michael Smiley, bring some of the
film's more obscure passages into better focus, while a slew of formal interviews with the filmmakers, actors, and producers help illuminate the extent of the work that went into developing the project (Wheatley, for his part, comes across as surprisingly earnest and well - intentioned, which isn't quite what one expects
after watching his
film).
The
first official image has arrived online from Life on the Road, the upcoming feature
film from writer -
director Ricky Gervais, which sees him reprising his role as David Brent from The Office... Set some 15 years
after The Office, Life on the Road sees David Brent delving into his pension to head out on tour -LSB-...]
It's the only time the
film stops in tracks to provide a showcase for the ability of one of its characters, but the sequence is so cleverly choreographed by
director Bryan Singer (who returns to the franchise
after directing its
first two installments) that we hardly notice.
After the grandeur of «The Wrath of Khan,»
director Leonard Nimoy's
first Trek feature feels cheap, even though it is the
first «Star Trek»
film to destroy the Enterprise.
When underground
director Ryuhei Kitamura announced that he'd be making Azumi, his
first film inside the Japanese studio system
after a successful run of independent
films (Versus, Aragami), fans may have had just cause to...
A couple of hours
after announcing that Terrence Malick's long - awaited Knight Of Cups will premiere at next month's Berlin
Film Festival, FilmNation Entertainment has released the
first trailer for the
film, which showcases the reclusive
director's unparalleled talent for getting actors to jump around, then stand...
Directed by Ron Howard, who stepped in
after the original
directors, Chris Miller and Phil Lord, were fired midway through production, the
film is a cross between a heist movie and a space western, chronicling Solo's
first encounters with his Wookiee sidekick, Chewbacca, the Millennium Falcon and his stalwart frenemy, the smooth - talking gambler Lando Calrissian, who was introduced in 1980's «The Empire Strikes Back» by Billy Dee Williams and who is played in «Solo» by actor - writer - musician Donald Glover.
First up was Ant - Man, and he brought out Peyton Reed, the
film's new
director (
after Edgar Wright's drama - filled exit).
Through an arduous process of development —
first with original «Deadpool» helmer Tim Miller and then,
after he left the project due to creative differences,
director David Leitch («John Wick»)-- the
film's storyline went through various radically different iterations.
Vera Farmiga's upcoming movie, «The Commuter «marks her second
film with
director Jaume Collet - Serra
after «Orphan «and her
first opposite Liam Neeson.
As the AV Club reports, «Moonlight»
director Barry Jenkins was one of the
first to receive a doll
after seeing the
film at a recent midnight screening.
It opens with Michael Fassbender and Penelope Cruz in bed together
after what is supposed to be a marathon lovemaking session, but
director Ridley Scott
films the
first part of this scene so that they are totally covered by white sheets, as if they were mummies.
Gifted is an original drama from sporadic screenwriter Tom Flynn (picking up his
first credit in 15 years) and (500) Days of Summer
director Marc Webb, who returns to indies
after helming the two Andrew Garfield Spider - Man
films.
We were seeing the talented Chilean
director's new
film, his
first in the English language, for the
first time
after we acquired it earlier this year for the Curzon 2018 slate.
Veteran
director Daihachi Yoshida, whose offbeat drama «The Scythian Lamb» also screened in competition, later emailed his congratulations to
first - time feature
director Ueda, adding that he had walked home alone
after the «One Cut» screening «feeling envious of your success» and «determined to make a
film Udine audiences will like.»
After flirting with type one in the
first «Amazing Spider - Man»
director Marc Webb has pulled a near 180 to aim at type two for the sequel, causing his
film to bounce and bob like an improperly secured passenger.
His
first two Potter
films (Order of the Phoenix and Half - Blood Prince) became the highest - grossing entries in the series
after the
first instalment, which was later surpassed by Yates» Deathly Hallows, making him the most commercially successful British
director in recent years.
Any new Paul Thomas Anderson
film is guaranteed to create excitement, but «Phantom Thread» has generated more buzz than usual for two reasons: The drama marks a reunion between Anderson and Daniel Day - Lewis ten years
after «There Will Be Blood» and the movie finds the
director serving as his own cinematographer on a feature
film for the
first time.
Scott, who's coordinated but also done stunts himself on
films like American Beauty and The Shawshank Redemption, got the Community job
after running into former collaborators — Community
director Adam Davidson and
first assistant
director Bob Roe — while working on the Paramount studio lot.
With
film leads Wes Bentley and Jason Isaacs on hand to support him,
first time
director Saar Klein happily introduced his
film After the Fall Saturday night, immediately telling the audience he wanted them to feel they could laugh, even if it seemed uncomfortable.
At the time, all we knew was that it would pick up shortly
after the events of the
first film and the series would be executive produced by Kim Possible creators Mark McCorkle and Bob Schooley along with another Kim Possible vet, Nicholas Filippi, who'll serve as supervising
director.
This
first feature
film from
director and co-writer Jeremy Garelick has an interesting premise... a much better premise than HITCH... and benefits from an on screen connection between Hart and Josh Gad, despite scene
after scene taking the cheap laugh rather than the smart one.
The Jay Scott Award for best feature
film (honour named
after the late Toronto Globe and Mail
film critic) went to «The Three Burials of Melquiades Estrada» by
first - time
director, Tommy Lee Jones.