Sentences with phrase «director talking about their film»

«A Conversation with George Clooney and Alexander Payne» (11:58) finds star and director talking about their film with humor but seriousness.
The veteran character actor / director talks about his film, his past and «rumors» of George Lucas doing a special edition of «American Graffiti» ala «Star Wars.»

Not exact matches

Travis Knight joined «Boxtrolls» directors Anthony Stacchi and Graham Annable to talk to TheWrap about the film's long and tangled development.
Producer and director Davis Guggenheim talks about making documentaries, his new film It Might Get Loud, and the differences between Jack White, Jimmy Page, and The Edge.
We recently sat down with the band and the film's director to talk about what it was like making the film, how it came about and what the real message of Hillsong United is.
Every day we review new films, examine forgotten films, and talk to actors and directors about the movies they help create.
(LINK: Roger Moore talks with WWZ director Marc Forster about the film's troubled history and what he did to «fix» it.).
Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.
Naming names and letting people talk, this should be seen, and Kirby Dick (no kidding, that's the director) is a terrific filmmaker (THIS FILM IS NOT YET RATED, if you haven't seen it, please do - right now) and he obviously feels passionately about this.
Back in director Tim Miller's first film, the stakes were low and refreshingly simple — it was enough just to watch Reynolds do his wink - wink - nudge - nudge thing and chop some up some bad guys while talking smack about Hugh Jackman.
«I think the reason we had such an easy time talking about Lincoln and sharing a vision of Lincoln is that we both agree so deeply [that he] was an incredibly dextrous walker of tightropes,» said «Lincoln» screenwriter Tony Kushner, who joined Spielberg in the director's New York office to talk about the film.
You Were Never Really Here This grim, artful New York crime thriller about a tormented thug - for - hire (a rivetingly contained Joaquin Phoenix) confirms writer - director Lynne Ramsay («We Need to Talk About Kevin») as one of the most exciting and exacting film stylists of her generaabout a tormented thug - for - hire (a rivetingly contained Joaquin Phoenix) confirms writer - director Lynne Ramsay («We Need to Talk About Kevin») as one of the most exciting and exacting film stylists of her generaAbout Kevin») as one of the most exciting and exacting film stylists of her generation.
Director Kapur — who can be quite fascinating in person — provides a dull commentary track, not helped by the fact that he's trying to talk seriously about such an awful film.
De Palma is a deceptively simple documentary film: Director Brian De Palma sits in front of a fireplace for nearly two hours and talks about his life and career.
Talk about redemption: After dazzling us with his debut, You Can Count on Me (2000), writer - director Kenneth Lonergan got into studio trouble with Margaret — a neutered film that triggered a massive Twitter campaign (#teammargaret).
They're here for a good time, but also hopefully a long time: We talk with brothers Josh Safdie (co - writer / co-director) and Benny Safdie (co - director / actor) about their film Good Time, starring...
Dwayne Johnson talks about his latest film «Faster» by director George Tillman Jr. (Notorious, Soul Food)...
We were excited to talk to Danish director and Dogme 95 co-conspirator, Thomas Vinterberg, who was presenting his buzzed - about new film, The Hunt (starring Mads Mikkelsen and Thomas Bo Larsen).
At the Q&A after the film, the director and writer, Damien Chazelle took to the stage and talked a bit about J.K. Simmons performance.
We are, of course, talking about the film's director, writer, producer and star, Tommy Wiseau.
Following the exploits of the Paris police department's «child protection unit,» Polisse (which screened early on) helped to establish this year's Croisette - spanning theme of children in peril, which could be found to varying extents in fellow Competition entries Michael (kidnapping and pedophilia), Lynne Ramsay's We Need to Talk About Kevin (teenage sociopathy), Aki Kaurismäki's universally admired Le Havre (illegal immigration), and the Dardenne Brothers» Grand Jury Prize co-winner The Kid with a Bike (child abandonment); in the Directors» Fortnight entry Play (bullying); and in just about every film at the 50th - anniversary edition of the Critics» Week, from French actress - director Valérie Donzelli's opening - night Declaration of War (pediatric cancer) to Israeli actress - director Hagar Ben Asher's The Slut (pedophilia again), the fact - based 17 Girls (teen pregnancy), and the profoundly disturbing Snowtown, which recalled Henry: Portrait of a Serial Killer in its verité sketch of Australian serial killer John Bunting, who lured local youths into aiding and abetting his violent crimes throughout the NineAbout Kevin (teenage sociopathy), Aki Kaurismäki's universally admired Le Havre (illegal immigration), and the Dardenne Brothers» Grand Jury Prize co-winner The Kid with a Bike (child abandonment); in the Directors» Fortnight entry Play (bullying); and in just about every film at the 50th - anniversary edition of the Critics» Week, from French actress - director Valérie Donzelli's opening - night Declaration of War (pediatric cancer) to Israeli actress - director Hagar Ben Asher's The Slut (pedophilia again), the fact - based 17 Girls (teen pregnancy), and the profoundly disturbing Snowtown, which recalled Henry: Portrait of a Serial Killer in its verité sketch of Australian serial killer John Bunting, who lured local youths into aiding and abetting his violent crimes throughout the Nineabout every film at the 50th - anniversary edition of the Critics» Week, from French actress - director Valérie Donzelli's opening - night Declaration of War (pediatric cancer) to Israeli actress - director Hagar Ben Asher's The Slut (pedophilia again), the fact - based 17 Girls (teen pregnancy), and the profoundly disturbing Snowtown, which recalled Henry: Portrait of a Serial Killer in its verité sketch of Australian serial killer John Bunting, who lured local youths into aiding and abetting his violent crimes throughout the Nineties.
In it, four of the film's essential crew members — special makeup artists Stephan Dupuis and Chris Walas, director of photography Mark Irwin, and special effects supervisor Gary Zeller — talk about how they created the cult classic's signature effect.
Shacknews recently had a chance to talk to director Vince Bracken about the challenges of bringing this Play Set to life, including dancing around spoilers, the film's darker tone, and whether players can expect to see more figures and more Toy Box content in the future.
Director Peter Vack also talks about enlisting friend and costar Julia Garner as the film's lead
We talk about Avedisian's dual roles as actor and director, the aesthetic of the film, the difficulties of making comedies, and his writing process.
William Friedkin - the director of The Exorcist, perhaps the most famous horror film of all time, and The French Connection, one of the best films of the 1970s - talked to Mark Kermode about his long and distinguished career.
This featurette sees director Dean DeBlois talking about this sequel and how he feels the 3D format contributes to the audience experience and the overall success of his film.
The Oscar - nominated director talks about why he didn't rehearse with Reese Witherspoon, how he managed to shoot a film 65 percent outdoors, and his personal connection to Cheryl Strayed's story.
No Escape — This was very cool; the cast and crew talk about the aesthetic of the film (the way it's largely swallowed in darkness) and director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.
Actor Jack Reynor, who plays the titular Richard, joined director Lenny Abrahamson to talk about the film on the red carpet.
For someone who performs so many roles on this film [writer, director, producer, composer, editor, production designer, art director, costume designer, etc.], it seems like the screenwriting aspect gets talked about the least.
During B - D reporter Chris Eggertsen's recent discussion with director Brad Anderson about his latest film Vanishing on 7th Street (currently playing on VOD before it begins a limited theatrical run February 18th), the Session 9 helmer talked about the next project he'd like to get off the ground, serial killer flick Jack.
«Deadpool 2» opens with a bang, and director David Leitch talked to TheWrap about one specific fight scene at the beginning of the film that took a lot of time and effort.
Kristen Stewart talks with T4 about her role in the upcoming film «The Twilight Saga: Breaking Dawn — Part 1» aka Breaking Dawn by director Bill Condon stars Robert Pattinson (Bel Ami, Water for Elephants), Kristen Stewart (The Twilight Saga: Eclipse, The Runaways), Nikki Reed, Ashley Greene (Skateland), Taylor Lautner, (The Twilight Saga: New Moon, My Own Worst Enemy), Jackson Rathbone (S. Darko, The Twilight Saga: Breaking Dawn — Part 2), Dakota Fanning and Kellan Lutz.
Talk about ambitious: For his second film, following 2011's gut - wrenching murder story Snowtown, Aussie director Justin Kurzel has rounded up a stunning cast and gone straight for the most notoriously tough play on Shakespeare's résumé.
Sean Rom talks to director Tran Anh Hung about his filmmaking process, adapting Murakami's acclaimed novel Norwegian Wood to screen and presenting sensuality on film.
Its director, Tom McGrath, talked to Flickering Myth's Freda Cooper about why he wanted to make the film — and why the «micro manager» doesn't intentionally look like the current occupant of The White House.
Director Frederic Tcheng talks to Gadi Elkon of Selig Film News about his new film DIOR AND I. Frederic and Gadi discuss the process...
The «Tomorrowland» director also acknowledges he's talked with Lucasfilm about helming a «Star Wars» film, but insists he's focused on the Pixar sequel and other projects.
Instead of a silly film about a talking teddy bear, director and co-writer Seth MacFarlane raised the bar by leaving out the cuteness and focusing on the hardcore hilarity.
French actress and film director Julie Delpy who received the European Achievement in World Cinema award talks about her career, the struggles and challenges as a woman in a male - dominated industry, and about #MeToo - in our exclusive video interview
After only four films — Ratcatcher, Morven Callar, We Need to Talk About Kevin and You Were Never Really Here it's now apparent that Scottish director Lynne Ramsay has managed to forge her own particular style.
The iconic British director Terence Davies talks to Jason Solomons about his career and his latest film, Of Time and the City
The director of the Globe - nominated Holocaust film talks to Jason Solomons about why he chose to direct Bernhard Schlink's German fable, working with Kate Winslet and his personal odyssey as a film - maker
This week in home video releases features one of the most talked - about films of last year, a trilogy from one of America's best directors, a documentary about the people who launched the careers of John Belushi and Bill Murray, the sequel to one of the best horror films ever made, and much, much more.
The You Were Never Really Here director talks about her departure from the film Jane Got a Gun, and being labelled «difficult».
The Martian is one of the most talked about films of the year and has been named one of the best movies of the year by groups such as National Board of Review, which also awarded top honors to Ridley Scott for Best Director, Matt Damon for Best Actor and Drew Goddard for Best Adapted Screenplay.
After a six year break from features, director Lynne Ramsay (We Need to Talk About Kevin) is back with You Were Never Really Here, a film that looks to be a cross between Taken and Taxi Driver.
«Passion Project: Martin Rosen on Watership Down» (16:21) lets the film's screenwriter - director - producer talk about making the film with no prior experience in animation and with no participation by author Richard Adams.
City of God and The Constant Gardener director Fernando Meirelles talks to Jason Solomons about his new film Blindness, working with cinematographer César Charlone and his dream of making a hopeful, funny film
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