Art critic Minoru Shimizu observes
of Caivano's work as follows: «Her art is an endless collage, composed
of varied brushstrokes and unpainted white
areas, individual works and the walls
of the exhibition space, and the overall installation and position
of the viewer... Caivano's installations are like
paintings, the individual works performing in the same way as separate strokes
of the brush, and her
paintings are like installations composed
of discrete touches
of paint.