You've probably already heard that Whit Stillman, novelist and
director of films like Metropolitan and The Last Days of Disco, has adapted Jane Austen's unfinished novella, Lady Susan, for the big screen as Love & Friendship, with Kate Beckinsale in the title role.
Mangold is
the director of films like «Walk the Line» and «CopLand.»
The acclaimed
director of films like «Hellboy,» «Pan's Labyrinth,» «Pacific Rim,» «Crimson Peak» and the forthcoming «The Shape of Water» is being recognized for his outstanding contributions to the art of cinema.
Those previous two comedies came in almost the same year, and with the same confusion for fans more familiar with Green as
a director of films like Snow Angels or All the Real Girls.
From
the director of films like, Kick Ass, X-Men: First Class, and Stardust, comes another sailor mouthed comic adaptation from Matthew Vaughn's repertoire.
Tara Wood will direct the Quentin Tarantino documentary which follows her work on last year's similarly themed 21 Years: Richard Linklater, which focussed on the US
director of films like Slacker, Before Sunrise and Boyhood.
The director's chair would be filled by Stephen Frears, the Oscar - nominated
director of films like The Queen and Dangerous Liaisons.
I know that Leigh is supposedly a gruff and angry individual, but here he comes off as a highly likable guy, never thinkable as
the director of films like Naked and Secrets & Lies.
Instead of using his newfound clout to take a starring role in another prestige picture, an action vehicle, or a superhero movie, his next gig will see him play a supporting role in a twisted comedy from the mind of Taika Waititi,
the director of films like Thor: Ragnarok and Hunt for the Wilderpeople.
Not exact matches
«Bennett has become a master
of storytelling through character, and while there are clearly no people in these
films, it was clearly a very human story, which we knew a
director such as Bennett would zero in on and draw out very real human -
like emotions from these poor inanimate objects,» Lennon said.
What he means is, Pixar's ballyhooed Braintrust idea meetings boast a mixture
of champion storytellers
like John Lasseter, the
director of the first two Toy Story
films — and a whole bunch
of employees unafraid to challenge him, even though he's the John Lasseter.
Of course, there will always be skeptics who claim Nolan cast the singer to help market his film, but the truth of the matter is, the director's films have always contained concepts (like «Inception» and «Interstellar») or iconic figures (Batman and The Joker) who are far bigger than any actor who has appeared in the
Of course, there will always be skeptics who claim Nolan cast the singer to help market his
film, but the truth
of the matter is, the director's films have always contained concepts (like «Inception» and «Interstellar») or iconic figures (Batman and The Joker) who are far bigger than any actor who has appeared in the
of the matter is, the
director's
films have always contained concepts (
like «Inception» and «Interstellar») or iconic figures (Batman and The Joker) who are far bigger than any actor who has appeared in them.
Much
like the success
of last year's Warner Bros.
film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman
director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big - budget stories about characters
of color.
And now that he's the toast
of Cannes, don't expect the iconoclastic British
director to willingly mouth platitudes when he's asked how he
likes the way the fest has taken to his
film.
StarTalk airs on Monday nights at 11 p.m. ET, and features the scientist interviewing cultural and political figures
like George Takei
of the original «Star Trek» series,
film director Christopher Nolan and former President Jimmy Carter.
In this clip he discusses the magic
of the
film's
director, Stephen Spielberg, and what it was
like to work with him.
Collectively, these businesses account for hundreds
of millions in annual sales, and have attracted investment and other support from the
likes of Mark Cuban, NASA, and the lauded
film director Darren Aronofsky.
«This job is working with interesting people and interesting actors — I didn't feel
like I needed to be in another period drama, but this was just a really interesting
director who had done a really interesting
film,» says actor @douglasbooth
of the @tribeca
Film Festival
film «Mary Shelley.»
Although the
films Alibaba Pictures Group has invested in
like So Young (by actress - turned
director Zhao Wei, who is also a major shareholder
of the company) and Tiny Times (by popular writer Guo Jingming) have recorded remarkable box - office revenues, the company has yet to turn a profit, with a net loss
of HK$ 443.54 million for the first half
of last year.
We recently sat down with the band and the
film's
director to talk about what it was
like making the
film, how it came about and what the real message
of Hillsong United is.
While classification freed
directors to use explicit language in marvelous
films like Platoon and Something Wild and has allowed
films like Out
of Africa and Children
of a Lesser God to explore the complex nature
of human sexuality, it has also given us a series
of slasher
films — Friday the 13th, with its many parts; The Texas Chainsaw Massacre, parts one and two — and
films like Brian DePalma's artistically significant but deplorably explicit Body Double.
I find it fascinating when writers and
directors and even producers
of films about real people in the Bible read into what the people were
like and how they fill in the gaps
of the dialog, some I
like, others I disagree with, but it allows me to put flesh and blood on their bones.
RIP
director Jonathan Demme, who made
films like «The Silence
of the Lambs» and «Stop Making Sense,» which helped define their respective genres.
Even if the near future doesn't unfold
like the 2004 climate - gone - haywire
film The Day After Tomorrow, scientists need to be able to produce accurate models
of what abrupt change (more likely spanning hundreds or thousands or years, rather than days) would look
like and why it might occur, explains Zhengyu Liu, lead author
of the study and
director of the University
of Wisconsin — Madison's Center for Climate Research.
At this new exhibition, you are invited to step into Cameron's role as
director and
film scenes in 3 - D with a camera just
like the ones used in the making
of the movie.
The
film, which hits theaters February 16, is a modern twist on a romantic comedy (boy and girl meet, fall in love, but then break up, and are suddenly reunited, ending up in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming
of age story, the
likes of which we're only beginning to see onscreen as more women carve out a place for themselves in writer's rooms and
director's chairs.
Each
of the Mission: Impossible
films (based loosely on the 1960s TV series by Bruce Geller) has employed a different
director, ranging from rogues
like Brian De Palma and John Woo to the more respectable J.J. Abrams and Brad Bird, and Christopher McQuarrie fits right in.
As schematic as a popular entertainment needs to be yet refreshingly devoid
of significant lulls in the action — for exposition, weapon reloading, lovemaking and the
like — the
film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable debuts for first - time feature
director Mimi Leder and fledgling
film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)-- as well as ringing confirmation that George Clooney is indeed a movie star.
it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a
film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are
directors who don't care about cinematography or shots
of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just
like this big joke.
Like the
directors that so clearly inspired Affleck (William Friedkin, Sidney Lumet, among others) so often did with true stories turned into captivating entertainment, the actor /
director has made such a fine - tuned, well - oiled machine
of a
film.
This rambling
film, which feels much longer than its actual length, might have worked as a distaff version
of Nicolas Roeg's «The Man Who Fell to Earth» if it weren't for
director Glazer's decision to turn the movie into something
like a TV reality show.
I was not looking forward to it for the
director, as he has mostly done some pretty terribly reviewed direct - to - disc
films, but for the
likes of Sam Rockwell and Anna Kendrick as two leads.
This feels
like the best way to explain the prevailing attitude and atmosphere
of The Hobbit: An Unexpected Journey, the first in
director Peter Jackson's three -
film adaptation
of J.R.R. Tolkien's The Hobbit.
Handsomely mounted by Creed
director Ryan Coogler and starring an enviable slate
of black actors that makes cameoing comics godhead Stan Lee almost seem lost, the
film is provocative and satisfying in ways that are long overdue,
like its ornate, culturally dense production design and the deeper subtexts
of honor, compassion and destiny.
Yates was and is primarily a TV
director, having made his name on acclaimed series
like State
of Play and TV
films like The Girl in the Cafe.
The
film doesn't feel
like the usual corporate franchise contact high but, rather, the work
of a singular sensibility, that
of director / co-writer Ryan Coogler.
Like the real Wiseau, the Tommy
of this
film, played with uncanny accuracy by its
director James Franco, is a mystery.
In an effort to be noticed in Hollywood, Tommy decides to make his own movie (which he compares to the
likes of Tennessee Williams), and disregards his complete inexperience as a
film director.
Few
directors have single - handedly shaken up the
film establishment
like the godfather
of indie, Richard Linklater.
If you
like commentaries,
director Guillermo del Toro provides detailed insight into the
film that is still entertaining to listen to, and the rest
of bonus features go into even more detail on how the
film was put together.
Director Nora Twomey changes the
film's style for the fantasy story, transitioning from the sharp lines and solid colors
of the real - life scenes to animation that looks
like paper models in motion.
I'm sure that Jennifer Lawrence would attest to her commitment to the role
of Dominkia and assert her trust in
directors like Francis Lawrence (who also directed her in three Hunger Games movies) and Darren Aronofsky (whom she dated while
filming mother!
The future
of blockbuster
films such as these lie with
directors like Coogler (and Patty Jenkins, and Taika Waititi), ones who are bringing much - needed new life and ideas to the superhero genre.
Even with the presence
of a rare outright misfire (Third Person, from Crash
director Paul Haggis), SPC managed to boost its already - high average Metascore by a few points last year, thanks to widely praised
films like Mr. Turner (the year's # 2 drama, behind Boyhood), Leviathan (2014's best - reviewed foreign - language
film), and Sundance hit Whiplash.
When written out as a list
like this, one might expect the
film to go through these problems
like a tick - box
of «working - class misery», or for the inhabitants
of Bradford to be manipulated by a
director wanting to take pot shots at modern Britain.
Like Ceylan — like many a fine director — Coixet has made her film less as a drama than as the traversal of a state of mind, a m
Like Ceylan —
like many a fine director — Coixet has made her film less as a drama than as the traversal of a state of mind, a m
like many a fine
director — Coixet has made her
film less as a drama than as the traversal
of a state
of mind, a mood.
Like the abominable «Napoleon Dynamite,»
director Jared Hess» second feature will doubtless capture the hearts and minds
of 12 - year - old boys everywhere, even if Nacho Libre sacrifices the earlier
film's aggressive mean - spiritedness in favor
of gentle slapstick lunacy.
Like a good butcher's cleaver, it's weighty, solid and sharp — an effective matching
of director and star in what is hopefully the first
of a new
film series.
Even though he's put out hits and misses, German
director Wim Wenders has had an extraordinary career, balancing innovative narrative
films like Paris, Texas and Wings
of Desire with memorable documentaries The Buena Vista Social Club and Pina.
True to that mission,
director Hiromasa Yonebayashi delivers a family - friendly treasure every bit as enchanting as his two previous
films, «Arriety» and «When Marnie Was Here» (both made at Ghibli), with this tale
of a clumsy redheaded girl who's mysteriously granted access to an exclusive Hogwarts -
like school for witches.