Sentences with phrase «director mixes the colors»

The director mixes the colors of his palette carefully.

Not exact matches

Rave colors, mixed prints and embellishment dominated London Fashion Week — and no one pulled them all together better than Peter Pilotto and his co-creative director, Christopher De Vos.

Camera (color, widescreen, HD), Mac Fisken; editor, Valerie Krulfeifer; music, Giona Ostinelli; music supervisors, Timothy Bickford, Mandi Collier; production designer, Angel Herrera; art director, Priscilla Watson; set decorator, Carl Turner; costume designer, Lauren Howard; sound, Nathan Whitcomb; re-recording mixer, Shawn Duffy; visual effects supervisor, Joel Hebner; stunt coordinator, Hebner; line producer, Moana Sherrill; associate producer, Fadi Saab; assistant director, Adam Werth; casting, Lindsey Weissmueller.

Camera (color, widescreen, HD), Bobby Bukowski; music, Anthony Partos, Matteo Zingales; music supervisor, Michael Hill; production designer, Alex DiGerlando; art director, Christina Kim; set decorator, Monique Champagne; costume designer, Meghan Kasperlik; sound (Dolby Digital), Micah Bloomberg; supervising sound editor, Odin Benitez; re-recording mixer, Mark Mangini; visual effects supervisor, Tarn Fox; stunt coordinators, Kevin Beard, Danny Cosmo; assistant director, Thomas Deckaj; casting, Douglas Aibel, Tracy Kilpatrick.

Camera (color, widescreen, HD), Alex Disenhof; editors, Hodierne, Dominic LaPierriere; music, Patrick Taylor, Kevin Hilliard; production designer, Naia Barrenechea; sound, Lee Smith, Giles Khan; sound designer, Tom Myers; supervising sound editor, Christopher Barnett; re-recording mixers, Myers, Barnett; assistant directors, Toby Hosking, Angie Musira.

Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume designer, Ane Crabtree; sound (Dolby Digital), Paul Sorohan; supervising sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual effects supervisor, Sean Thigpen; visual effects, Wunderfilm, Stargate Studios; special effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.

Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic; head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.

Camera (color, widescreen), Thierry Arbogast; editor, Julien Rey; music, Eric Serra; production designer, Hugues Tissandier; art directors, Gilles Boillot, Steplane Robuchon, Thierry Zemmour; costume designer, Olivier Beriot; sound, Guillaume Bouchateau, Stephane Bucher, Didier Lozahic, Shannon Mills, David Parker; sound designer, Shannon Mills; re-recording mixer, David Parker; special effects supervisor, Philippe Hubin; senior visual effects supervisor, Nicholas Brooks; visual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cheron.

Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume designer, Justine Seymour; sound (Dolby Digital), Kim Ornitz; sound designer, Ryan Collins; supervising sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual effects supervisor, Jack Cloud; visual effects, Cloudesign; special effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.

Camera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume designer, Chasia; sound, Woody Stubblefield; supervising sound editor, Trip Brock; re-recording mixer, Kelly Vandever; special effects makeup, Geneva Nash Morgan; visual effects supervisor, Jonas Drehn, Matt Bramante; visual effects executive producer, Gresham Lochner; visual effects, BaconX, Locktix; line producer, Gingi Rochelle; associate producers, Doug Patterson, Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim Coleman.

Camera (color, widescreen, Red Digital Cinema, 3D), Simon Duggan; editors, Matt Villa, Jason Ballantine, Jonathan Redmond; music, Craig Armstrong; executive music supervisor, Anton Monsted; production designer, Catherine Martin; supervising art director, Ian Gracie; art directors, Damien Drew, Michael Turner; set decorator, Beverly Dunn; costume designer, Martin; sound (Dolby Digital / Datasat / SDDS), Guntis Sics; sound designer / supervising sound editor, Wayne Pashley; re-recording mixers, Steve Maslow, Phil Heywood, Pashley; visual effects supervisor, Chris Godfrey; visual effects producer, Joyce Cox; visual effects, Animal Logic, Prime Focus, Rising Sun Pictures, Iloura, Industrial Light & Magic, Method Studios; stunt coordinator, Glenn Ruehland; assistant director, Jennifer Leacey; casting, Ronna Kress, Nikki Barrett.

Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume designer, Amy Wescott; sound (Datasat / Dolby Digital), Shawn Holden; sound designer / supervising sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual effects, relevantVFX, Rain VFX, Artea; stunt coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors, David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy Marin.

Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume designer, Ariyela Walk - Cohain; sound, Buck Robinson; sound designer, Martyn Zub; supervising sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual effects supervisor, James Hattin; visual effects producer, Nate Smalley; visual effects, Legion; special makeup effects, Fractured FX; special effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.

Camera (color, widescreen, HD), Matt Mitchell; editor, Bryan Gaynor; music, Luke Allen; production designer, Annie Simeone; costume designer, Megan Stark Evans; sound, Brennan McVicar; supervising sound editor, Cory Choy; re-recording mixer, Robin Shore; assistant director, Michael Meador.

(Color, widescreen); editors, Matthew Landon, Carole Kravetz; music, Hans Zimmer, Richard Harvey; production designers, Lou Romano, Celine Desrumaux; sound designer (Dolby Digital), Tim Nielsen; supervising sound editors, Nielsen, Christopher Barnett; re-recording mixers, Nielsen, Barnett; visual effects supervisor, Pascal Bertrand; character designer, Peter De Seve; co-character designer, Barthelemy Maunoury; CG character supervisor, Hidetaka Yosumi; CG animation supervisor, Jason Boose; CG lighting supervisor, Adel Abada; stop - motion creative director, Jamie Caliri; stop - motion production designer and character designer, Alex Juhasz; stop - motion lead animator, Anthony Scott; associate producers, Brice Garnie, Olivier Rakoto; casting, Sarah Finn.

Camera (color, HD), Bridger Nielson; editors, Bill Neil, Jake York; music, Ronen Landa; production designer, Walter Barnett; costume designer, Aubrey Binzer; set decorator, Sandy Hubshman; sound, Ryan James; re-recording mixers, Jason Gaya, Spencer Schwieterman; supervising sound editor, Chris Diebold; sound designer, Chris Terhune; special FX, Autonomous FX; stunt coordinators, Chris Daniels, Ralf Koch; 1st assistant director, Jeremy Phoenix; casting, Emily Schweber.

Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer, Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood; sound (Dolby Digital / SDDS / Datasat), Lee Orloff; sound designers, Tony Lamberti, Victor Ray Ennis; supervising sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special effects coordinator, Bruno Van Zeebroeck; visual effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.

Camera (color), Gonzalo Amat; editor, Gregory Plotkin; production designer, Nathan Amondson; set decorators, Teresa Visinare, Julie Ochipinti; costume designer, Marylou Lim; sound (Dolby Digital / Datasat), Walter Anderson, Ed Novick, Steve Nelson; re-recording mixers, Joe Dzuban, Daniel J. Leahy; visual effects supervisor, Woei Hsi Lee; visual effects, Atomic Fiction; special effects coordinator, Mark Gullesserian; stunt coordinators, David Rowden, Charlie Croughwell; assistant directors, Mark Anthony Little, Dale Stern; casting, Carla Hool.

Camera (color, widescreen), Stuart Dryburgh; editor, Chris Plummer; music, Alex Heffes; production designer, Grant Major; art director, Jill Cormack; set decorator, Daniel Birt; costume designer, Ngila Dickson; sound (Dolby Digital / Datasat), Fred Enholmer; sound designer, Tim Prebble; re-recording mixers, Lora Hirschberg, Gilbert Lake; special effects supervisor, Ken Durey; visual effects producer, Ineke Majoor; visual effects, Iloura; stunt coordinator, Allan Poppleton; associate producers, Satoru Suzuki, Yasushi Akutagawa; assistant director, Toby Pease; second unit camera, Donald Duncan; casting, Yoko Narahashi, June Jenkins.

Camera (Deluxe color, Arri Alexa digital, widescreen), Ben Seresin; editors, Roger Barton, Matt Chesse; music, Marco Beltrami; production designer, Nigel Phelps; supervising art director, Jon Billington; senior art directors, Alan Gilmore, Julian Ashby; art directors, Ben Collins, Matthew Gray, James Foster; set decorator, Jennifer Williams; costume designer, Mayes C. Rubio; sound (Datasat / Dolby Surround 7.1), Stuart Wilson; supervising sound editors, Nigel Stone, Ethan Van Der Ryn; re-recording mixers, Anna Behlmer, Lora Hirschberg; visual effects producer, Robin Saxen; visual effects, MPC, Cinesite, Industrial Light & Magic, Lola VFX; assistant director, Toby Hefferman; second unit director / stunt coordinator, Simon Crane; second unit camera, Igor Meglic; casting, Kate Dowd.

Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.

Camera (Fotokem color, widescreen), Michael J. Ozier; editor, Dan O'Brien; music supervisor, Brad Rosenberger; production designer, Craig Stearns; art director, Randy Moore; costume designer, Jillian Kreiner; sound, Richard Lightstone; supervising sound editor, Kelly Oxford; re-recording mixers, Joe Barnett, Marshall Garlington; associate producers, Rick Pagano, David Orr, Kevin T. Foley; assistant director, Hillary Schwartz; casting Richard Pagano.

Camera (color, HD), Topher Osborn; editor, Phillip J. Bartell; music, Kathyrn Bostic; art director, Cheri Anderson; set decorator, Melissa Pritchett; costume designer, Toye Adedipe; sound (Dolby 5.1), David Parker; supervising sound designer / editor, Glenn T. Morgan; re-recording mixers, Patrick Cyccone, Zack Howard; line producer, Nicole Colombie; casting, Kim Coleman.

Camera (color, Super 16 mm), Jay Keitel; editors, Shai, Humphrey Dixon; music, Ali Helnwein; music supervisor, Bryan Bonwell; production designer, Trevor Gates; costume designer, Yasmine Abraham; sound, Mark Sutton; sound designer, Trevor Gates; re-recording mixers, Jonathan Wales, Jason Gaya; stunt coordinator, Jesse Johnson; associate producer, Elric Kane; assistant director, Laura Klein; casting, Lindsay Chag.

Camera (color, 35 mm), Eric Robbins; music, Jeff Grace; production designer, Jade Healy; art director, Ra Arrancio - Parrain; costume designer, Malgosia Turzanska; sound, Darryl Frank; sound designer, Graham Reznick; re-recording mixers, Reznick, Tom Efinger; assistant director, Thomas Deckaj; casting, Terri Taylor.

Camera (Deluxe color, 35 mm), Roger Deakins; editors, Joel Cox, Gary D. Roach; music, Johann Johannsson; music supervisor, Deva Anderson; production designer, Patrice Vermette; art director, Paul Kelly; set decorator, Frank Galline; set designers, Mayumi Konishi - Valentine, Aaron Linker; costume designer, Renee April; sound (Datasat / Dolby Digital / SDDS), Mary H. Ellis; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Greg Rudloff; visual effects, Pacific Title & Art Studio, Luma Pictures; stunt coordinator, Steven Ritzi; assistant director, Donald L. Sparks; casting, Kerry Barden, Paul Schnee

Camera (Deluxe color, widescreen, 35 mm), Rachel Morrison; editor, Suzy Elmiger; music, Marcelo Zarvos; production designer, Chris Trujillo; art director, Max Piersol; set decorator, Jess Royal; costume designer, Meghan Kasperlik; sound, Mike Guarino; sound designer / re-recording mixer, Brandon Proctor; visual effects supervisor, Mike Feuer; visual effects, MindSmack TV; stunt coordinator, Rick Kain; associate producers, Braden Friedman, Shani Geva; assistant director, Scott Larkin; casting, Laura Rosenthal Casting, Jessica Kelly.

Camera (color, Arri Alexa widescreen), Reed Morano; editor, Kate Abernathy; music, Dave Eggar, Chuck Palmer, Amy Lee; production designer, Jorge Barba; art director, Victoria Cuevas; costume designer, Liz Lash; sound (Dolby Digital), Omar Barraza; sound designer / re-recording mixer, Dennis Leonard; visual effects, Outlier Post; stunt coordinator, Massimiliano Ubaldi; line producer, Alex G. Scott; assistant director, Gino Allegro; casting, Samy Burch, Cecilia Maggio.

Camera (color, widescreen), Jo Willems; editor, Alan Edward Bell; music, James Newton Howard; music supervisor, Alexandra Patsavas; production designer, Philip Messina; supervising art director, John Collins; art directors, Robert Fechtman, Adam Davis; set decorator, Larry Dias; costume designer, Trish Summerville; sound (Dolby Atmos / Datasat), Mark Weingarten; supervising sound editors / re-recording mixers, Skip Lievsay, Jeremy Peirson; sound designer, Peirson; visual effects supervisor, Janek Sirrs; visual effects producer, Mitchell Ferm; visual effects, Double Negative, Weta Digital, Method Studios, Rodeo FX, Fuel VFX, Hybride; special effects coordinator, Steve Cremin; supervising stunt coordinator, Chad Stahelski; stunt coordinator, Sam Hargrave; assistant director, Aldric La'auli Porter; second unit director, Chad Stahelski; second unit camera, Robby Baumgartner; casting, Debra Zane.

Camera (color, Panavision widescreen), Brendan Galvin; editor, Robert Duffy; music, Antonio Pinto; music supervisor, John Houlihan; production designer, Tom Foden; art director, Tim Beach; set decorator, Cindy Carr; set designer, Walter Schneider; costume designer, Shay Cunliffe; sound, Pud Cusack; sound designer, Robert L. Stephton; supervising sound editor, Steven Ticknor; re-recording mixers, Kevin O'Connell, Ticknor; visual effects, Temprimental Films, Skulley Effects, Scoundrel VFX; stunt coordinator, Steven Ritzi; assistant director, Nick Mastandrea; second unit director, Steven Ritzi; second unit camera, Jaron Presant; casting, Mary Vernieu, Venus Kanani.

Camera (Deluxe color, widescreen), Oliver Wood; editors, Brent White, Melissa Bretherton; music, Andrew Feltenstein, John Nau; music supervisor, Erica Weis; production designer, Clayton Hartley; art director, Elliott Glick; set decorator, Jan Pascale; set designers, Barbara Mesney, James Tocci, Alexander, McCarroll, Danny Brown; costume designer, Susan Matheson; sound (Datasat / Dolby Digital), Whit Norris; sound supervisor, George Anderson; re-recording mixers, Marc Fishman, Anna Behlmer; visual effects, Mr. X Gotham, Lola VFX; stunt coordinator, Chris O'Hara; associate producers, Matt Rebenkoff, Robyn Wholey; assistant director, Matt Rebenkoff; second unit director, David Letich; casting, Allison Jones.

Camera (Deluxe color, HD), Chayse Irvin; editor, Cindy Thoennessen, Franklin Peterson; music, Matthew Puckett; music supervisor, Mark Wike; production designer, Matt Hyland; art director, Lee Clayton; set decorator, Ryan Brennan; costume designer, Anney Perrine; sound, Dan Bricker; supervising sound editor, Michael Feuser; re-recording mixer, Leslie Shatz; sound designer, Andrea Bella; visual effects supervisor, Paul Silverstein, Gabriel Napora, Hassini Krshna; visual effects, 5eDigital, Tiyabella VFX; associate producers, Mandy Sherman, Sari Knight; assistant director, Randall Ehrmann; casting, Mandy Sherman, Sari Knight.

Camera (color, widescreen), Christophe Beaucarne; editor, Herve De Luze; music, An Pierle; sound, Dominique Warnier; supervising sound editor, Francois Dumont; re-recording mixer, Michel Schillings; visual efects supervisor, Emilien Lazaron; visual effects producer, Marc Ume; special effects supervisor, Eric De Wulf; line producer, Patrick Dalmans; assistant director, Renaud Alcalde; casting, Michael Bier, Patrick Hella.

Camera (3D, Deluxe color, widescreen), Lula Carvalho; editor, Bob Ducsay, Jim May, Debra Neil - Fisher; music, Steve Jablonsky; production designer, Martin Laing; art director, Miguel Lopez - Castillo; set decorator, Debra Schutt; costume designer, Sarah Edwards; sound (Datasat / Dolby Atmos), Tom Nelson, Peter Fonda; supervising sound editors, Jason W. Jennings, Nancy Nugent Title; re-recording mixers, Terry Porter, Anna Behlmer; special effects supervisor, J.D. Schwalm; visual effects supervisor, Pablo Helman; visual effects producers, Crystal Dowd, Susan Greenhow; visual effects, Industrial Light & Magic, Ghost VFX, Atomic Fiction, Base FX, Whiskytree Inc., Animatrik, FX3X, Virtuos, Bot VFX, Shade VFX, Lola VFX; stunt coordinators, Spiro Razatos, Jonathan Eusebio; fight coordinator, Jon Valera; associate producer, Lori Scowley, Basil Bryant Grillo, Bret Rowe, Marc Pappalardo; assistant director, Alexander H. Gayner; second unit director, Razatos; second unit camera, Jacques Haitkin; casting, Lisa Fields.

Camera (Deluxe color, widescreen), Bradford Young; editor, Spencer Averick; music, Jason Moran; executive score producer, Tracy McKnight; music supervisor, Morgan Rhodes; production designer, Mark Friedberg; art director, Kim Jennings; set decorator, Elizabeth Keenan; costume designer, Ruth E. Carter; sound (Datasat / Dolby Digital / SDDS), Willie Burton; supervising sound editor, Greg Hedgepath; re-recording mixer, Andy Koyama; visual effects supervisors, Dottie Starling, Susan Macleod; visual effects producer, Lauren Ritchie; visual effects, Wildfire Studios; stunt coordinator, Stephen Pope; assistant director, Myron Hoffert; casting, Aisha Coley.

Camera (color), Samuel Brownfield; editor, Todd Zelin; music, David Bateman; production designer, Ronit Pinto; costume designer, Aline Hong; sound, Matthew A. Downey; re-recording mixer, Humberto Zamores; line producer, Tiziano Tucci; associate producer, Rachel Cole; assistant director, Glenn Miller; second unit director, Rachel Cole; second unit camera, Alex Grossfeld.

Camera (color), Arnaud Potier; editor, Joe Klotz; music, Nora Kroll - Rosenbaum, Brian McOmber; production designer, Kathrin Eder; set decorator, Lisa Son; costume designer, Emily Batson; sound, Amanda Beggs; supervising sound editor, Tom Paul; re-recording mixer, Paul; visual effects, Neal Jonas; special effects coordinator, Rudy Perez; stunt coordinator, Gaelle Cohen; assistant director, Stephanie Galvan; casting, Richard Hicks.

Camera (color, widescreen), Shane Hurlbut; editor, Alex Rodriguez; music, Paolo Buonvino; music supervisor, Thomas Golubic; production designer, Daniel Clancy; art director, Gregory Weimerskirch; set decorator, Julie Smith; costume designer, Isis Mussenden; sound (Dolby Surround 5.1), Chris Strollo; supervising sound editor, Lew Goldstein; re-recording mixer, Goldstein; visual effects supervisors, Francesco Grisi, Stefano Leoni; visual effects, Edi Effetti Digitali Italiani; stunt coordinators, Jason Silvis, Lance Gilbert; associate producer, Bill Karesh; assistant director, Gregory C. Hale; casting, Mary Vernieu.

Camera (color), Andrew Dunn; editor, Paul Machliss; music, Dickon Hinchliffe; music supervisor, Nick Angel; production designer, Dick Lunn; art director, Andrea Matheson; set decorator, Anna Kasabova; costume designer, Suzie Harman; sound, Mitch Low; supervising sound editor, Jeremy Price; re-recording mixer, Nigel Squibbs; visual effects supervisor, Thomas Proctor; visual effects, Double Negative; stunt coordinator, Paul Kennington; line producer, Danny Gulliver; assistant director, Martin Curry; casting, Theo Park.

Camera (color, Arri Alexa HD, widescreen), Roger Deakins; editor, Joe Walker; music, Johan Johannsson; executive music producers, Tara Moross, Darren Blumenthal; production designer, Patrice Vermetter; supervising art director, Paul Kelly; art director, Bjarne Sletteland; set decorator, Jan Pascale; set designer, Ricardo Guillermo; costume designer, Renee April; sound (Dolby Digital), William Sarokin; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Tom Ozanich; visual effects supervisor, Louis Morin; visual effects, Oblique FX, Fly Studio, Cinesite; special effects supervisor, Stan Blackwell; stunt coordinator, Keith Woulard; associate producer, Emma McGill; assistant director, Donald L. Sparks; casting, Francine Maisler.

Camera (Fotokem color, widescreen), Shelly Johnson; editor, Padriac McKinley, Thomas J. Nordberg; music, Dario Marianelli; music supervisor, Maggie Rodford; production designer, Greg Berry; costume designer, Lizz Wolf; sound (Dolby Digital), Jay Meagher; supervising sound editor, Daniel Pagan; re-recording mixers, Jeffrey J. Haboush, Chris Carpenter; visual effects supervisor, Dottie Starling; visual effects, Wildfire Studios; action choreographer, Cory Yuen; associate producers, Samantha Brooks, David Shojai, John McLaughlin, RJ Cipriani; assistant director, Ann C. Salzer; casting, Barbara Fiorentino.

Camera (Fotokem color, 35 mm), Hanania Baer; editors, Vignone, Jaglom; art director, Raul Contreras; sound, Craig Woods; re-recording mixer, Larry Stensvold; assistant director, Cynthia A. Potthast.

Camera (color, widescreen, 35 mm), Linus Sandgren; editor, Andrew Mondshein; music, A.R. Rahman; music supervisor, E. Gedney Webb; production designer, David Gropman; supervising art directors, Karen Schulz Gropman, Alain Guffroy; set decorator, Sabine Delouvrier; costume designer, Pierre - Yves Gayraud; sound (Datasat / Dolby Digital), Jean - Marie Blondel; supervising sound editor, Michael Kirchberger; sound designers, Dave Paterson, Kirchberger; re-recording mixers, Michael Barry, Paterson; special effects supervisor, Philippe Hubin; special effects coordinator, Jean - Christophe Magnaud; visual effects supervisor, Brendan Taylor; visual effects producer, Mitchell Ferm; visual effects, Mavericks VFX, Mr. X, Lola VFX; stunt coordinator, Dominique Fouassier; assistant director, Mishka Cheyko; second unit camera, Hugues Espinasse; casting, Lucy Bevan.

Camera (color, HD), Yaron Orbach; editor, Andrew Marcus; music, Gregg Alexander; music supervisor, Andrea Von Foerster; music consultant, Joel Sill; production designer, Chad Keith; set decorator, Kris Moran; costume designer, Arjun Bhasin; sound, Tod Maitland; supervising sound editor / re-recording mixer, Lew Goldstein; special effects coordinator, Drew Jiritano; visual effects supervisor, Yuval Levy; visual effects producer, Joyce Boll; visual effects, Gravity; stunt coordinator, Brian Smyj; assistant director, Mariela Cornitini; casting, Jeanne McCarthy.

Camera (Deluxe color, HD, widescreen), Alexander Gruszynski; editor, Maysie Hoy; music, Aaron Zigman; music supervisor, Joel C. High; production designer, Eloise C. Stammerjohn; art director, Gentry L. Akens, II; set decorator, Dane Moore; costume designer, Johnetta Boone; sound (Dolby Digital / Datasat), Chris Durfy; re-recording mixers, Joe Barnett, Marshall Garlington; assistant director, Chip Signore; second unit director, Paul Hall; casting, Kim Taylor - Coleman.

Camera (color, HD), Baker, Radium Cheung; music supervisor, Matthew Smith; production designer / costume designer, Shih - ching Tsou; re-recording mixer, Jeremy Grody; associate producers, Julie Cummings, Karren Karagulian; assistant director, Julie Cummings; casting, Baker, Chris Bergoch.

Ten - time Academy Award ® nominee Anna Behlmer talks about being one of the first female mixers in the movie business, strategies for handling a nervous director, and why you will always find colored Sharpie pens on a mixing stage.