Not exact matches
This kind
of disaster was the premise
of the 2013
movie «Gravity» starring Sandra Bullock and George Clooney.
Groups
of young friends who go to see some
of the more death - focused horror films in vogue
of late will routinely take bets on which stock character will face a grisly end soonest, as when viewing the Final Destination series» a film series that is, essentially, the apex
of the set - piece
disaster horror
movie as orchestrated by MacGyver.
He's enthusiastic about bad
disaster movies and sci - fi, and sometimes falls asleep in front
of them when Jessica is away.
That style
of preparation also resonates with the plots
of popular disease -
disaster movies, like the recent Contagion.
Hollywood went to work on a series
of moderately ludicrous
disaster movies — Deep Impact, Armageddon, and Asteroid (featuring the other guy from The Terminator).
We've all seen the
movies, we know the
disaster scenarios: Extraterrestrial spores return from outer space, and in no time the citizens
of Earth are heaps
of dust or brain - dead zombies.
Still, he decided to revisit the genre one more time to cowrite and direct a
movie about the greatest
disaster of them all: 2012.
Soon after the Fukushima
disaster, local politicians and national
movie stars ate cucumbers to demonstrate the safety
of local produce.
A researcher from the University
of Southampton has produced a scientific study
of the climate scenario featured in the
disaster movie «The Day After Tomorrow».
Adding a scene
of inexplicable hippo violence in an otherwise generic
disaster movie does nothing except remind me
of how much wasted potential is up on the screen.
«World War Z» explodes right after the opening scenes, in which we see warnings that things are going awry: news reports
of feral animals and dead dolphins, roving mobs and rioters — the usual premonitory noise that opens any
disaster movie.
The
Disaster Artist is an attempt to tell the story about the making
of Tommy Wiseau's The Room, and the friendship behind it, and their dream to become famous, and make a
movie that everyone would love.
The result is everything a
disaster movie should be, a combination
of soap opera and the spectacle
of destruction.
Featuring an all - star cast (Paul Newman, Steve McQueen), the
movie delivers the goods
of a well - crafted
disaster flick, but strangely, it was nominated for the Best Picture Oscar.
Big dumb
disaster movies like 2012 and small indies like The Divide (about an underground bunker full
of jerks who fail at survivalism but excel at destroying each other) and the upcoming apocalypse - themed Seth Rogen comedy The End
of The World are all surfing the trending death - wave.
A workmanlike cross between a
disaster movie and a caper - chase flick... the film never rises to the promise
of its awesomely literal title.
Oblivious to both narrative logic and the laws
of physics, the cliché - filled San Andreas doesn't nearly have the star power
of earlier, better
disaster movies it borrows from like «The Poseidon Adventure,» «Earthquake» and «The Towering Inferno.»
The Towering Inferno is a brawny blockbuster
of a
movie, by far the best
of the mid-1970s wave
of disaster films.
As he did with Saving Private Ryan and the war
movie, Spielberg injects a genre we take for granted — the
disaster epic — with the revivifying power
of moral seriousness.
«The Towering Inferno» laid the foundation for good
disaster movies to come, both in being huge budget and cast wise, and with great special effects that accompany a story that makes you glad you're not one
of the people you're watching on the screen.
It also helps that I'm a big fan
of these type
of «
disaster movies», which were so wonderfully frequent during the 90's.
You can admire a
movie like Steven Soderbergh's «Contagion» (2011), a realistic rendering
of civil breakdown caused by a spreading pathogen, but the horror - film version
of disaster in «World War Z» stretches the senses to take in more than you may expect.
Having said that, the
movie never quite becomes a
disaster of Catwoman - like proportions thanks to Lawrence's intriguing directorial choices and the uniformly superb performances - starting with,
of course, Reeves.
Since
disaster movies always come in pairs, 2013 also brings Antoine Fuqua's Olympus Has Fallen (March 22), which also depicts a terrorist infiltration
of the White House, though one where Aaron Eckhart is the Commander in Chief and Gerard Butler is the bad - ass Secret Service agent.
tape the paper to your tv and haver the most annoying person in the world read the script you banged on ur keyboard and u have an Oscar worthy film if an Oscar judge just walked out
of disaster movie.
Don't go see this
movie it is a total
disaster movie and it's one
of my least
The
disaster artist is about the making of the cult movie «The Room», so you should see that first instead to appreciate «The Disaster Artist»
disaster artist is about the making
of the cult
movie «The Room», so you should see that first instead to appreciate «The
Disaster Artist»
Disaster Artist» better.
The
Disaster Artist is a comedy about the making
of The Room, which is widely considered to be one
of the worst
movies ever made, if not the worst.
Based on that tell - all (which Mr. Sestero wrote with Tom Bissell), «The
Disaster Artist» recounts both the making
of a friendship and the absurdly inept
movie it produced.
Disaster Movie follows the comic misadventures of a group of ridiculously attractive twenty - somethings during one fateful night as they try to make their way to safety while every known natural disaster and catastrophic event - asteroids, twisters, earthquakes, the works — hits the city and their path as they try to solve a s
Disaster Movie follows the comic misadventures
of a group
of ridiculously attractive twenty - somethings during one fateful night as they try to make their way to safety while every known natural
disaster and catastrophic event - asteroids, twisters, earthquakes, the works — hits the city and their path as they try to solve a s
disaster and catastrophic event - asteroids, twisters, earthquakes, the works — hits the city and their path as they try to solve a series
of
Fortunately for most audiences — although perhaps unfortunately for midnight -
movie sadomasochists — The
Disaster Artist leans heavily toward the latter, its sublime storytelling and central performances courtesy
of Franco (as Wiseau) and his brother, Dave (as Sestero), twisting and then elevating The Room's ultimate legacy into something approaching high art.
By focusing on the creation
of one
of contemporary cinema's most beloved «so bad it's good»
movies, «The
Disaster Artist» weaves a potently funny and bizarrely heartwarming story about dreams, determination, creativity, and friendship.
And now director James Franco has made «The
Disaster Artist,» a
movie about the making
of a flop / hit and a genial if strangely mild ode to dreamers and strivers everywhere.
«The
Disaster Artist» is a good
movie about the making
of that bad
movie, which is a lot harder to pull off.
Both San Andreas and Rampage are directed by Brad Peyton, and they share a bland
disaster -
movie sameness — you get a lot
of Johnson flying around in a helicopter, surveying damage, trying to warn people
of impending natural
disaster.
Director Ang Lee creates a groundbreaking
movie event about a young man who survives a
disaster at sea and is hurtled into an epic journey
of adventure and discovery.
No one has apparently been able to answer the first two, but director / star James Franco does a hell
of a job on the third in «The
Disaster Artist,» the story
of Tommy Wiseau, the man behind a truly awful
movie that became a cult classic.
The giggles - and - grins vibe
of The
Disaster Artist reinforces the perception he's merely dabbling in
movies as a lark.
An ode to bad taste and dubious intentions, the ha - ha comedy «The
Disaster Artist» involves one
of the favorite topics
of the
movies: itself.
While Franco's
movie is based on a book, which provides a foundation
of truth all its own, much
of the entertainment value in «The
Disaster Artist» lies outside
of the film itself.
In the pantheon
of movies about the making
of a
movie — 1995's «Living in Oblivion,» 1999's «Bowfinger,» 2000's «State and Main,» and 2008's «Tropic Thunder» — «The
Disaster Artist» is closest to 1994's «Ed Wood.»
Greg Sestero (Dave Franco, left) and would - be filmmaker Tommy Wiseau (James Franco) attend their opening night in «The
Disaster Artist,» a chronicle
of a beloved bad
movie in the «Ed Wood» vein.
However, San Andreas is a great example
of how to put a
disaster movie on film, the basic thin story and characters aside, this film definitely provides a great workout for your home theater system.
The set
of Tommy Wiseau's 2003
movie The Room, dramatized this year in James Franco's The
Disaster Artist, was such a circus.
This environmental
disaster movie documents the tragedy when the Exxon Valdez dumped 11 million gallons
of oil into Alaska's Prince William Sound.
Spanglish is Brooks» unqualified kitchen
disaster - a desperate, shapeless, overreaching big - screen sitcom
of a
movie that just wants to be loved.
Nonetheless, The
Disaster Artist remains a loving tribute to Wiseau's creation, because sneakily hidden in the perfectionism
of its recreations is the earnest belief that sometimes bad
movies can leave as lasting an impression as the good ones, if not more so.
A psychological mystery laced with environmental
disaster and alien - scary juju, Alex Garland's elegantly unsettling Annihilation is here to shake up your night at the
movies in the most mind - bendy way possible, but without foregoing the pleasures
of an ambitious sci - fi entertainment.
Into this season
of the Serious
Movie, when every other film seems to speak to the troubled times in which we actually live, the fact - based, yet farcical «The
Disaster Artist» blows like a fresh breeze, throwing open a window through which we may escape, briefly, from ugly reality.
«The
Disaster Artist» is one
of the best
movies of the year and also easily one
of the funniest.