Although best known as
the director of the cult classic films Blue Velvet, Mulholland Drive and the television series Twin Peaks, David Lynch is also a painter and designer.
Richard Linklater,
director of cult classics «Dazed & Confused» and «Before Sunrise», is back with a new bit of worthy (well, looks...
Good Kill is the latest feature film from Andrew Niccol, who sci - fi fans will know as the writer /
director of the cult classic Gattaca (1997) and more recently for In Time (2011).
From
the director of the cult classic, WOLF CREEK, Greg McLean, comes the supernatural thriller THE DARKNESS, opening nationwide?
Fred Dekker is the writer and
director of the cult classic films Night of the Creeps and The Monster Squad (written with Shane Black).
Not exact matches
Speaking about the film recently in Los Angeles, Cera — who in this film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer /
director Edgar Wright (who also did the zany
cult classics Shaun
of the Dead and Hot Fuzz) discussed the meaning
of the film, the stretching Cera had to go through for the role, and the way in which the film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly movie.
Driven largely by instinct and a
cult of personality, the company's one - time dream team
of «merchant prince» Mickey Drexler and «geek chic» creative
director Jenna Lyons transformed the sleepy American catalogue business into a retail success story and cultural phenomenon, widely loved for its tongue - in - cheek take on
classic, preppy tropes and famously embraced by former US first lady Michelle Obama.
Shane Carruth, the
director of the time travel
cult classic Primer 68, served as a consultant, while Emily Blunt, Paul Dano, and (an excellent but underused) Jeff Daniels round out the cast.
No one has apparently been able to answer the first two, but
director / star James Franco does a hell
of a job on the third in «The Disaster Artist,» the story
of Tommy Wiseau, the man behind a truly awful movie that became a
cult classic.
While
director and star James Franco's behind - the - scenes recreation
of Tommy Wiseau and Greg Sestero's
cult classic carries a lingering sense
of «having their cake and eating it, too,» the film is less focused on mocking the failures
of its source material.
Pavel Barter talks to
director Neil Jordan about the making
of his 1984
cult classic.
In it, four
of the film's essential crew members — special makeup artists Stephan Dupuis and Chris Walas,
director of photography Mark Irwin, and special effects supervisor Gary Zeller — talk about how they created the
cult classic's signature effect.
It's only been a day since we shared the official trailer for
director Hèctor Hernández Vicens» Day
of the Dead: Bloodline, a reimagining
of the late George A. Romero's 1985
cult classic zombie flick.
It did win the 1999 Russian Guild
of Film Critics Awards as the Best Film and German won Best
Director before becoming an elusive
cult classic.
Also on the nonfiction front, but decidedly more schlocky and a bit naughty and raunchy, is «Herschell Gordon Lewis: The Godfather
of Gore,» seeing release on Blu - ray alongside «The Blood Trilogy,» a one - disc DVD compilation
of three
of the
director's
cult classics.
Some
of cinema's guiltiest pleasures have followed this formula to great success, and though
director Joe Lynch's «Everly» desperately wants to join those ranks as the next
cult classic shoot - «em - up, it falls disappointingly short.
The good folks over at Arrow in the Head scored a brand new clip today from
director Hèctor Hernández Vicens» Day
of the Dead: Bloodline, a reimagining
of the late George A. Romero's 1985
cult classic zombie flick.
Blow Out became a
cult classic on video and is now regarded as one
of the
directors» very best works.
Now at last, Mitchell — best known as the
director and star
of 2001
cult classic Hedwig and the Angry Inch — releases his next film, How to Talk to Girls at Parties, in select theaters this month.
The ever - growing
cult behind Russell and his work will undoubtedly enjoy this riveting look back on the maverick
director right in the midst
of filming his chaotic
classic, which, negative press notwithstanding, ended up kicking off a series
of successes in the 1970s.
Coming from a
director credited for
cult classics such as The Craft and Dick, I had a level
of expectation for this film, which by the end
of the 90 minutes was not met.
0:00 — Intro 2:45 — Headlines: RIP Sidney Lumet, Wayne Kramer Drops Out
of Headshot, Will and Jaden Smith in M. Night Shyamalan's Sci - Fi Film, Michael Shannon is General Zod 18:30 — Review: Your Highness 43:10 — Review: Hanna 1:03:00 — Trailer Trash: Warrior, Anonymous 1:11:15 — Other Stuff We Watched: Arthur, 12 Angry Men, Taking On Tyson, Atonement, The Killing, Tough Enough, The Windmill Movie, Taxi Driver, The Toy, Three Kings 1:40:45 — Junk Mail: Reed, The Expendables 2
Directors, Spoilers, Unlikeable Main Characters, Comic Book Recommendations,
Directors We'd Like to See Direct a Documentary, Movies vs. Video Games,
Cult Classics 2:10:25 — This Week's DVD Releases 2:13:00 — Outro
On a very small budget, but with tons
of passion for filmmaking, an unknown
director would make one
of the most
classic cult films
of all time that not only was a head
of its time, but would become the number one movie responsible for a genre.
It took writer John Hodge and
director Danny Boyle 20 years to cook up a sequel to «Trainspotting», one
of the most talked about movies
of the 90's and a
cult classic.
The
cult classic in the making by first - time
director E.L Katz starts off innocently enough, just like a crime drama or an episode
of «Dr. Drew.»
Writer -
director Edgar Wright and writer - star Simon Pegg, the team behind the
cult -
classic zombie romp Shaun
Of The Dead, understand what Mel Brooks knew intuitively, but many of his successors don't seem to understand: The best point of attack is from a state of profound love and understandin
Of The Dead, understand what Mel Brooks knew intuitively, but many
of his successors don't seem to understand: The best point of attack is from a state of profound love and understandin
of his successors don't seem to understand: The best point
of attack is from a state of profound love and understandin
of attack is from a state
of profound love and understandin
of profound love and understanding.
We have three new images from
director Hèctor Hernández Vicens» Day
of the Dead: Bloodline, a reimagining
of the late George A. Romero's 1985
cult classic...
Writer /
director Michael Dougherty has given movie buffs everywhere a gift, not just in terms
of crafting an excellent film (one that's assuredly destined for
cult classic status), but in granting us the opportunity to surprise the hell out
of all
of our friends on Halloween night with a trippy little horror flick that they know nothing about.
It's been a couple
of months since we last heard anything new regarding the modern day remake
of director William Lustig's 1988
cult horror
classic Mania Cop.
Director Spike Lee (Do the Right Thing) continues his reign
of controversy with a retelling
of Park Chan - Wook's much revered Korean
cult classic, Oldboy (Oldeuboi).
Based on the award winning shorts from
director Jalmari Helander that have already acquired a
cult reputation on the internet, this re-imagining
of the most
classic of all childhood fantasies features a Santa that you won't want coming to town.
When James Franco set out to make «The Disaster Artist» — the behind the scenes story
of the making
of cult classic «The Room» — he knew he'd have a tough critic in «The Room»
director Tommy Wiseau.
As the much - anticipated sequel to his 1996
cult classic gets set for release, the English
director discusses the impact
of the original, that memorable opening monologue, and Brexit.
The good folks over at Arrow Video will be bringing a 4K restoration Blu - Ray release
of director Frank Henenlotter's 1982
cult horror
classic Basket Case, which...
James Franco's The Disaster Artist continues to add to its cast, with Variety reporting that Sharon Stone has signed on to play a Hollywood agent in the film, which charts the making
of the 2003
cult classic The Room and sees Franco portraying
director Tommy Wiseau.
Endearing and original,
director Dave McCary's Brigsby Bear takes some great risks ---- it kinda sorta plays out like Being There as imagined by the sibling team
of Sid and Marty Krofft ---- and the results are a future
cult classic that celebrates creativity and madness in many messed up yet warm «n» fuzzy ways.
The new film from
director Tyler MacIntyre (Patchwork), Tragedy Girls, is a savage and cynical satire full
of colorful off - color status quo commentary doubling as a paeon to slasher films and teen exploitation fare, particularly Michael Lehmann's 1988
cult classic, Heathers.
5:45 p.m. — 6:45 p.m.: THE DISASTER ARTIST»S JAMES FRANCO AND DAVE FRANCO Actor -
director James Franco and his brother, actor Dave Franco, join Vulture Festival to discuss their new film, The Disaster Artist, about the making
of the modern
cult -
classic The Room (known to its many fans as the greatest bad movie
of all time).
The sequel shares a
director with Keanu Reeves» instant
cult classic about a bad, bad man who kills a whole bunch
of even worse men to get vengeance for a very good dog, although stuntman - turned - auteur David Leitch's co-direction
of John Wick was uncredited.
After a series
of horror shorts,
director Fede Alvarez was finally given his big break into feature length filmmaking by being tasked with reworking the
cult classic horror Evil Dead.
Director Darren Lynn Bousman («Saw II,» «Saw III,» «Saw IV») turns his bloodthirsty lens on the Troma film vaults and comes up with a remake
of the studio's gleefully grody 1980
cult classic, about a trio
of ex-con brothers who return home from prison, only to discover that their house has a new family living in it.
Director Peter Strickland turned heads amongst
cult film circles with his Berberian Sound Studio, a lushly realized tip
of the hat to the
classic giallo styles
of the 1970s that honored the past while also working in Strickland's own unique...
With the home vid sector providing a hunger for genre product, David exhibited a commitment to stylishly executed horror works, including two from
director Jean - Claude Lord, the hospital horror
cult classic Visiting Hours (1982) and sci - fi / horror
of The Vindicator (1986); George Pan Cosmatos» paranoid infestation thriller Of Unknown Origin (1983), with Peter Weller; Sandor Stern's body - horror shocker Pin (1988); and, VHS hit The Dentist (1996) and its sequel (1998), from horror icon Brian Yuzn
of The Vindicator (1986); George Pan Cosmatos» paranoid infestation thriller
Of Unknown Origin (1983), with Peter Weller; Sandor Stern's body - horror shocker Pin (1988); and, VHS hit The Dentist (1996) and its sequel (1998), from horror icon Brian Yuzn
Of Unknown Origin (1983), with Peter Weller; Sandor Stern's body - horror shocker Pin (1988); and, VHS hit The Dentist (1996) and its sequel (1998), from horror icon Brian Yuzna.
After appearing in
cult classics like «Edward Scissorhands» (where he met equally eccentric
director, Tim Burton) and «Ed Wood,» Johnny's talent for portraying the free spirit became the buzz
of the red carpet, but he quickly proved to critics that there was even more to the rebellious actor, wowing them with dramatic roles in «What's Eating Gilbert Grape» and «Donnie Brasco» in the following years.
It shouldn't be a surprise that writers and
directors responsible for a
cult -
classic like RoboCop took a premise with enduring appeal and wrapped it in thematic material that was relevant at the time
of production.
The Room,
of course, is
director / writer / star Tommy Wiseau «s
cult midnight
classic, a movie made with significantly more passion than skill.
Digital & Blu - ray Bonus Materials Include: Deleted & Extended Scenes Four Featurettes «Reviving a
Cult Classic» «Making the Rounds» «Just What the
Director Ordered» «The Ultimate Question» DVD Bonus Materials Include: Two Featurettes: «Just What the
Director Ordered» «The Ultimate Question» FLATLINERS has a run time
of approximately 110 minutes and is rated PG - 13 for violence and terror, sexual content, language, thematic material, and some drug references.
Extras: Making Life Difficult — The Intense and Physically Exhausting Creation
of the Film, Being Mia — The Physical and Psychological Transformation into «Evil Mia», Directing The Dead —
Director Fede Alvarez re-imagines a
cult horror
classic, Commentary featuring Jane Levy, Lou Taylor Pucci, Jessica Lucas,
Director Fede Alvarez and Writer Rodo Sayagues, Featurette - Unleashing The Evil Force — Exploring the origins and design
of the new «Book
of the Dead», Featurette — Evil Dead the Reboot — Cast Rehearsals, Bruce Campbell, Deadites and more...
(2014) dir Jalmari Helander w / Samuel L. Jackson, Onni Tommila, Ray Stevenson, Victor Garber, Felicity Huffman, Jim Broadbent, Mehmet Kurtulus [110 min; DCP] The latest from the
director of the twisted Christmas
cult classic Rare Exports, BIG GAME is a rollicking adventure in the vein
of 1980s teen action movies.
WHY: After taking the festival circuit by storm with their home invasion thriller, «You're Next,» the writer -
director duo
of Adam Wingard and Simon Barrett seemed poised to deliver another
cult classic with this low - budget genre flick.