Sentences with phrase «discuss the following art»

Jennie Hirsh, Katherine Rochester, and Robert Storr join moderator David Cohen to discuss the following art exhibitions: JG: A Film Project by Tacita Dean, Arcadia University Art Gallery Christine Hiebert, Gallery Joe Joyce Robins: Ceramic Painting / Painted Ceramic, Rosenwald - Wolf Gallery, University of the Arts White Petals Surround Your Yellow Heart, Institute of Contemporary Art, University of Pennsylvania

Not exact matches

The 2007 Best of the Hot List features articles discussing whether a sell discipline is more of an «art» or a «science» and the selection process behind the strategies we follow.

Dexter, Season 8, Episode 9: Producer Scott Reynolds sits down with Writer Karen Campbell to discuss writing episode nine, followed by an interview with the art department on Dexter.

You'll hear Emily discuss her timeliest novel to date; have time to explore Cheekwood's art collection and 12 unique garden settings; and enjoy a reception with Emily and other readers following her conversation.

Follow the Reader, an incredibly informative publishing blog, has been running a series of posts entitled Fine Arts of Marketing, Publicity + Advertising in which they discuss, well, book marketing, publicity and advertising.

Follow and participate in the game's development on our website, where Ron, Gary and other members of the team will discuss behind - the - scenes art, designs, information, cooking, gossip, answer questions, get feedback and generally have a lot of fun *.

Art Director Matt Kuzminski and Lead Environment Artist Tristan Brett discuss the design process and philosophy they used to create the following game worlds:

In the following video, produced by the Metropolitan Arts Centre (MAC), Belfast, artist Helen O'Leary discusses her artistic background and the origins of her current body of work.

Ken Johnson, Edith Newhall, and Eileen Neff join moderator David Cohen to discuss the following exhibitions: Rodney McMillian: The Black Show Institute of Contemporary Art

To learn more about her work, and to discuss the way that art helps to build communities, Artspace chairman Christopher Vroom visited the artist's Brooklyn studio for the following videos as part of U.S. Trust's «Heritage Meets Innovation» series.

Coordinated by the Arts Council of England and held at the Tate Gallery, London, the symposium discussed the following topics: Recoding the International; Art, History and the Modern Museum; Beyond Diversity and Difference; Curatorship and International Exhibitions.

Following our conversation with Edward Winkleman and Murat Orozobekov, the co-founders of Moving Image, we discussed with some of the participants about the relevance of the Moving Image art fair and the uniqueness of video as an artistic medium: with Paula Alzugaray (independent curator, São Paulo, Brazil) and Sabine Brunckhorst (collector, Hamburg, Germany) about their perspective on the fair from a curator's and a collector's perspective, and with gallerists Serra Pradhan (Marianne Boesky Gallery, New York, NY, USA), Catharine Clark (Catharine Clark Gallery, San Francisco, CA, USA), Barbara Polla (Galerie Analix Forever, Paris, France), Catlin Moore (Mark Moore Gallery, Culver City, CA, USA), Wagner Lungov (CENTRAL Galeria de Arte, São Paulo, Brazil), Nancy Atakan (5533, Istanbul, Turkey), Lise Li (Vanguard Gallery, Shanghai, China), Kelani Nichole (TRANSFER, Brooklyn, NY, USA), Asli Sumer -LRB-.

It is this and also other elements, which I will discuss in this article, that influenced many to link the work of Claude Monet to the Abstract Art movement that followed.

In his essay, A Lawless Proposition, Paul Chan discusses the perpetual question of why (and how) art comes into being, and touches on a particular phenomenon that some artists engage in their work, at times against their will — when the process of making creates the work of art itself: «By following the contours of this internal reasoning, a work takes on an uncanny quality that comes from it being an outgrowth of the experience of something becoming aware of becoming itself.»

Interview with artist Kellen Chasuk following the opening of her solo show «Plastic Flowers» t Stephanie Chefas Projects to better know her and her work by discussed her art experiences, the content or her work and the choices she made in displaying it, as well as her creative practice and what she has coming up.

The book's editor, Vincent Katz, discusses the philosophy of the college's founders, the Bauhaus principles followed by art instructor Josef Albers, and the many interactions among the arts in the college's later years.

Fred Lazarus, the former president of the Maryland Institute College of Art, discusses the need for cities such as Baltimore to cooperate with artist - run spaces to make them safer places, following the Ghost Ship fire in Oakland where at least one MICA alumn died.

Art historian Rebecca Zorach will discuss McIlvaine's paintings and murals, followed by a screening of films from the Don McIlvaine Collection housed at Chicago Film Archives.

Following the film, Tom Learner and De Wain Valentine discuss the creation of this monumental work of art and his thoughts on approaches to its conservation.

11.00 am Vanessa Müller (Director, European Kunsthalle) introduces the themes of the day and presents European Kunsthalle, followed by Q&A with the audience 12.00 pm Rachel Mader (Researcher, Lucerne University of Applied Sciences and Art) discusses the production of institutional identities, followed by Q&A 1.00 pm Break 2.00 pm Lecture by Simon Sheikh (Programme Director MFA Curating, Goldsmiths College) followed by Q&A 3.00 pm Discussion with all participants moderated by Nicoletta Lambertucci (Curator, DRAF) and Simon Sheikh (Programme Director MFA in Curating, Goldsmiths College) followed by Q&A

In the following conversation, Christian discusses key concepts within the exhibition and his wider practice with Camden Arts Centre curator Gina Buenfeld.

Following the performance, the artists discuss their experiences with art, interdisciplinary practices, civic engagement, and collaboration.

2.00 pm Welcome introduction 2.15 pm Jens Maier - Rothe (Co-Director, Beirut) presents the not - for - profit art initiative and exhibition space in Cairo (EG), Beirut 2.45 pm Luis Silva and João Mourão (Co-Founders, Kunsthalle Lissabon) present the Lisbon - based (PT) Kunsthalle Lissabon as an institutional hoax 3.15 pm Kristine Siegel and Rhea Dall (Co-Directors, PRAXES) speak about PRAXES Centre for Contemporary Art, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Driart initiative and exhibition space in Cairo (EG), Beirut 2.45 pm Luis Silva and João Mourão (Co-Founders, Kunsthalle Lissabon) present the Lisbon - based (PT) Kunsthalle Lissabon as an institutional hoax 3.15 pm Kristine Siegel and Rhea Dall (Co-Directors, PRAXES) speak about PRAXES Centre for Contemporary Art, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm DriArt, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Driart and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Driart and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Driart institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Drinks

Coordinated by the Arts Council of England and held at the Tate Gallery, London, the symposium discussed the following topics:...

The film follows a standard narrative format, except that, during the film, the actors occasionally break from character mid-scene to discuss the pressing issues of contemporary art.

After the opening and the dinner at Nobu following the show, the art - world crowd moved to Andre Balazs's new hotel in Marylebone to discuss the biggest upcoming auctions of the week at Sotheby's and Christie's.

The trio discussed the relationship between Freilicher and Wilson and helped put the women's art practices into the context of the art movements of their time and the ways each followed their own inspiration and unique visions to make their paintings and art.

For Tuesday Evenings, Daignault discusses her love of Impressionism and its continued influence, both on conceptual art and her work, in «Lasting Impressions: following in the footsteps of the Impressionists in contemporary painting.»

Panel Discussion: Mural Art in Public Spaces present by LISA Project and NYCxDesign ↑ Cooper Union, Great Hall May 16th, 2:00 pm Join artist Ron English, Paper Mag's Carlo McCormick, real estate magnate Sean Corcoran, artist Tatyana Fazlalizadeh and Wayne Rada, creator / curator of L.I.S.A. Project and founder of the LoMan Art Fest, moderated by RJ Rushmore as they discuss the role of street art and mural arts on Lower Manhattan — both inside and out, followed by a Secret Walls battle at Cooper SquaArt in Public Spaces present by LISA Project and NYCxDesign ↑ Cooper Union, Great Hall May 16th, 2:00 pm Join artist Ron English, Paper Mag's Carlo McCormick, real estate magnate Sean Corcoran, artist Tatyana Fazlalizadeh and Wayne Rada, creator / curator of L.I.S.A. Project and founder of the LoMan Art Fest, moderated by RJ Rushmore as they discuss the role of street art and mural arts on Lower Manhattan — both inside and out, followed by a Secret Walls battle at Cooper SquaArt Fest, moderated by RJ Rushmore as they discuss the role of street art and mural arts on Lower Manhattan — both inside and out, followed by a Secret Walls battle at Cooper Squaart and mural arts on Lower Manhattan — both inside and out, followed by a Secret Walls battle at Cooper Square.

In the following conversation, Andreas Gursky and Richie Hawtin discuss their collaboration with art historian Laura Käding.

Leading the evening will be a conversation discussing the alliance of visual art and music moderated by Dr. Christa Clarke, Senior Curator of Arts of Global Africa at Newark Museum, followed by a viewing of Shonibare's Un Ballo in Maschera, and a culminating live musical performance from Chop and Quench!

Discussing two of the included artists, Pantyhoe $ and Meme Gold, Post said the pair «took memes offline, bringing the URL IRL; neither of them identified as artists — there was no role for the artist to follow and no regulations,» arguing this is a nod toward the subversive freedom of art icons like Marcel Duchamp, Joseph Beuys, Sherrie Levine, and Jenny Holzer.

Faced with painting's imposing history and the diminishment of the medium by newer art forms, recent painters may have found themselves in similarly «minor» situations; the provisionality of their work is an index of the impossibility of painting and the equally persistent impossibility of not painting.Exhibition Schedule Following are current and upcoming solo shows by some of the artists discussed:

Indeed, as curator Simon Morrisey explains in the following conversation, the exhibition was, in many ways, a collaborative exercise in extrapolation and reframing: ideas are drawn out of artists» works and discussed with other artists; information and data woven between art pieces to change the way in which we would expect them to be interpreted; insights are taken from history or speculative fiction and imposed over works to achieve the same end; and eventually, artworks are installed together to create a composite tableau.

In the following interview, Art Meyer, sales associate with Berkshire Hathaway HomeServices New England Properties in Ridgefield, Conn., discusses reaching millennial homebuyers and sellers through a strong social media presence.