Such works articulated her fascination with the photographic process and its reproduction, while raising post-structuralist
discourses on authorship, originality and history, from which they partly derive.
In conjunction with SHERRIE LEVINE: MAYHEM, a panel of scholars and artists, including David Joselit, Zoe Leonard, and Elisabeth Sussman, will explore how Levine and other artists have generated
discourse on authorship, originality, and reproduction, and in turn, instigated new critical approaches to the art historical canon.
Not exact matches
Read Warfield and his concurrence model
on the issue, read Kevin Vanhoozer (Is There a Meaning in This Text), read Nicholas Wolterstorff and his notion of deputized
discourse (in Divine Discourse), read William Alston and so many others that provide conceptual frameworks for understanding the dual authorship of S
discourse (in Divine
Discourse), read William Alston and so many others that provide conceptual frameworks for understanding the dual authorship of S
Discourse), read William Alston and so many others that provide conceptual frameworks for understanding the dual
authorship of Scripture.
Discourse surrounding Levine's practice has tended to focus
on the problem of
authorship and the subversion of the unique art object.